Traditional Culture Encyclopedia - Traditional customs - Twenty-four Traditional South Road Plays of Pu Opera

Twenty-four Traditional South Road Plays of Pu Opera

During the development of Pu Opera, there were two different artistic streams, namely, the West Road Opera and the South Road Opera. The South Road Opera was mainly based on the traditional 24 books, with fewer singing words, elegant language, neat dialogues, chewing words, and mostly winning with strange plots and elegant styles, which is what the people often call "elegant". West Road theater is rough and bold, heavy singing and work, style of fire, which is to the people said "common". At the end of the 1930s, especially after the emergence of the five famous actors of Pu Opera, Yan Fengchun, Wang Xiulan, Zhang Qingkui, Shiaoyue Lai, and Yang Hushan, the art of Pu Opera was further developed and improved, and the characteristics of the West Road Opera and the South Road Opera were gradually dissolved into a single one, so that the Pu Opera had a fiery and impassioned side, as well as an elegant and delicate side, and formed a style long for expressing passionate and sorrowful emotions, with a bold and unrestrained character, which the common people called "elegant and vulgar". This is what the people call "elegance and vulgarity **** appreciation". South Road has South Road's masterpiece, West Road has West Road's masterpiece. The elegant fire has its own flavor. The next eight books

Zhongyi Chivalry, Dragon and Phoenix Matching, Fisherman's Delight, Fortune and Noblety

Fox's Fate, Flaming Pony, Ningwuguan, Yellow Crane Tower

The mnemonics of the twenty-four books of the Pope Opera:

1) The mnemonics of the twenty-four books of the South Road are as follows:

The first eight books are: On the Pandasan, in the Red Plum Pavilion, in front of which is a Yin-Yang Tree, and inside which is placed a Bone Bed, and on the bed is the Bone Bed, and on the bed is the Bone Bed. Inside the pavilion, there is a "Bone Bed", a "Rui Luo Tent" on the bed, a "Margin of Delight" on the bed, a "Fifteen Guan" under the bed, and a "Qian Kun Xiao" hanging on the wall.

In the eight book, King Zhou is not willing to "dragon and phoenix match", and "fox edge" (Mei descending profanity), Daji does not live "leaning on the orchid pavilion", to build "picking the star building", Meibei straight advice "loyal and righteous warrior", Daji set "fire attack plan", set up "branding the column" in front of the temple, the fire burned Meibei "and the jade annulus".

The next eight books, the two are "loyal to protect the country", choose to book an auspicious day "Spring and Autumn Match", Hua Tang is located in the "Yellow Crane Tower", the two worshiped heaven and earth, the man gave the woman a "sun and moon", the woman gave the man a "rich and powerful map", the bride put on the "Shadowless Hairpin", the two rode on the "Flame Colt", and the road meets the "Snow in June".

② folk ballads say twenty-four of the play name: "Van Wang Palace" before the "Sophora", into the material can do "cannon branding column", under the tree on the "fire attack plan", "loyal and righteous warrior" embracing the "Heshi Bi", mounted on the "Flame Colt", through the "Ningwu Pass", came to the "Star House", take off the "Yellow Crane Tower", on the "Pandora's Peak", into the "Red Plum Pavilion", sit on the "Lin Bone Bed", put down the "Ruiluo tent", take off the "shadowless pin", and the "Ruiluo tent". Take off the "shadowless hairpin", remove the "Mei Jiang desecration", watching the "Spring and Autumn Match", singing "Fisherman's Delight", take out the "Fortune and Noble Figure", selling money "Fifteen Guan", "Fox Margin" to steal the "Qiankun tsunami", "Dragon and Phoenix Match" to conclude the "Intended Margin".