Please give me 500 words on any one song, not too many, if more, just write it briefly.

Western Sea Love Song (Kerang)

Since you left, there has been no tenderness.

Waiting on the long snowy road, listening to the cold winds still blowing.

The wind cuts my face like a knife.

Waiting for the West Sea, the sky is blue, and there are no words for this vast plateau.

Remember you promised me that you would not let me lose you,

but you followed the migratory birds flying so far away.

Love is like a kite with a broken string, unable to pull the promise you made.

I am waiting for the warm spring on the top of the snowy mountains,

for the lonely geese to come back after the snow melts.

It's hard to renew our love, we can't go back to the old days.

The first two lines of the song "Since you left, since then I have left the tenderness" present a moving scene of lovers bidding farewell to the audience, and the sadness of the main character after bidding farewell is expressed to the fullest extent, that is, "I have left you, and I have left the tenderness". "The love in my heart has no object, and I won't show tender love to others, but I still have infinite "tenderness" in my heart for you, and I have a kind of expectation that your love will return. "Farewell" is a very classic word, a phrase with multiple meanings. Not only expresses the "goodbye" lovers, "goodbye" love, but also a kind of hope that "tenderness" to return to the desire. If you use "throw", according to the "active" interpretation, you go, I also lost the tenderness, like throwing away the garbage in general, tenderness suddenly no, there is still a need to "wait in this snowy mountain road long Is there any need to "wait on the long snowy mountain road" after that? If you follow the interpretation of "lost precious things", it presents you with a picture of this scenario: the master is lost, disheveled, disheveled, bewildered and at a loss, a picture of a miserable, pitiful face, the beauty is gone, and does not deserve sympathy. Many people marvel at Knife Lang's songs, obviously written about lost love, but always write so "beautiful", whether it is to pray that "heavenly creatures to your heart, do not let you change your appearance", or "perhaps my life can not come into your I may not be able to enter your life in my whole life, but I have the courage to wait for you all my life", all of them give people this kind of feeling. From this we think of the famous song "Liang Zhu", such a tragic subject but written in a very beautiful way, and its "beauty" is straight to the marrow of the human body.

Next, "Waiting for the snowy mountain road is long, listening to the cold wind whistling still" "A glance can not see the edge, the wind is like a knife cut my face" "Can not wait for the West China Sea sky blue, speechless this vast plateau! "I can't wait for the blue sky of the West Sea. And presents us with another picture: the bitter cold wind keeps whistling around, a lonely figure, looking far into the long snowy mountain road, but never see the road is the end, nor can you see the figure of your return, the distance is just a vast expanse. This winter how to seem so long, I have been very eager to see the West China Sea (here should not be the real sea, it is said that the West China Sea is the alias of Qinghai) plateau of the sky between the emergence of a piece of blue, that will herald the arrival of spring, but there is always a blank piece of ......

At the same time, this paragraph also confides the song's The location background is the West Sea plateau and snowy mountains.

"I still remember you promised me that you wouldn't let me find you out of sight, but you followed the migratory birds returning south and flew so far away. Love is like a kite with a broken string, unable to pull you out of your promise". This describes the master's deep nostalgia and longing for his lover after the separation. At the time of separation, you said you would keep in touch and send letters back from time to time. ...... But since the geese (in order to avoid repetition of context, "migratory birds" is used here, while "lonely geese" is used in the following text) Since the geese (for the sake of contextual repetition, "migratory birds" is used here, while "lonely geese" is used hereafter) returned to the south when you left, you have not heard from me for a long time. I want to "find you" not only because I miss you, but also because I miss you. But I can't wait to hear from you. Is it possible that our love has drifted away like a kite with broken strings? But we have an oath. The phrase "won't let me lose you" is written upside down for the sake of rhyme, which seems long-winded on the surface, but is actually handled in a very chic way. "Love is like a kite with a broken string, can't pull the promise you made", especially "can't pull" "promise" is another highlight of the lyrics, and the previous This is another highlight of the lyrics, which corresponds to the previous line "Farewell to Tenderness". Both of them adopt the simile technique of "actualizing the virtual object". The object of "pulling" can only be a solid object, but here it is "promise", which perfectly expresses the scene that the promise is like a kite with broken strings, which has to be "pulled" back but is still drifting away. In "my" mind, when we parted, you said you would not let me find you missing scene is still vivid in my mind, I am going to try to "pull" back, but you have gradually forgotten it? Here "pull" has an active endeavor, which echoes the previous "don't" expect love to return again. So "Don't be gentle" and "pulling promise" are the essence of all the lyrics. Let's talk about "lost" again. If "lost" is the second meaning, then it should be echoed with "found", that is, in the previous line "I can't find you" in the previous sentence. However, the "you" here is a solid object, not a "virtual object actualized", and the "virtual object actualized" of "losing tenderness" cannot correspond to the metaphorical technique of "losing tenderness". The metaphorical technique does not correspond to the metaphorical technique of "losing tenderness", and there is no context at all. Therefore, I think the change from "don't be gentle" to "lose gentleness" is a change from classic to bad, and cannot be tolerated.

"I'm waiting for the warm spring on the top of the snowy mountains, waiting for the lonely geese to return after the melting of the plateau ice. The love is difficult to renew the love affair, can not return to our former", this paragraph once again expresses "I" in the cold winter has been looking forward to the return of the lovers of the eager mood, and in the "my" heart, always recognized that "When spring comes and the snow melts, "you" will definitely come back. In the long wait, there is still no news of the lovers, the master of the sea of thoughts fantasize such a scene: spring came, and the south returned only a lonely goose, and as if they are the lonely goose, feel that "you" will never come back, "we" love can never return! "After", "soft", "old" (close) rhyme "OU", "side", "soft", "old" (close) rhyme "OU", "old" (close) rhyme "OU", "old" (close) rhyme "OU", "old" (close) rhyme "OU". "side", "face", "blue", "original", "see", "far", "see", "see", "see", "see", "see", "see", "see", "see", "see", "see", "see", "see". ", "far", "line", "speech", "sky", "geese", "front" are all pressed "AN" rhyme, so there is a "catchy" feeling, coupled with beautiful The song has the charm of "big pearls falling from a jade plate" and has become an extremely classic piece.

Some people have suggested that this song and "One Night in Delingha" are linked to a story, and have defended the music video on this basis, but I think this is completely subjective, and the backgrounds of the two songs are completely different, and the three stacks have pointed out the same thing. Movies and songs are different, after all. Movies are about storytelling, while songs are about emotion. There is no denying that a song may have a story in its background, and when it appears as a musical piece, it often transcends the story itself and ascends. Liangzhu" so, "Alip and Sainam" is also so, when you hear "I have searched all over the north and south of the Tianshan Mountain, I want to find you Sainam", which listener still confined to the legend of the story it?