Understanding and understanding of artistic painting style!

The word "painting" is a concept, one is an abstract understanding of consciousness, and the other is an understanding of concrete images. A specific art can be created, transformed or destroyed, such as China landscape painting, flower-and-bird painting, figure painting and so on. As an abstract artistic concept, it cannot be transformed or destroyed. The existence of art is permanent, and it belongs to the cultural layer. The painter put pen to paper, but when he put pen to paper, it passed in an instant. From the perspective of "painting", success is not true, and death is not true. It has no gestalt and dies forever; It has no exact number, it will always be one. Out of nothing, out of nothing, painting without painting, and what the painter wants are all consciously produced and freely grasped by the painter. The painter wants what he wants, and the mind lets nature perform everything. The so-called "overlooking everything", "doing whatever you want" and "everything is made by your heart". Created by the mind, there is a process of material transformation, and it is also restricted by events, times, environment, cultural level and human personality, and both material and spiritual are improved. Chinese painting has always attached importance to pool, travel, learning and inheritance. Therefore, the importance of "walking Wan Li Road and studying thousands of books" can be said to be gone.

Throughout the history of art, from Zhang monk's concave-convex painting and Cao Buxing's Buddha painting, there were not only exchanges, but also a group of well-known painters in that era. Ignatius Szicher Bart combined Chinese and Western painting methods, and Leng Mei, Tang Dai, Chen Mei, Luo Fuyu and others were all influenced. In his later years, Wu Li believed in Jesus. Some people say that his paintings use western methods, but he is against it. He also despises western painting. He said: "My paintings are not formal and unconventional, and they are called divine escape;" He always uses kung fu to oppose the pattern of yin and yang-using a pen is different. "Although Lang Shining tried to absorb Chinese painting freehand brushwork, China people are not adults. Foreigners say that they abandoned their origins and put them in a dilemma. At that time, Chinese and western paintings had not been integrated, and that kind of painting has not yet established traditional inheritance. This is a historical fact.

Reflecting on the history of Chinese painting, it is true that the facts of Chinese painting are constantly changing, but this constant change revolves around a central axis, which is the national tradition. During the Wei, Jin, Southern and Northern Dynasties, politics was not unified, and various academic thoughts were correspondingly active. Due to the promotion of Buddhism, painting art has become a vibrant flower, and a number of outstanding painters have been produced, among which Gu Kaizhi is one of the greatest and most representative epoch-making figures. He not only has many works with landscape painting as the theme, but also the manuscript of Painting Yuntai Mountain has left a very precious inspiration to future generations. There are also "Luo Shen Fu Tu" and "Female History Proverbs Tu". Including Dunhuang murals, it is precisely because of numerous landscape creations that Zong Bing's theoretical works such as Preface to Painting Landscape and Painting Theory have been handed down to this day, and it is proposed that the perspective ratio should be "three inches vertically and as high as one thousand meters vertically; Horizontal ink several feet, back to Wan Li ". "It's too empty to use a tube of pens." At the same time, aesthetic ideas such as "free spirit" and "painting love" are put forward. These play an important role in the independent study of landscape painting.

Sui is the transitional stage of landscape painting towards full maturity. The Tang Dynasty was the strongest and most prosperous era in the history of China, and the painting art was unprecedentedly prosperous. The wrinkle method of landscape painting has been developed, and the landscape painting of Li and his son is a master. Wu Daozi's and Wang Wei's ink and wash landscape painting methods have created a new development direction. In the later period, Wang Qia's splashing ink gave full play to the performance of water. Cao Zhang made good use of bald pen, created a new rendering method, and put forward a far-reaching theory of "learning from nature and learning from heart", which laid a dialectical foundation for the subjective and objective relationship in Chinese painting creation. Landscape painting is mature and independent. The perspective proportion theory in Wang Wei's "landscape tactics" embodies the perfection of Chinese painting theory. Wang Wei created the artistic realm of poetry in painting and painting in poetry, which set a precedent for later literati painting. By the Tang dynasty, the techniques of using pen, ink, color and water, which constitute the essence of Chinese painting, were complete and mature. "The nature of foreign teachers, the heart of Genji", "Zhang Shan is a ruler of trees, with different people, far from trees without branches, distant mountains without stones, faint as eyebrows, far from water without waves, high and harmonious". This scientific and practical ideological theory and technique theory have contributed to the development of Chinese painting. The artistic realm of painting in poetry and painting in poetry has laid a lofty image and status for Chinese painting. Since the Tang Dynasty, it has been enjoying and utilizing rich and precious heritage for thousands of years, laying a deep and solid foundation, which made flower-and-bird painting rise and mature in the Song Dynasty.