Young people challenge traditional storytelling videos.

There is a program in Lecture Room called Yi Zhongtian Nailing the Three Kingdoms. Professor Yi Zhongtian once talked about the world on the stage, gossiping about his merits and demerits, which once attracted the national "Three Kingdoms fever".

It's just that it's hard to see excellent "Three Kingdoms" works in various big stages and even film and television works in the future.

In fact, there are many film and television works about The Three Kingdoms, but there are not many related cultural variety shows. At this time, Degang Guo chose to challenge the theme of "Three Kingdoms" in his new storytelling program "Lao Guo has a new fan", which is commendable.

Many people were puzzled when Degang Guo suddenly went to talk about storytelling. Why does he talk about storytelling when he can't speak cross talk, be a host or even make a movie?

However, people who are familiar with Degang Guo actually know that he was originally a "saint". At the earliest time, I studied storytelling, and later I studied cross talk and opera. Although these businesses are still somewhat different in details, in the final analysis, they all eat by mouth.

Therefore, even when it comes to storytelling, he also speaks his own style of "Guo storytelling", not just doing nothing, but Guo is adding more traffic and inheritance to the storytelling industry in his own way.

Nowadays, all kinds of variety shows tend to be impetuous and superficial, and most viewers are more willing to accept something with strong entertainment. "Lao Guo has a new fan" is the successful product of the combination of entertainment and culture.

From the perspective of storytelling, it is not prominent that Lao Guo has a new fan, but the most successful part of this program is that it has the characteristics of Degang Guo, and the most important part is the "gossip" part.

In this part, Degang Guo will talk about his own rumors and Deyun Society. A lot of content seems to have nothing to do with the "Three Kingdoms", but he can successfully start again.

For example, in the third issue, Degang Guo directly discussed some bad rumors of his own years, and also talked with his old friend Yu Qian about something in 7788. After doing this, he can seamlessly connect with the theme of the reflection, which is the first time to mix them together.

It is this that is the most beautiful part of Degang Guo's program. Compared with the traditional storytelling of Dan Tianfang and others, Degang Guo's storytelling is actually a mixed storytelling of traditional opera and stand-up crosstalk, which is also his innovation in storytelling.

Some viewers just want to listen to Degang Guo's gossip, while others come to see what new ideas and viewpoints he will bring to the Three Kingdoms in the form of cross talk. After all, the story of the Three Kingdoms has been read many times in Yi Zhongtian's Three Kingdoms and Romance of the Three Kingdoms.

Sure enough, every issue can see Degang Guo's new ideas about old allusions, and at least most of the audience understand that The Romance of the Three Kingdoms is really just a novel.

Therefore, after watching several programs, we will find that the biggest selling point of Degang Guo's program is "The Story of the Three Kingdoms with Degang Guo Characteristics". In his lifelike role-playing, the audience can bring these performances into the situation of the characters more effectively, which is particularly interesting.

Many people learned from Lao Guo's New Fan that the "Three-Yuan sworn relationship between Liu Zhang and Tao" in The Romance of the Three Kingdoms does not exist, and that Liu Bei had chosen "naked resignation" on the spur of the moment, and even learned that Zhang Fei was a Pisces, Liu Bei was a Scorpio and Guan Yu was a strange knowledge of cancer.

Although he comes from an ordinary family and has an average education level, he has to admit that Degang Guo is a man of artistic integrity. He has been spreading China traditional culture in his own way.

A phenomenon can be found from the program "Lao Guo Xin Fan": what the audience likes to watch is not necessarily the story, but how the storyteller tells the story in his own way.

Degang Guo, who has worked hard in the society for so many years, naturally knows what the audience likes, so what he says from miscellaneous words is what the audience likes to hear.

So what we hear in Lao Guo has a new fan is more about thinking about life from allusions, such as "jumping out of the comfort zone", and associating some phenomena in the real society from allusions, that is, discussing the present from the past.

Some people say that Degang Guo didn't do it for the sake of traffic, but I don't agree with this statement, because he can do other programs that are more entertaining and easy to get rewards. Why talk about storytelling? The more reason is that he wants to carry forward some traditional cultures in his own way.

Degang Guo once said: Artists ultimately fight for culture.

In this storytelling program, Degang Guo jumped out of the traditional cultural education, but expressed the traditional cultural charm hidden in allusions through some humorous and interesting things. From this perspective, Degang Guo is indeed a man of artistic integrity.

In a word, when watching Lao Guo has a new fan, you not only laughed, but also saw your life plan from the story, and connected yourself with the coping methods in these times, which is the sublimation of the program value. # Lao Guo has a new fan #