Landscape painting has several kinds of perspective methods and aesthetic characteristics

There are three kinds of perspectives in landscape painting: flat, high and deep. The aesthetic characteristics: the aesthetic characteristics of the Pingyuan method, the aesthetic characteristics of the lofty method, and the aesthetic characteristics of the profound method.

There are three kinds of perspective methods in landscape painting: flat, high and deep.

The aesthetic characteristics of the Pingyuan method: looking at the distant mountains from the near mountains, the scenery is vast.

The aesthetic characteristics of the far-reaching method: from the bottom of the mountain and the top of the mountain, the top of the mountain peaks overlooking the poor valley slopes between the water chapter, giving a person a sense of grandeur and greatness of the sublime.

The aesthetic characteristics of the far-reaching method: from the mountain and peep at the mountain, the scene is grand and spectacular.

Far-reaching: Guo Xi said: "From the bottom of the mountain and the top of the mountain, called far-reaching". This is from the bottom up to see the elevation method, the so-called "worm's-eye" perspective. Song. Fan Kuan's The Traveling Picture of Mountain and Stream is typical of the lofty method. On the picture, a lofty cliff stands in the center, like a giant standing on the ground; the momentum is compelling. "The lofty potential abruptly", this perspective is suitable for the performance of tall and majestic, imposing scenery, so that people have a "high mountain" feeling.

Far-reaching: Guo Xi said, "from the mountain and peep at the mountain, called the far-reaching" This is standing in front of the mountain or the mountain far away, and to move the machine point, around the front of the near mountain, in order to see the endless scenery behind the mountain. Falling on the screen, there is a mountain and water, "so that people look at the endless, I do not know how many millions of its weight" of the artistic effect. This method is suitable for the expression of a profound mood. Huang Gongwang's "Nine Peaks and Snow Mist" of the Yuan Dynasty is the profound method.

The winding streams and streams in the picture are so deep and far away; the overlapping peaks are tens of millions, which makes people have the feeling of "endless rivers and mountains".

Pingyuan: Guo Xi said, "From the near mountains and look at the distant mountains, it is called Pingyuan." This is the relationship between near and far obtained in the "level view". "Pingyuan" to see the object, generally not very high, mostly belong to the mountains and forests to get the Ze, far Pu Yaozen, and so on, in our lives is most common. Ni Yunlin of the Yuan Dynasty was a master in depicting Pingyuan landscapes, and most of his paintings were taken from the limbs of the Great Lakes, making the mood seem leisurely, tranquil and open.

Characteristics of Chinese painting:

Chinese paintings attach great importance to color, so in ancient times they were called "Danqing". Dan is vermilion, and Qing is indigo, both of which are commonly used in painting. The Book of Jin says that Gu Kaizhi was "especially good at painting and drawing, and his drawings and paintings were especially marvelous." Du Fu gifted a poem to Cao Ba, a famous horse painter, titled "Danqing Citation", which shows that the name "Danqing" has been used by people. Color is an ancient painter must master the basic techniques, so Xie He put "with the type of color" as one of the "six methods".

Before the Song Dynasty, landscape painting on the color is very careful, after the rise of literati painting, advocating the "intention of sufficient not to seek color like". But today, light color can not reflect the richness of people's lives and spiritual outlook, landscape painting needs to be based on the inheritance of traditional color experience, absorb new nutrients, to create a new way.