Xu Shufen, a painter, is lifelike.

Xu Shufen, female, born in Xiaoxing 'anling, Yichun City, Heilongjiang Province, is a contemporary strength painter and now lives in Beijing. Known for his freehand brushwork of flowers and birds and characteristic landscape paintings, his works have been selected for many national large-scale art exhibitions and won awards. She perfectly combines profound traditional pen and ink skills with contemporary distinctive aesthetic elements, endows Chinese painting with distinctive aestheticism characteristics, pursues high style, high realm and high quality in aesthetic value, and forms a fresh and vivid artistic style and charm with both form and spirit.

He is currently the vice president of the World Painting and Calligraphy Association, the vice president of Tiandi Talent Painting and Calligraphy Institute, and the special art instructor of Shandong Medical College.

Xu Shufen loved China's calligraphy and painting art since childhood. She studied painting at the age of 8 and studied calligraphy at Linchi at the age of 15. Dreaming of becoming an artist, I have been taught by many teachers and studied hard myself. Study hard and you will gain a lot. It was first discovered by Wang Chunlin, a national first-class artist and honorary professor of China Contemporary Painting and Calligraphy Research Association, and was accepted as a disciple. He studied under Mr. Xu Zhan, Dean of China Flower and Bird Painting Research Institute of China Culture Institute, Professor of Central Institute of Socialism (Zhonghua Wenhua College), postgraduate tutor, famous painter and member of China Artists Association.

Under the guidance of famous teachers, Xu Shufen's painting skills have made rapid progress. Her meticulous peony works strive for exquisiteness. In the process of painting, she summed up the artistic characteristics of famous teachers, making the painted peony elegant, gorgeous but not vulgar, lively, quiet and fresh, rich in content, implicit and meaningful, elegant in style and extraordinary. And her freehand peony is magnificent, rich, elegant, smart and elegant. Each of her works is full of vitality of the times, bringing spiritual edification and beautiful enjoyment.

Most of Xu Shufen's paintings are profound and subtle. She pursues the best things that she imagines, yearns for, and even presents in her dreams. She uses this passion to create, so that the picture contains rich emotions and romantic poetry, in order to achieve the lofty realm of expressing feelings with things, expressing feelings with things, and pinning the true feelings of the world.

Foreign teachers are lucky, and their hearts come from China. In addition to freehand brushwork of flowers and birds and meticulous painting, she also dabbled in landscape painting. In her long-term creation, Xu Shufen showed high respect for the spirit and interest of traditional painting. She has a profound understanding of the technical aesthetics of traditional landscape painting, which makes every drop of ink, stroke and style in her performance of rocks, clouds, water, trees and other scenery traditional without losing the basic laws, thus obtaining the pure neutralization of pen and ink in form and interest. Xu Shufen's painting method is rigorous and broad-minded. The traditional formalistic brushwork of literati painting is rare in her works. It seems that she subconsciously inherited the spirit of the Five Dynasties Song painting, first entered its shape, then showed its spirit, and sought the natural and cosmopolitan temperament spirit in exquisite and thoughtful sculpture patterns, which shows that Xu Shufen is here.

Xu Shufen said; Liu Haisu, Zhu Qizhan, Lin Fengmian, Shi Lu and other famous Chinese painters should be vigorously promoted. They introduced the color of western painting into the pen and ink structure, thus forming a new landscape painting pattern different from the traditional turquoise landscape painting color. This is a new tradition, in which Lin Fengmian's colorful scenery is a colorful ink painting style, which is completely different from the tradition. In the late 20th century and today, the color expression of China's landscape paintings has taken on a different look. If the color landscape in the first half of the 20th century is characterized by the harmony of ink and color, then the current pattern is the combination of form and color, which is of course one of the color expressions in the diversified forms of contemporary ink painting.

Xu Shufen's landscape painting is a combination of "shape and color" and colored ink landscape. His pen and ink directly serve the modeling of objects, and the form of pen and ink is the form of objects. Color and objects form a unified expression language, and color and shape are inseparable. This can also be said to be a new way to combine the landscape modeling concept of quadrangles in Song Dynasty with the contemporary color concept. Xu Shufen started with exploring the traditional colors of China's classical paintings, and added the color concepts and composition concepts of western modern art, thus forming a unique modern color ink art face. His works skillfully combine the pen and ink language of traditional painting with modern colors, paying attention to the blending of color and ink, the composition of dots, lines and surfaces and the expression of color emotions. His pen is smart, distinctive in personality, ingenious in conception, fresh and rich in pictures, gorgeous but not vulgar, full of sunshine and life consciousness. Modern colored ink is the creative development of Chinese painting, an important artistic direction that meets the aesthetic needs of the times, and presents a dynamic, flamboyant and positive contemporary cultural value orientation.

Color is an important artistic expression language of Xu Shufen. From her works, we can see that her color structure basically exists according to objects. Her coloring skills are basically flat painting and smudge dyeing, and its beauty lies in that it can make the color show hierarchical thickness and interactive changes, and finally make the color highlight an atmosphere. If the "object shape" attached to it is peeled off, the color itself can also present a reasonable and complete structure. Although all kinds of objects on the screen have their own pen and ink structure, the factors that make the object structure gain thickness and temperament, and finally make the whole screen present artistic conception are the function and strength of color.

Xu Shufen has worked hard in painting for more than 30 years, and has been taught by famous teachers, taking the road of paying equal attention to copying, sketching and creation. Diligent and studious, not afraid of hardships, tolerant of loneliness and persistence, always based on the excellent traditional paintings of the nation, concentrating on nature to learn from the source and capture inspiration. Refine and sublimate from a large number of sketches, and melt self-emotion into nature, so as to be reflected in creation. She said: "Creation is the foundation of a painter. If a painter doesn't work hard on his creation, he won't have his own feelings. Without his own style, his works will not be vivid and touching. "

Xu Shufen also studied hard, worked hard, tried to be creative and unconventional, purified, poetic and personalized Chinese painting, and found the beauty of Chinese painting with her lover's eyes and thoughts. This kind of loving communication is the guarantee of creative passion and artistic success.

Look at Xu Shufen's paintings, it is a language, the kind of language that quietly tells your heart. This language is modest, simple, gentle and warm. It's like the sound of wooden fish echoing in the open space of a Buddhist temple, like the melodious chanting of an old monk, like the gurgling sound of spring water flowing on the beach. ...

Xu Shufen's painting language comes from the heart. Of course, such a rise, after all, must have some touch, some feeling, some pleasure. When walking, Xu Shufen picked up the scale on the ground. She can find those subtle organs that represent all things in nature and discover their connotations and deep secrets. Therefore, one end of her brush often portrays her throbbing and breathing tangled feelings, and pursues high style, high realm and high quality in aesthetic value, forming a fresh and vivid artistic style, which is extremely artistic and pleasing to the eye. (editor of this magazine). Xu teacher micro signal:13264211952.