Basic principles of color setting in Chinese painting

The basic principle of Chinese painting coloring is to color classes. According to China Writers' Network, the basic principle of Chinese painting coloring is to assign colors according to categories, and six methods are important measures of Chinese painting aesthetics, including six principles of vivid charm, brushwork, pictographic image according to categories, color setting according to business position, and transformation modeling, involving six techniques of vivid expression, brushwork, modeling, color setting, composition and copying of Chinese painting. Among them, Color with Class briefly points out the basic principles of color matching in Chinese painting. "Coloring with the class" is not based on the real color of the object, but on the sympathetic image of the aesthetic subject, emphasizing the subjective initiative of aesthetics. It takes everything far away and gets the source of the heart from it. It combines far and near, spring and summer, autumn and winter, sunny and rainy, cold and summer, and appeals to Danqing one by one, realizing the unity of subjective and objective through the resonance of mind and matter. "Classification and color setting" is a challenge to the color system of "Li" in Han Dynasty, which can be called the color aesthetic program of Chinese painting and directly affects the trend of color art in later Chinese painting. Correspondingly, in the painting history of China, You Chuntu by Zhan Ziqian, Jin Bi Shan Shui by Li Sixun and his son, You Chuntu by Zhang Xuan, Rammed Earth Map and Colorful Flowers and Birds appeared successively. With the prosperity of the Palace Painting Academy in the Five Dynasties and the Northern Song Dynasty, meticulous Chinese painting became more exquisite and continued to reach its peak in the Song Dynasty.