Peking Opera blocked Guo Degang lamented: I think of "offended" Mei Baojiu's Li Yugang, comedy saved the Peking Opera?

Comedy and Peking Opera, there is indeed an unbreakable bond, because comedy in the performance of Peking Opera can be borrowed to enrich the content of the comedy, to achieve good stage effects, think of the year Hou Baolin masters and Guo Qiru cooperation "Guan Gong war Qin Qiong" has become a classic masterpiece of comedy. Nowadays, the representative of the comedy world, Guo Degang, the same (様) is fond of Peking Opera, and his attainments are quite deep, and he often injects Peking Opera elements into his comedy.

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Of course the two types of theater, the two styles of art, should have their own unique characteristics, can learn from each other, elegance and vulgarity **** taste. But no matter from the artistic heritage, depth, difficulty and influence, Peking Opera, as a national treasure, will inevitably be higher than the comedy.

Therefore, the idea that comedy has saved Peking Opera is surely a false proposition, and comedy is not as capable or as capable as that. But the Peking Opera world does have a lot to learn from Guo Degang De Yunshe. Peking Opera has a glorious history, there have been a lot of famous artists, once popular throughout the country and even to the world, but nowadays the Peking Opera sector is struggling, if not supported by the government, may be a lot of troupes have long ceased to exist. The fundamental reason for such a situation, or the Beijing Opera industry is stuck in the old ways, sticking to the old ways, overemphasizing the inheritance of genres, the lack of bold reform and innovation.

Nowadays, or emperor and generals, talented people rule the stage, and even the masses of the favorite revolutionary model plays are rarely performed, but the lonely taste, self-congratulatory, detached from the people and the market. Although the Shanghai Peking Opera Theater also has Shi Yihong, Wang Peiyu, such as the hope of reform and innovation of the Peking Opera's representative characters, but ultimately the power of the thin, not the climate, a single tree is difficult to become a forest. On the contrary, the comedy world of Guo Degang De Yunshe but talent, the market is welcome, the people love, especially do not eat food to feed their own words, but also more than enough. Peking Opera should not be good to the comedy world to learn?

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Peking Opera is lost in the self-indulgence of the old ways, 50 years ago, some people see the crisis of the Peking Opera, after the reform and innovation of the modern Peking Opera. It has become a universally accepted art form for contemporary people, but it is a pity that it has been put into the cold palace for political reasons. Peking Opera is about to fall. Comedy has gone through several ups and downs, several innovations, and once again rejuvenated. Peking Opera is like any other cause in China, not reforming and creating only one way to die.