Opera+Review

There is a rising sun in the chest of "Taking Tiger Mountain Outward"

Singer: Tong Xiangling Business: Old student

Tong Xiangling plays Yang Zirong.

[Huang Er guide plate]

Split the thorns and fight in the enemy's heart,

[Huilong]

Looking into the distance, I want comrades-in-arms and soldiers to join hands and prepare to fight wolves.

More aroused my high morale!

[Adagio]

The party has placed infinite hopes on me.

Comrades are very serious at the meeting of branch Committee members.

Give me the power of a thousand counsels,

A burning heart warms my chest.

[Fast third eye]

Be brave, be careful, remember,

Because of courage, but also because of resourcefulness and strength.

Every word of the party is a guarantee of victory.

Mao Zedong Thought shines forever.

[original board]

Hu Wei is actually a barrier layer after layer.

The underground passage of the Ming bunker is fortified everywhere.

The leadership's plan is wise and well deployed.

If you storm, it will cause heavy casualties.

I've known the enemy like the back of my hand for seven days,

Writing in secret, hiding military information with you.

Sending messages at dawn, pretending to wander around,

Why did you suddenly increase posts and posts? The situation is abnormal!

If this message doesn't get out, the plane will be destroyed by mistake.

Sorry for the people, sorry for the party,

[26]

Don't hesitate on New Year's Eve.

The sword will also break through,

Overcome all difficulties and go down the mountain.

The mountain is too high to get in the way,

There is a rising sun on my chest.

Peking Opera is one of the traditional operas formed in Beijing with a history of nearly 200 years. On the basis of Anhui Opera and Han Opera, it gradually evolved by absorbing the advantages and specialties of some operas such as Kunqu Opera and Shaanxi Opera. Huizhou Opera entered Beijing in A.D. 1790 (the 55th year of Qing Qianlong). The earliest Huizhou Opera Troupe entered Beijing was the prestigious "Sanqing Class" in Anhui. Later, there were four classes in Beijing, such as "Four Happiness", "River Lip" and "Chuntai", which were collectively called "Huizhou Class Four".

The formal formation of Peking Opera was about twenty years in Daoguang (1840). At this time, various aria formats of Beijing Opera have been preliminarily established, the language characteristics of Beijing Opera have been formed, and the role of Beijing Opera has also undergone new changes. A number of plays with the characteristics of Peking Opera have appeared, and the first generation of Peking Opera actors have also appeared: Yu Shengsan, Zhang Erkui and Cheng Changgeng are called the "three Ding Jia" of old pedants, and there are also old actors and Peking Opera. Cheng Changgeng is a representative figure in this period. He made more efforts than other Peking Opera actors in the same period in integrating Han Hui tune and absorbing Kunqu opera to transform and improve it. He made a great contribution to the formation of Peking Opera performance art and played a great role in the development of Peking Opera in later generations.

Peking Opera music belongs to the banqiang style, and the lead singers are Huang Er and Xipi, so Peking Opera is also called "Pihuang". Other commonly used vocals in Beijing Opera are Nanbangzi, Siping Tone, Gaobazi and Chui. There are more than 1000 kinds of traditional operas in Beijing Opera, and more than 300 kinds are often performed. Among them, besides Anhui Opera, Han Opera, Kunqu Opera and Shaanxi Opera, quite a few of them were created by Beijing Opera artists and folk writers. Beijing opera is good at expressing political and military struggles with historical themes, and most of the stories are taken from historical romances and novel scripts. There are not only the whole drama, but also a large number of passbook dramas, in addition to some series.

The role of Beijing opera is divided into seven lines: health, Dan, purity, ugliness, martial arts and fashion (walk-on), and then into four lines: health, Dan, purity and ugliness.

Since the formation of Beijing Opera, a large number of outstanding actors have emerged. They have contributed to the innovation and development of Beijing Opera in singing, performance, repertoire and character modeling, and formed many influential schools. Such as Cheng Changgeng, Yu Sansheng, Zhang Erkui, Tan Xinpei, Wang Guifen, Sun Juxian, Wang Xiaonong, Liu Hongsheng, Wang Hongshou, Yu Shuyan, Gao Qingkui, Yan Ju Peng, Zhou Xinfang, Ma Lianliang, Yang Baosen, Tan Fuying and Li Shaochun. Xiao Sheng, Xu Xiaoxiang, Cheng Jixian, Jiang Miaoxiang and Ye Shenglan. ; Present were, Huang Yueshan,,, Shang, Li, etc. Dan Jiao Mei Qiaoling, Yu Ziyun, Tian Guifeng, Mei Lanfang, Cheng, Xun Huisheng, Shang Xiaoyun, Feng, Xiao Cuihua, Gong Yunfu, Li Duokui, etc. Jing Jiao Mu Fengshan, Huang Runfu, He Guishan, Qiu Guixian, Qiu et al. Clown Liu Gansan, Yang Mingyu (originally Kunqu Opera, joined Beijing Class), Wang Changlin, Xiao Changhua, etc. In addition, there are famous pianists such as Sun, Mei Tian,,, and so on. Famous drummers include Hang, Bai and Wang.

Mei Lanfang is one of the most outstanding Peking Opera performers. Representative plays include Cosmic Front, Farewell My Concubine, Drunkenness of the Imperial Lady, Broken Bridge in Water War, Strange Couples, Dream in the Garden, King Mu Kezhai, Mulan Joining the Army, Anti-Jin Bing, Life and Death Hate, Xi Stone, Luo Shen's Old Age and so on.