Song1May 16 Yuan Original Singing

The song Sixteen Moon Circles in the Tenth Five-Year Plan was originally sung by Fan Linlin.

Sixteen Moon Circles in the Tenth Five-Year Plan is a song sung by Fan Linlin on 1987, written by Zhang Li and arranged by Xu Peidong, and included in the album Wish.

Fan Linlin, 196 1, was born on February 6th in Dalian, Liaoning, China. Graduated from Shenyang Conservatory of Music, China female singer. During the period of 1987, through a series of best-selling tapes produced and distributed by Beijing International Audio-visual Art Company, she sang songs such as The Moon in the Sixteenth Round of the Tenth Five-Year Plan, My Hometown of Love, The Journey to the West, Loess Plateau, and Seeking Beauty and Love in the West.

She developed the northwest wind cavity. After 1988, Fan Linlin sang the theme songs of TV series such as The Hedge Woman and the Dog, The Legend of Kant's First Bodyguard, Ordinary World and Sadness.

Character evaluation:

Born in Dalian, Fan Linlin swept the country in 1980s. When the "Northwest Wind" was blowing in the domestic music scene, she led other singers into it and played the first horn of China's original songs together.

She successfully performed Loess Plateau, Pilgrim's Progress, My Love for My Hometown, Bitter Years, Sixteen moons in the Tenth Five-Year Plan, Missing, Wish, Hometown, Black Hair Gone with the Wind, Love in the West and I'm from China.

She has performed overseas for many times, and her singing has made people all over the world feel the power of China local music. A music critic once commented: Fan Linlin's songs are like a glass of wine for years. The older you get, the mellower you get.

2. Fan Linlin is the representative of contemporary national pop music in China. Her high-pitched, vigorous, powerful and magnetic singing not only won the audience's love, but also became the personality symbol of Fan Linlin standing in the music world. The maturity of singing skills, excellent sense of music, proper grasp of songs and delicate emotional handling all make her the object of competition and cooperation in creative sessions.

With keen artistic consciousness and delicate musical artistic conception, she creatively practiced the perfect combination of academic school and street culture, and the classic grafting of nationality and popularity. She scientifically unified the content and form of music art, at the same time, she had a distinct personality and sang a unique China style, which had a far-reaching impact on the music scene in China.

For more than 20 years, she has cooperated with many musicians, always adhered to China's originality, and constantly explored the road of music and music combining nationality and pop, art and pop, and worked tirelessly and forge ahead. Her outstanding works are fruitful and she has become a well-deserved singer in China.