400 words of Tang Sanyun's documentary commentary

On Friday night, I happened to see the "Tang Poetry" program broadcast by Shaanxi Satellite TV on the Internet. I was deeply attracted by it after reading the first issue.

I've seen programs that focus on poetry before, such as "Good Poetry in China" by Hebei Satellite TV, and this cultural program chose Tang poetry, a traditional literary field in China, as the theme for the first time, and enjoyed Tang poetry, remembered Tang people, boiled wine and talked about swords, and dreamed of flourishing Tang Dynasty with the TV audience in the form of a contestant competition. The host of the program is Professor Kang Zhen from the College of Literature of Beijing Normal University (he has taught Li Bai, Du Fu, Li Qingzhao, eight masters of Tang and Song Dynasties in hundreds of lectures and was highly praised). At the same time, the program invited poetry scholars, entertainment stars, poets and writers to serve as academicians (judges) of Hanlin.

The program was launched in March, and each program is divided into three parts: looking for her in the crowd, rhyming Tang poems, and finding sentences by lighting the lamp. The first part mainly examines the contestants' recitation of Tang poetry, and the third part mainly examines the contestants' reserve and reaction ability to Tang poetry, which is similar to some previous cultural programs. The second part, the rhyme of Tang poetry, is unique. There are two problems in this session: Deliberating for fun and making sentences by touching the scene: in the topic of deliberating for fun, a well-known Tang poem will be given on the big screen, and a word or a word, either a verb or a noun, will be circled in it, asking the contestants to come up with a better word to replace the original one. In this question, the big screen will give a scene or a situation, asking the contestants to describe and respond with a Tang poem. These two questions are interesting! Different from simple and monotonous poetry recitation, poetry recitation, sentence by sentence, etc. This link is more about examining the literary foundation, the level of ancient Chinese prose, the understanding of poetry and the use of words. Everyone has different ideas, and everyone will give their own different answers. This link is also extremely attractive to me, thinking with the contestants.

In recent years, although various talent shows, dating entertainment programs and domestic anti-Japanese dramas have flooded TV stations and radio stations, many excellent cultural and educational programs have emerged, such as Chinese Character Dictation Conference of CCTV, China Idiom Conference, Good Poems of China by Hebei Satellite TV, Favorite is China by Guizhou Satellite TV and Tang Poetry by Shaanxi Satellite TV. Although the launch of a series of programs inevitably has some commercial flavor, it must have its deeper significance and function: to inherit and carry forward the excellent traditional culture of the Chinese nation, such as Chinese characters, idioms, poems, ancient prose and philosophy, through entertainment and entertainment. To promote the active reading and learning of the broad audience, enhance the national cultural identity and reshape the spiritual home of the Chinese nation.

As we all know, in today's society where utilitarianism and entertainment are becoming more and more serious, and in this networked era where speed is highly valued, people are becoming more and more impetuous and less fond of reading. China Press and Publication Research Institute released the12nd national reading survey in Beijing in April this year, which showed that the reading rate of adult national books in China was 58.0% in 20 14 years. In 20 14, the per capita reading of paper books in China was 4.56, which was lower than 4.77 in 20 13, not to mention 1 1, 20 in France, 40 in Japan and 64 in Israel. The average person spends only 13.43 minutes reading every day. The amount of reading is pitiful, and the study and understanding of Chinese studies and traditional culture are even less. Traditional culture is an indispensable thing for a nation and something that a nation must inherit and carry forward. I hope that the widespread broadcast of such programs can attract more people's attention, thus arousing everyone's interest, mobilizing everyone's enthusiasm, and taking the initiative to study and learn traditional culture. Such a program is a successful program.