The simplest English handwritten newspaper in the Goddess Chang'e flying to the moon during Mid-Autumn Festival.

The simplest English manuscript of Chang 'e in Mid-Autumn Festival is here.

Chang 'e, a character in ancient China mythology, also known as the wife of Hengyi, Chang 'e, Chang 'e and He Yi, flew to the Moon Palace for stealing the elixir of life. The story of Chang 'e first appeared in Gui Zang, a hexagram book of Shang Dynasty. The Complete Works of the Goddess Chang'e flying to the moon was first recorded in Zilan meditation in Huainan, Western Han Dynasty. During the Eastern Han Dynasty, Chang 'e and Yi established a husband-and-wife relationship. After Chang 'e entered the Moon Palace, she became a toad trying to make drugs. After the Northern and Southern Dynasties, the image of Chang 'e returned to a daughter.

In Han's portrait, Chang 'e has the body of a snake head, with a high bun, wide sleeves and a Nagato lapel, and a long tail behind her, decorated with short barbed feathers. After the Northern and Southern Dynasties, the image of Chang 'e was portrayed as a beauty on earth. Chen, the Lord of Empress Chen in the Southern Dynasties, once compared his favorite concubine, Zhang Lihua, to Chang 'e. Bai Juyi, a poet in the Tang Dynasty, used Chang 'e to praise the rare appearance of the girl next door.

Chang 'e, a figure in ancient China mythology, also known as the wife of Hengwo, Chang 'e and Heyi, rose to the Moon Palace for stealing the elixir of life. The story of Chang 'e first appeared in the hexagrams of Shang Dynasty. The complete story about the Goddess Chang'e flying to the moon was first recorded in "Huai Nan Zi Lan Ming Xun" in the Western Han Dynasty. In the Eastern Han Dynasty, Chang 'e established a relationship with Iraq, and Chang 'e became a toad after entering the Moon Palace. After the Northern and Southern Dynasties, the image of Chang 'e returned to her daughter.

In the portraits of the Han Dynasty, Chang 'e has a snake-shaped head with a high bun and long sleeves, and a long tail decorated with short hooked feathers. After the Northern and Southern Dynasties, the image of Chang 'e was portrayed as a peerless beauty. In the Southern Dynasties, Chen once compared the favorite Zhang Lihua to Chang 'e, and the poet Bai Juyi in the Tang Dynasty once praised the girl next door and Chang 'e as rare.