How to understand the beauty of "paradox" in Chinese painting

Modeling features advocate that modeling is not limited to form, or even "beauty lies between similarity and dissimilarity", which is another prominent feature of Chinese painting. The image-building of Chinese painting is for the lyrical expression of the author, so China painters dare to abandon the external form of the object and make some appropriate artistic exaggeration to strengthen the expression of the author's feelings. China painters are good at grasping the essential features and facial expressions of objects, and flexibly expressing objects with their unique artistic language. At the same time, in order to distinguish between primary and secondary guests and give people full enjoyment of beauty and full expression of emotions, they skillfully combined personalized composition and decoration techniques. Therefore, it is another feature of Chinese painting not to stick to the composition and layout of a specific time and space. Sometimes the description of the environment is completely omitted, the blank is boldly used, the theme is highlighted, and the audience's association and imagination are used freely. The composition of Chinese painting not only closely combines the "quotient" of the depicted content, but also emphasizes the contrast and echo of the changes of color, line and shape in the plane layout. The correspondence between reality and reality, density, opening and closing, ups and downs, simplification and convergence is also a very prominent feature.