An article praising Kunqu opera

I like Kunqu opera very much, and I often linger in her melodious tunes. Pay close attention to her lyrics, "There are many kinds of leisure!" How touching it is, how beautiful and far away! Close my eyes, I can't help but see the daughters of the Red Chamber coming from afar. They either have red eyes or red cheeks. The softness and shyness, pity and regret can't be described in words.

Unfortunately, there are too few people who know her today to read the charm in Shuimo Tune. I can't see the elegance in that look. Life is so beautiful that it lacks the purity of ears. In this regard, I am speechless, speechless!

Life is dull, and sometimes when I wake up in the morning and hear the melodious birds singing outside the window, I will feel a sense of emotion in my heart. That's the rhythm of nature. Ordinary but true.

Kunqu opera belongs to nature. She has no embellishment or passionate tune, but I can hear the wind dancing with bamboo leaves in her singing and see the rain kissing the banana. But I can feel the snow on the ground "walking lightly, cutting and dancing with my waist!" " "

China Kunqu Opera Museum is located in Jinquan Hall, Zhong Jiaxiang 14, Pingjiang Historic District, covering an area of about 5 mu.

The guild hall was built by Shanxi businessmen who lived in the Soviet Union during Guangxu period of Qing Dynasty. It is the most complete one among more than 65,438+000 halls and offices in Suzhou history.

Hall: Set up a hall along the street.

The entrance hall is magnificent, with pavilions and gongs on both sides.

Resting at the top of the mountain and facing the street is a rare ancient ritual Italian building in China.

"Stage area: The classical stage is the essence of the whole ancient architectural complex in the stage area, especially the vault on the stage, an open caisson, a bright red background, black swimming gold inlay and exquisite ceiling panels. There are 65,438+08,324 light black carvings and 65,438+08,306 round gold tongue carvings, which spiral upwards and condense on the copper lens at the top of the open caisson.

This not only embodies the classical architectural art, but also shows the wonderful creativity of scientifically applying the acoustic principle to produce the acoustic effect of lingering sound.

Showroom: There are four showrooms in the museum: Kundui Pingtan, Su Ju and classical national musical instruments.

The arrangement of objects, historical materials, pictures and explanations fully reflects that Suzhou is one of the birthplaces of China classical operas such as Kunju Opera.

In addition, there are showrooms for Pingtan, Su Ju and classical national musical instruments.

Here, you can see the Ming edition of Dare to Remember, namely Peony Pavilion Gang, the manuscript Peony Pavilion Garden during the reign of Emperor Qianlong of Qing Dynasty, the elegant prison edition of Twelve Colors of Rivers and Lakes, the exquisitely carved mahogany opera boat, Jin Woo, the famous Kunqu opera with colored lights, the storytelling clock (replica) unearthed from the tomb of Emperor Xuandi of the Western Han Dynasty, and Ma Rufei's storytelling note Dream History.

Jiang Yuequan's mahogany sanxian, ancestral pictures, Taoist teachings, rare ancient books "Snow White Daoyin" and "Legend of Satellite List", as well as two-stage operas, a set of 24 two-tone ancient court musical instruments, a set of 37-face cloud sacrifices, and musical instruments unearthed from Neolithic cultural sites (imitations).

You can take bus No.5, 9, 146, 47, 148, 5 1 and 68 to get there.

Articles praising Kunqu opera like Kunqu opera very much, and lingering in her melodious tunes often makes me linger.

Pay close attention to her lyrics, "There are many kinds of leisure!" How touching it is, how beautiful and far away! Close my eyes, I can't help but see the daughters of the Red Chamber coming from afar. They either have red eyes or red cheeks. The softness and shyness, pity and regret can't be described in words.

Unfortunately, there are too few people who know her today to read the charm in Shuimo Tune.

I can't see the elegance in that look.

Life is so beautiful that it lacks the purity of ears.

In this regard, I am speechless, speechless! Life is dull, and sometimes when I wake up in the morning and hear the melodious birds singing outside the window, I will feel a sense of emotion in my heart.

That's the rhythm of nature.

Ordinary but true.

Kunqu opera belongs to nature. She has no embellishment or passionate tune, but I can hear the wind dancing with bamboo leaves in her singing and see the rain kissing the banana.

But I can feel the snow on the ground "walking lightly, cutting and dancing with my waist!" " " ...

What articles praise Kunqu Opera? There are poems about Kunqu Opera in Peony Pavilion: Bai Xianyong's Because of Acacia, and Bai Xianyong's Because of Acacia.

"The same topic, white grandpa has said more than one hundred times.

"From Peking University to Normal University to the National Centre for the Performing Arts, fans of Bai Mudan said.

Bai Xianyong himself knows, "I have said it many times, and everyone probably heard it.

But I still want to talk about it. I regard myself as a missionary, and I will talk about it again and again. When it comes to people's beliefs, Kunqu Opera is a national treasure, second only to Song Like porcelain and bronzes.

"Whether others believe it or not, the audience seems to believe it, otherwise it would not be so sought after for this eight-year drama.

The description of Kunqu Opera in Peony Pavilion is unknown, but it continues all the time. The living can die and the dead can live.

For you, it's as beautiful as flowers and jade, like water passing by, in a quiet boudoir, answering your questions, looking around and feeling sorry for yourself.

On Opera Creation China's operas have a long history and distinctive national style.

Each drama has its own characteristics, such as the beauty of Beijing opera; The elegance and exquisiteness of Kunqu Opera; Bangzi is sonorous and sad, Yue Opera is gentle and euphemistic, Huangmei Opera is melodious and euphemistic ... In order to feel its broad connotation and taste its lasting charm, I specially went to learn from the opera.

"The birds in the tree are in pairs \ the green water and green mountains are smiling \ you plow the fields and I weave \ you carry water and I water the garden ..." I didn't see the man, only heard his voice, so I knew that Grandma Zhang was singing again without guessing.

After grandma Zhang pointed out her purpose, she was overjoyed and began to teach me to sing opera without saying anything.

Grandma Zhang chose a simple and pleasant excerpt from Huangmei Opera "Fairy Couple" for me.

Grandma Zhang first found the music of "The Fairy Couple" for me to enjoy. It seems that Huangmei minor, which exudes a faint earthy smell, makes people feel the joy and happiness of the characters in the plot, and sees the gurgling streams and birds singing in the branches ... Suddenly, I felt a shake and suddenly opened my eyes, only to know that Grandma Zhang was awakening me who was addicted to opera.

It turns out that this play has already been sung.

I really don't know, but I was shocked to hear that the original opera is as good as the current pop songs, and it is also very nice.

Then grandma Zhang began to teach me to sing sentence by sentence. She sang a sentence and I learned one.

After a song, the original euphemistic Huangmei opera was sung "beyond recognition" by me, and not a word was out of tune.

The uncles and aunts present laughed their heads off after hearing this, and I couldn't help frowning and began to lose confidence in learning drama.

Grandma saw this expression on my face and kindly said to me, "Don't worry, everything is difficult at the beginning. As long as you have perseverance, you will learn it well."

"Hearing this, my in the mind a hot, rekindled the fire of faith.

Grandma Zhang also continued to teach me to sing.

Let me practice again and again when I encounter difficulties, and take pains to demonstrate singing until I am taught.

After a few times, I can sing it completely and in tune.

After practicing with the music several times, I can sing a duet with Grandma Zhang, Cowherd and Weaver Girl.

As the saying goes, if you want to know the taste of pears, you have to taste them.

In fact, many things can't just look at the surface, and you need to practice to know the truth and the difficulty of doing things.

At the same time, I also realized another truth. Everything is practice makes perfect. As long as you have determination and perseverance, you can do things well!

The composition of China traditional opera has a long history and is a classic of China. The operas in different places have different styles, each with its own characteristics and pleasing to the eye. Some of its plots are tear-jerking, and some are brilliant and wonderful.

When I was a child, when I saw my parents watching opera, I always felt that they were too old-fashioned to keep up with the trend. I won't go to see that old thing even if I die.

As the saying goes, "If you want to know the taste of pears, you'd better taste them yourself.

"Don't taste don't know, a taste of a fright! In today's Chinese class, I was really shocked when I cherished and carefully appreciated China's unique opera. It turns out that our China opera is so artistic! I am really a frog in the well! How can foreigners compare with this treasure left by our ancestors? No wonder, the older generation are so keen on these operas, and they love them so much.

Now I feel what it means to be a China person who doesn't watch opera.

Isn't it? These operas are like the history of our country. Only those who know how to appreciate, care and dig can be called real China people.

Because they deeply understand a truth, opera is our national treasure, opera is our national quintessence, and opera is our national drama! How can we forget them? In today's society, our vision of teenagers has shifted to pop music, movies and the Internet, and we seem to have forgotten the traditional art of our Chinese nation.

In fact, when we carefully appreciate our operas, we will find that they are like wonderful historical stories, which show us the picture of history, take us into the tunnel of history, make us feel deeply.

How can we forget the artistic charm of China traditional opera? We should appreciate the traditional art of our Chinese nation more, let it shine forever and let it be passed down from generation to generation!

China's traditional culture-traditional opera culture with a long history, martial arts, etc.-is added to the composition songs of China opera. After thousands of years of development, these splendid cultures have become colorful and integrated into our lives, and singers have begun to make their own movies.

There are many fans of modern idols who despise the traditional culture of China and think that such art and culture are not suitable for themselves who like to follow the trend and develop to the present glory.

China culture.

Traditional Chinese opera is a traditional form of drama in China.

It contains literature and music, so it is called "drama".

China's operas mainly include Southern Opera in Song and Yuan Dynasties, which is a unique culture in China. Old artists have also begun to incorporate new elements into the tradition, making traditional drama more attractive to young people on the original basis, and making young people catch up with the trend and fall in love with tradition, and have a deeper understanding of drama.

Now, I also like the idols of the new generation, but I think I should have a certain understanding of traditional culture.

Now, more and more people are beginning to realize that modern culture needs to be developed, but traditional culture needs to be carried forward.

As a result, dance spread among people, and clothing, diet and drama became a huge and perfect whole.

According to incomplete statistics, which one can hold water? I once watched a TV program in which a reporter went to the street for a random interview. The subjects were all young people, and they asked some old artists if they knew their names, but most of the interviewees said they had never heard of them.

Now, martial arts, acrobatics and performing arts are all integrated.

Its origin has a long history. As early as the primitive society, songs and dances sprouted, and dances, fine arts, Epang Palace, new historical dramas and dramas that express the theme of modern life were warmly welcomed by the audience.

The more popular and famous operas are: Peking Opera, which I think is not bad to keep up with the trend and make more young people like China's traditional dramas; A new generation of movie stars is also the longest-lasting civilization in the world.

From the creation of Pangu to the rapid development of modern science and technology.

However, drama is facing a very big problem in its current development: the impact of modern culture.

With the gradual aging of the older generation of artists and the gradual rise of a new generation of young people, modern culture is discussing a problem with traditional culture: the two of us, novels and myths do not mean that they should also know.

How chilling! Of course, Cantonese Opera and Shaanxi Opera, especially Peking Opera, are the most popular and spread all over the country. This is undoubtedly a culture that can well reflect the tradition, spirit and characteristics of the Chinese nation, and many foreigners like China's plays, which are innovative and developing.

It is not only one of the oldest civilizations in the world; I know nothing about the older generation of artists and traditional programs. I think my parents' generation knew about Henan Opera and xiang opera. It is hoped that drama and China culture will be enriched from the monotony and Anqing Huangmei Opera thousands of years ago. After more than 800 years, in the long process of development.

Drama has undergone a major transformation from primitive society to ancient China.

China's ancient drama is the general name of China's national drama culture, because it takes "drama" and "qu" as the main factors, including traditional operas, Quyi, Yuan Zaju, legends and legends of Ming and Qing Dynasties, as well as traditional plays of modern Beijing opera and other local operas.

As far as ancient drama is concerned, although the primitive drama is very rough, it may not be called drama, but the development of any civilization has to go through the initial roughness before it can be gradually improved, and it is not limited by geography.

The development of drama can be said to be quite successful. Many artists and the older generation are keen on drama and have a deep understanding of China culture.

Drama.

The original drama laid a solid foundation for the later perfect drama, involving medicine, agriculture and other fields.

Traditional disciplines such as mathematics, Sichuan Opera and Hebei Bangzi have been swept by the new generation of culture. The new generation idols are sought after by many fans, with tens of thousands of new generation songs and traditional dramas.

After the founding of New China, many traditional plays were adapted.

Among many traditional cultures, drama, gunpowder, papermaking and printing; The Great Wall of Wan Li is under construction. After all, the teachers of these young singers are old artists of the previous generation. So far, there are many kinds of dramas, such as Hunan ancient painting dramas, and there are about 360 kinds of dramas and fables in various ethnic areas of China. And calligraphy; China's Chinese painting in painting; Classical poetry and dance in China literature, with its own appeal, let more young people know about drama and contribute to the development of traditional drama. Compass, Kunqu Opera and Yue Opera have gradually formed a relatively complete artistic system of China traditional opera.

The development of drama can be said to appear with the emergence of civilization. The media began to promote and publicize traditional culture to the younger generation in their favorite way, and this splendid Chinese culture was carried forward.

Kunqu Opera (formerly Kunqu Opera), the written material of the rise and fall of Kunqu Opera, is an ancient opera tune and genre in China, formerly known as Kunshan Tune or Kunqu Opera for short. It has been called Kunqu Opera since the Qing Dynasty, and now it is also called Kunqu Opera.

The accompaniment instruments of Kunqu Opera are mainly Sheng, Xiao, Suona, Sanxian and Pipa (percussion instruments can be used).

The performance of Kunqu Opera also has its own unique system and style. Its greatest characteristics are strong lyricism, delicate movements and ingenious and harmonious combination of song and dance.

On May 6th, 2006, the play was named "Masterpiece of Oral and Intangible Heritage of Mankind" by UNESCO.

The state attaches great importance to the protection of intangible cultural heritage. On May 20th, 2006, Kunqu Opera was approved by the State Council to be included in the first batch of national intangible cultural heritage list.

Kunqu Opera has a long history. It originated in Kunshan at the end of Yuan Dynasty and has a history of more than 600 years.

Since the Song and Yuan Dynasties, China's operas have been divided into north and south, and their singing styles are different from place to place.

At the end of Yuan Dynasty, Gu Jiegang and others sorted out and improved the original tune of Nanqu, which was popular in Kunshan, and called it "Kunshan tune", which was the embryonic form of Kunqu opera.

During the Jiajing period of Ming Dynasty, Wei Liangfu, an outstanding opera musician, reformed and innovated the melody and singing method of Kunshan tune, absorbing the advantages of southern tune such as Haiyan tune and Yiyang tune, giving full play to the beautiful and distant features of Kunshan tune and absorbing the rigorous structure of northern tune. He used the singing method of northern tunes, accompanied by flute, flute, sheng, pipa and other accompaniment instruments to create a delicate and elegant "ink and wash song" that combines the length of northern and southern tunes.

Later, Liang Chenyu, a native of Kunshan, inherited Wei Liangfu's achievements and further studied and reformed Kunqu Opera.

At the end of Qin Long's life, he wrote the first Kunqu legend "Huansha Ji".

This legendary performance expanded the influence of Kunqu Opera, and more and more scholars competed to create legends and learn from Kunqu Opera.

Therefore, Kunqu Opera, together with Yu Yaoqiang, Haiyan and Yiyang, is known as the four major tunes in Ming Dynasty.

By the end of Wanli, due to the extensive performance activities of Kunban, Kunqu was introduced to Beijing and Hunan through Yangzhou, ranking first among all kinds of operas, and became the standard aria of legendary scripts: "Songs from all directions should be directed at Wumen".

In the late Ming and early Qing Dynasties, Kunqu Opera spread to Sichuan, Guizhou and Guangdong, and developed into a national opera.

The singing of Kunqu Opera was originally based on Wu dialect in Suzhou, but after it was introduced to other places, it was combined with local dialects and folk music and evolved into many schools, forming a colorful Kunqu Opera system and becoming a representative drama of the whole nation.

During the Qianlong period of the Qing Dynasty, the development of Kunqu opera entered its heyday. From then on, Kunqu Opera began to dominate the pear garden, which lasted for 600 to 700 years, and became the oldest traditional opera form in China and even the world.

In the form of oratorio, Kunqu opera is beautiful and melodious in the atmosphere without gongs and drums.

At the same time, Wei Liangfu also reformed the accompaniment instruments.

At first, the instruments accompanying Nanqu were mainly Xiao and Guan. In order to make the singing of Kunqu opera more appealing, he brought together flute, pipe, sheng, Qin, pipa and other musical instruments to accompany the singing of Kunqu opera and achieved success.

Kunshan dialect began to spread in Suzhou, and in the Wanli period, it spread to the south of the Yangtze River and the north of Qiantang River, and gradually spread to Fujian, Jiangxi, Guangdong, Hubei, Hunan, Sichuan, Henan, Hebei and other places, and also flowed into Beijing in the Wanli period.

In this way, Kunshan Opera became the most influential vocal opera from the middle of Ming Dynasty to the middle of Qing Dynasty.

The historical position of Kunqu Opera (Kunshan Opera) is named after Kunshan, Jiangsu Province. Together with Haiyan Opera, Yu Yaoqiang Opera and Yiyang Opera, which originated in Zhejiang, it is called the four major operas in Ming Dynasty and belongs to the Southern Opera system.

Kunqu Opera is one of the oldest traditional operas in China, and it is also the treasure of traditional culture and art in China, especially the opera art. It is called the "Orchid" in the Hundred Flowers Garden.

From the mid-Ming Dynasty to the mid-Qing Dynasty, many of the most influential vocal operas were developed on the basis of Kunqu Opera, and were known as the "mother of China operas".

Kunqu Opera is a kind of opera with the most complete performance system in the history of China opera. It has a deep foundation and rich heritage. It is the result of the high development of China's national culture and art, and occupies an important position in the history of China's literature, drama, music and dance.

The endangered Kunqu Opera was selected as "the oral and intangible cultural heritage of mankind" because it is a classic of China classical performing arts.

But "success is also Xiao He, failure is also Xiao He", and the glory and failure of Kunqu opera are all related to its characteristics.

The prosperity of Kunqu Opera is in the same strain as the literati's life interest and artistic interest at that time.

The cultural accomplishment of scholar-officials injected a unique cultural taste into Kunqu opera. Their leisurely life and pursuit of ethereal realm endow Kunqu with the characteristics of slow rhythm and beautiful artistic conception. In addition, the literati's deep feelings about society and life made Kunqu opera often show melancholy and lingering emotions in music and singing.

During the Qianlong period of the Qing Dynasty, the citizens' class rose, and the style of relieving depression was obviously incompatible with them. Even the literati began to be pragmatic, Kunqu opera was not favored by the public, and it also lost its place in the literati class.

As a result, Kunqu opera gradually declined.

1949 Before the founding of New China, there was no professional Kunqu Opera Troupe in China.

In the 1950s, a drama was saved by the release of Fifteen Passes, and six Kunqu Opera Troupes were established nationwide.

Han Shichang, Gu Chuan, Zhu Chuanming, Zhou, Hou Yongkui, Ji Zhenhua, Zhang, Hong Xuefei, Wang Shiyu and a number of outstanding actors trained after liberation have directed The Peony Pavilion, The Romance of the West Chamber, A Thousand Miles to Beijing Niang, One-Knife Club and Peach Blossom Fan.

However, to this day, Kunqu opera's strict stylized performance, slow cadence, too elegant lyrics and old story lines have lost its fashion and most of its entertainment functions, which is far from the aesthetic needs of contemporary people. It is difficult to win an audience, and there are fewer and fewer performances, which is also difficult to find in the performance market, forming a vicious circle.

10 years ago, about 800 people in China were engaged in Kunqu opera, which was called "eight hundred heroes". ...

The History of Kunqu Opera Kunqu Opera is one of the oldest operas in China with a history of more than 500 years.

At the end of Yuan Dynasty and early Ming Dynasty, that is, at the end of 13 century, Kunqu Opera was popular in Kunshan County, Jiangsu Province. Later, during the reign of Jiajing and Qin Long in the Ming Dynasty (1522- 1572), Wei Liangfu, a Kunqu musician, absorbed the characteristics and strengths of the southern opera on the basis of summarizing the traditions of the northern and southern operas, and created a delicate and soft timbre, which was called "plus sheng, Xiao, pipe, flute and other instruments, which was much better than other popular tunes at that time." Later it was called Kunshan Opera, also known as Kunqu Opera.

Over the past 500 years, through the continuous enrichment and processing of countless playwrights, musicians, actors and the people, Kunqu Opera has become one of the most representative operas in China. Many operas still retain the performances of Kunqu Opera and become representative operas with a high degree of integration of various classical arts.

The characteristics of Kunqu opera are mainly manifested in three aspects: script, music and performance: L. Script: Kunqu opera adopts the structure of legendary zaju in Song and Yuan Dynasties. Each drama is divided into many parts, each part is self-contained, and there is a relatively complete plot running through the whole plot. Many of its single-fold plays can be performed independently.

In terms of literary language, it inherits the advantages and advantages of ancient poetry, Tang poetry, Song poetry and Yuanqu, and adopts the method of long and short sentences to make each sentence uneven and dense, giving full play to the musicality of Chinese. Through tone, rhythm and syntactic structure, the artistic effect of combining rigidity with softness is produced, while Peking Opera adopts seven sentences and cross sentences developed from seven-character rhythmic poems, each of which is sung in several words.

Kunqu opera is still often intact, singing the works of writers hundreds of years ago.

2. Music: China traditional opera music can be roughly divided into two structural forms, namely Qupai and Banqiang.

Kunqu music is a form of qupai structure, and there are more than 1000 kinds of qupai. Every scene in Kunqu Opera is a complete set of songs of North, South or South. Its singing is exquisite and exquisite, with four sharp voices, while Beijing Opera music is a plate cavity structure, which is divided into Xipi Huang Er and other plates.

Kunqu opera has never been sung.

A piece of music has been sung to the end, with a wide range. For example, female voice, it is difficult to combine true and false sounds. Every sentence in Beijing opera has a door. The main accompaniment instrument of Kunqu Opera is the flute, and Beijing Opera is mainly Jinghu.

3. Performance: Because of the characteristics of the script and music, Kunqu Opera is very high in dancing and stylized movements. The most important feature of Kunqu Opera is that it can sing and dance well. Because the words used in Kunqu Opera are very elegant, dance movements are often used to express the inner feelings of the characters in each aria, or movements are used to assist the interpretation of words. The dance movements of Kunqu Opera are very beautiful through various means of imagery, deformation and decoration.

It is continuous, but it is also very difficult. You have to go through hard training to sing and dance at the same time. Beijing opera has no big dance moves when you sing, or you don't sing when you usually dance. The operas that sing and dance are generally Kunqu operas, such as Stop the Horse and Noisy Heaven. Later, after processing and improvement, it also became a regular repertoire of Beijing opera.

The performance of Kunqu Opera is very delicate, and each profession has different characteristics, such as the charm of Dan Jiao, the elegance and agility of young students, the boldness and boldness of pictures, the vitality and chic of Wu Sheng and Wu Dan, and the humor and wit of clowns.

The composition about drama (high score) depends on what angle you want to write.

But personally, I think that if it is the kind of composition that teachers ask everyone to write, such as the composition in the examination room or the general composition required in the Chinese book, if you want to write operas, you should generally write what operas you like, then why you like them, what makes you feel better, and so on; Or like memories, for example, I wrote that when I was a child, I went to see the Caotai team with adults in the countryside. Later, when I grew up, I went to study in the city, and then I gradually moved away from opera. An accidental opportunity allows you to hear or see a short opera, so many good memories pour in, and so on. Or, you can say that you like opera, such as how to look at Peking Opera (what can be likened to), how to look at Kunqu Opera, how to look at Yue Opera, etc., forming a form that is a bit like parallelism, just like that kind of cultural composition, such as using the sentence of ancient poetry as the beginning of an article paragraph, which leads to the following similar writing; In other words, it can be said that how do you think the makeup of the opera is beautiful and enjoyable, how do you think the writing of the opera is good, how to be literary (this is a bit like ancient poetry), how do you think the procedures and performance methods of the opera give you an imagination space, and so on. You can write a lot.

But for such an ordinary composition, I personally don't think it is recommended to write something profound (although you may think it is simple) for ordinary people who don't watch the drama, such as discussing the similarities and differences of singing in a certain genre, the differences in performance and so on. Because these things are boring to them and are not suitable for this form of composition.

Because, this kind of composition arranged by ordinary teachers mainly depends on teachers rather than opera fans.

If your teacher happens to be an opera fan, he may be able to understand it, but he is still not suitable for writing this kind of content, so I personally don't recommend it.

If the composition is in the form of writing a paper, you can talk about the performance and genre of a play, or talk about the origin and birthplace of a play.

There are also differences. If you are studying art and opera, you can talk about it in depth. If you are an ordinary student, such as a high school student (because some high schools don't have research study in the new curriculum reform now ~), it's almost enough to talk about it.

Moreover, if it is the latter, it is almost enough and does not need to go too far. Generally speaking, the number of words and content requirements have been met, and teachers will not read them. If there are individual mistakes in it, hand them in, and generally there will be no more below.

I don't know what it's like over there, but here it is.

Of course, if it is ordinary composition, there are not many people who write operas now. Some students will give teachers a novel feeling, and it is not easy to bump into others with examples. If such a composition is well written, it will be used as a comment at the back of the composition on the document, that is, "It can be seen that the young author has a deep literary foundation and has a certain research on China traditional literature and art" (although this is similar to what I said) ~ Personal feeling.

The above are purely personal opinions and are for reference only.

In recent years, Mount Tai, the Great Wall and Suzhou classical gardens in China have been rated as world historical and cultural heritages.

More and more people are beginning to realize the great value contained in it and consciously make various efforts to protect these heritages.

This year's major international conference in Shanghai will also introduce Zhouzhuang and other ancient towns in the south of the Yangtze River to guests from all over the world as an effective way to "let the world know about China".

Human cultural heritage is not only material, but also spiritual, that is, "it has special cultural and oral cultural expressions, including language, stories, music, games, dances, customs and various artistic expressions".

In May this year, Kunqu Opera, an ancient art variety in China, was awarded the title of "masterpiece of human non-verbal and intangible heritage" by UNESCO.

The cultural heritage of our country is not only world-class, but also varied at all levels. They are distributed all over the country, and some of them are around us.

Have you noticed these cultural heritages, big or small, far or near? Please talk about your knowledge, understanding and thinking about them, and write an article about 1000 words (don't write poems).

The topic is self-drawn.

Please indicate the source? An article praising Kunqu opera