Where to find regional culture (Lingnan culture) formative assessment book answers 2011.8 Guangdong University of Technology Publication

"Lingnan Folk Culture" Formative Exam Assignment Reference Answer Assignment 1

I. Fill in the blanks

1. The three major folk systems in Lingnan are (Guangfu folk system), (Hakka folk system) and (Fukuo folk system).

2. The most representative of Lingnan culture is the (Guangfu) folk system, which is the earliest of the three major folk systems in Lingnan to be formed by the fusion of the (ancient Yue) and southward-migrating immigrants from the Central Plains.

3. Historically, there were (four) times when the Central Plains people entered Vietnam on a larger scale.

4. The most representative of the city style of the Guangfu folk system are the (teahouse) and the New Year's Eve flower market in Guangzhou.

5, the most responsive to the Lingnan culture and the Central Plains culture mingling and mutation is (Hakka) folk customs.

6. Most of the Hakka people now living in Guangdong were "prominent members of the royal family and court officials" in the Central Plains during the Western Jin Dynasty.

7. Drinking Kung Fu tea is the flavor of the (Fukao) folk.

8. The largest population of ethnic minorities in the former Guangdong Province was the Li, who lived mainly in the Wuzhishan District of the present Hainan Province, where the Luo Yue people, a subgroup of the ancient Baiyue people, lived.

9. The Zhuang, the main indigenous ethnic group in the two Guangdong regions, developed from the (Xiu) and (Luoyue) of the ancient Baiyue ethnic group.

10. The more characteristic festival of the Zhuang is the "Cow King's Birthday" on the eighth day of the fourth month of the lunar calendar.

Second, multiple-choice questions

1, the first day of the year, "the line of luck" is (B)

A Guangzhou people's customs B Yangjiang people's customs C Hakka people's customs D Zhongshan people's customs

2, March 3 is the festival of the people of the (A)

A Li people B Zhuang people C Yao people D Miao people

2, March 3 is (A) people's festival

A Li people B Zhuang people C Yao people D Hmong

3. The Guangfu folk line was formed by the fusion of the ancient Yue people and the (C).

A Northern immigrants B Western immigrants C Central Plains immigrants D Highland immigrants

4. The Cantonese dialect of Chinese is a (A)-dominated dialect that incorporates elements of ancient Chinese from the Central Plains.

A Ancient Yue B Ancient Li C Ancient Zhuang D Ancient She

5. The Hakka people honor teachers and poetry and books, adhering to the (B) trait.

A Loess culture B Central Plains culture C Han and Tang culture D Western culture

6. The festival of April 8 of the Zhuang people gives red color to (D), reflecting the social custom of mainly farming.

A young man B a big girl C a pig D a cow

7. The She compatriots identify themselves as descendants of (A).

A Pan gourd B Pan Shi C Zhao Tuo D Liu Sanmei

8. Ancient foreign cultures were introduced to the Lingnan region through (D), which facilitated the intermingling of Lingnan and foreign cultures.

A Exile of court officials B Migration of population from the Central Plains C The Northern Silk Road D The Maritime Silk Road

9. The customs of (B) best reflect the intermingling of Lingnan and Central Plains cultures and their mutations.

A Guangfu Folk Line B Hakka Folk Line C Fukuo Folk Line D Guangfu Folk Line and Hakka Folk Line

10: The Pangu King's Birthday of the Yao ethnic group is celebrated with a grand (B) event.

A Juggling lanterns B Juggling songs C Welcoming the bride D Full-moon wine

Three, short-answer questions

1. Briefly describe the characteristics of the Guangfu folk line.

Answer: The characteristics of the Guangfu folk system are not nostalgic, not stuck in history, adventurous, courageous, easy to accept new things from outside, but also good at integration, digestion, absorption, strong sense of commodity, strong values. Smart and capable, changeable and compatible, light on politics and economic efficiency. This is related to its geographical location.

2. Characteristics of the Hakka Folk System

A: Characteristics of the Hakka Folk System: Strong sense of clan, rich in solidarity. They love to sing songs. Have hard-working character and a certain "mountain consciousness", remembering the ancestral virtues. They respect teachers and education, and advocate poetry and books, adhering to the qualities of the Central Plains culture, "the family of books". They have always been proud to read, to read and write as "a skill". Meixian is known as the "town of culture".

3. Briefly describe the characteristics of Lingnan folklore.

Answer: Lingnan folklore features, summed up, there are three main:

(1) old and young, everywhere bursting out of the spark of the Chinese and Western collision. Ancient ways of production and life, customs and etiquette, so that

people from its long history and culture. In daily life, food, clothing, interpersonal communication, etc., not only has the charming charm of the emerging seaside, but also a little "foreign" flavor, constituting the remarkable characteristics of the folklore of Zhinan.

(2) Lively and diversified, full of the romantic mood of the water town. The festival style of singing and dancing, "March 3rd" is like this. The face scroll, make people relaxed and comfortable, and urge people to work hard, which is exactly the main theme of Lingnan folklore.

(3) It is very rich in human flavor, with a strong city style. Spring Festival adults to children "New Year's money", the elders to the younger generation "points citrus", in order to object bonding, flowers to pass on love, send flowers to wish, etc., are with a strong human flavor. Guangzhou teahouse, rather than food paradise, it is more of a human interaction of the Grand View Garden.

4. What are the main differences between Lingnan culture and the culture of the Central Plains?

Answer: (1) the cultural background of the difference.

(2) the difference in the way of cultural integration.

(3) The bit difference of cultural core.

Four, expository questions

1, Lingnan culture has what qualities? Try to describe it.

A: Lingnan culture qualities, mainly in:

First, good at absorbing foreign cultures open atmosphere. For example, Guangdong music boldly used foreign instruments, with its wide range of rich, melodious and loud and delightful; world-renowned flavor of Cantonese cuisine, not only absorbed the skills of the eight domestic cuisines, but also absorbed the essence of Western culinary cuisine; in terms of cultural thinking, they are extremely advocate of "the way of self-reliance of nationalities of all countries, and choose the best and take the best. The convergence of the long and take it." Guangdong is the first in the country to open the door, in the foreign economic and cultural exchanges played a striking role, which is not accidental.

Secondly, it strives to transcend the "tradition-oriented" enterprising spirit. On the one hand, it is manifested in the absorption of the essence of the inherent cultural traditions, and on the other hand, it is boldly removing the traditional end. Sun Yat-sen, Kang Youwei, Liang Qichao, Feng Ru, Zhan Tianyou, etc., these brilliant stars, representing the ideas of Lingnan culture, their words and deeds and performance, can also be seen in the Lingnan culture of the special style.

Thirdly, the cultural tendency of business. The footprints of the merchants of Chaozhou, "on the Yimen, down through the Taiwan Xia", as far as Singapore, Siam, and the Pearl River Delta merchants echoed the formation of the commercial system at that time, the famous "Guangdong gang". The development of the commodity economy had a far-reaching effect on the local cultural life and social psychology, casting the Lingnan culture of seeking practical benefits and favoring the tendency of business.

2. From a cultural point of view, talk about the reasons for the formation and characteristics of the Guangfu, Hakka, and Fukuo folk systems.

A: Guangfu folk system due to the Pearl River Delta area of fertile land, mild climate, water system, abundant crops, for the multi-level agricultural economic structure provides favorable conditions, and has the unique trade port of Guangzhou as a backing, so in the era of the two Sung dynasty, the development of the Pearl River Delta has begun to take shape, the Southern Song dynasty has become the famous grain production areas and cash crop bases in southern China, and in the late Ming dynasty began to develop in the direction of commoditization. the direction of commercialization. Hakka people, at the beginning, they lived in the four sides of the feudalism of the small dynasty surrounded, basically with the aborigines, living a long time to the family as the core of the collective life, the clan concept is very strong, many times to migrate and rebuild the home of the labor, cultivated their hard-working character and a certain degree of "consciousness of the mountains", and then with the local indigenous she tribe, partially integrated, constitute the Hakka people. Later, they partially integrated with the local indigenous She people and formed the Hakka Folk Lineage. The Fuluo folk line refers to the group of people who speak the dialects of southern and northern Fujian, with a geographical distribution around Chaozhou, Shantou and Hainan Island, and a part of them moved into Guangxi from Fujian. The formation of the Fuluo folk line is the result of the integration of the local indigenous people, the Min-Yue people, with the Han Chinese who have moved into the region since the Two Jin dynasties.

"Lingnan Folk Culture" Formal Exam Assignment Reference Answer Assignment 2

I. Fill in the Blanks

1. In the myth of the Five Rams, the Five Immortals and the Five Rams are the incarnations of the (Valley Spirit).

2. The most famous legend of Guangdong's stolen treasure is the Legend of the Haizhu Stone, which is related to the Tang Dynasty legend of Cui Wei.

3. The founder of the Southern Religious Sect in China and the sixth successor of the Zen Sect of Buddhism is (Huineng).

4. The story of Huineng leaving home to study Buddhism is full of the Buddhist concept of (color and emptiness).

5. In the story of the Sixth Patriarch's study of Buddhism, the Sixth Patriarch's uncle asked him to worship a huge stone at the head of the village before granting him permission to become a monk, and his uncle's majesty reflected the custom of (respecting) the uncle in Guangdong.

6. The most important relics of the Sixth Patriarch have been preserved in his hometown (Integration Town, Xinxing County), at the Guangxiao Temple in Guangzhou, where he received the precepts, and in Shaoguan, where he held his sayings.

7, Guangdong folk "Ox King Christmas", "out of the water dragon" is the same day with the April 8 "(Bathing Buddha) Festival".

8. The changes in the folkloric designation of Liu Sanmei have provided us with the route of her songs, and her trail has given us a customary circle, that is, the (Lingnan Folklore Dongxi Cultural Circle).

9. The legendary Guangdong Liu Sanmei was a native of the Tang Dynasty during the reign of Emperor Zhongzong. The earliest written record of Liu Sanmei is the "Yidi Shengji" (Records of Public Opinions and Successes) by the Song Dynasty's Wang Xiangzhi.

10There are many kinds of riddles in the Chaoshan lanterns, among which the one with the most literary and artistic value is the poem riddle (诗谜峒溪题).

Second, multiple choice questions

1, the ranking of the five sheep in the Five Sheep Myth is related to (C).

A Lingnan customs B the Central Plains people C Zhao Tuo D the southern totem

2, the ancestors who moved to the city of sheep came with sheep because (B)

A sheep are small and easy to carry B sheep are highly fertile and adaptable C sheep are spiritual D sheep are the totem of the ancestors

3, the five immortals in the center refers to (D), and is the most important ancestor god.

A the first immortal B the second immortal C the third immortal D the fifth immortal

4. The (A) type is the most common in stories involving foreign legends.

A "The foreigner steals the treasure" B "The foreigner looks for the treasure" C "The foreigner cheats the treasure" D "The foreigner robs the treasure "

5. The Sixth Patriarch's words during his lifetime were compiled into (B) by his disciples and circulated throughout the world.

A The Sixth Patriarch's Sutra B The Sixth Patriarch's Discourse C The Sixth Patriarch's Talking Sutra D The Sixth Patriarch's Altar Sutra

6. The Sixth Patriarch Huineng was ordained by cutting off his hair in (A).

A Guangxiao Temple in Guangzhou B Xinxing Integration Town C Baolin Temple in Caoxi D Donglin Temple in Hubei Province

7. According to "The Record of Opinions and Places" by the Song Dynasty's Wang Xiangzhi, the Song Immortal Liu Sanmei was (C ).

A native of Xingmei B native of Teng County in Guangxi C native of Yangchun County D native of Xinxing County

8. In Guangdong, Liu Sanmei was really worshipped as a song fairy in (D).

A Xingmei B Xinxing C Lianxian D Yangchun

9. The enigmatic style of Guangdong is most prevalent in (C).

A Meixian B Guangzhou C Chaoshan D Zhaoqing

10: When Chaoshan people guess riddles, they usually (A).

A create their own B copy ready-made C improvise on the spot D specially provided by someone

Three, short-answer questions

1. In the Chaoshan area, there is a unique protocol for guessing riddles, please briefly describe this protocol.

Answer: The unique procedure of riddle-guessing in Chaoshan is to hit the drum to report the guessing. When the riddle-guessing starts, the person in charge of the riddle-guessing beats the drum, and after the sound of the drum, the riddle-guessing can be started. Guess the shooter first reported the number of riddle paper, the author of the main drum, and then reported the riddle and the riddle, and re-drumming a drum, plus the explanation, completely correct, the main drum three times.

2, in Guangdong, Liu Sanjie's name is not the same everywhere, from the changes in his name constitute a what kind of legends and customs circle?

A: Folk to his title are for us to provide her route to pass the song, her line and give us a customs circle. That is, Lingnan folk Dongxi cultural circle. Its scope involves Guangdong, Guangxi and even the eastern Yunnan (Yunnan Hekou, Pingbian area with the legend of Liu Sanmei) part of the region, it is clearly different from the Pearl River Delta and the Chaoshan Plain area of the customs and culture, which should attract our attention.

3. Briefly tell the story of the Sixth Patriarch's study of Buddhism.

A: The Sixth Patriarch was the son of a peasant family. At the age of 23, the Sixth Patriarch had to leave his emerging family to study Buddhism at the Dongzen Temple in Hubei. At that time, Huineng's uncle forbade him to leave his mother to become a monk, and suggested that if he insisted on leaving home, he must worship a big stone at the door of his grandmother's house until it cracked, Huineng was very pious, and he worshipped the stone for seventy-seven and forty-nine days, and the huge stone literally split into two halves.

At first, the Five Ancestors refused to take him in, and Huineng said, "Although there is a north and south, there is no north and south in the Buddha nature. The fang body is different from the monk, the Buddha nature of the difference," said the five ancestors thought so he left him, and let him in the pestle and mortar pounding firewood. Eight months later, the Fifth Patriarch selected the successor and ordered each disciple to compose a verse. Hui Neng composed a verse, "There is no tree in Bodhi, nor is there a mirror in the mirror; there is nothing in the first place, where is the dust?" His verse surprised everyone. They did not expect a man who worked in a pestle and mortar to be able to make such a verse.

The Fifth Patriarch was pleased with himself, but he pretended to say, "I have not yet seen my true nature." The next day, the Fifth Patriarch quietly came to the pestle and mortar and asked Huineng, "Is the rice cooked yet?" Hui Neng replied, "The rice has been cooked for a long time, but not yet sifted." These words are all puns, reflecting that Huineng and the Five Ancestors were in touch with each other. Then the Five Ancestors struck three more times with their staffs. And left.

That night at three o'clock, Huineng went to the residence of the Five Ancestors, the Five Ancestors secretly received the Zen teachings, passed to Huineng with the mantle, and instructed, "Nong for the disputes, stopping you do not pass on." Sixteen years later, coinciding with the high priest Yin Zong master in Guangzhou Fazhong Temple (now Guangxiao Temple) to open the "Nirvana Sutra", Huineng mixed in the monks to listen to the speech, when the wind blowing streamers, all the monks look at the neck, there will be a wind or "streamers moving" debate. Hunnen said: "It is not the wind that moves, it is not the streamers that move, it is the heart of the benevolent that moves". This high opinion won the appreciation of Yin Zong. As a result, Huineng presented his mantle, cut his hair and shaved his head, and was formally worshipped as the Sixth Patriarch of the Zen Sect.

4. What is the difference between Guangdong's foreign-related stories and the traditional ones?

A: foreign legend story, to "foreigners steal the treasure" type of the most, the basic pattern of its tradition is: there is a treasure in a certain place in our country, the appearance of mediocre, the people do not know, and then was a foreign merchant or missionary found that the purchase of a large amount of money, or by various means of deception, or even force to snatch, but due to the treasure attachment to the homeland, unwilling to go abroad; or to the foreigners to the foreigners to buy, or by various means of fraud, and even force to snatch. But because of the treasures attached to the homeland, unwilling to go abroad; or to the hands of foreigners to lose the spirit, do not listen to the call; or in the scramble damaged, turned into waste. From then on, the place declined and the people lived in poverty, as if all this was caused by the theft of our treasures by the abominable foreigners. These stories, which mostly appeared in modern times, show a strong mentality of locking up the country.

And the foreign-related legends in Guangdong show a different mood: getting along with foreigners, helping each other, complementing each other's strengths and competing on an equal footing.

Four, expository questions

1, "five sheep myth" in the immortal is riding a sheep, please talk about what is the moral of it?

Answer: sheep is a traditional Chinese good luck, can bring luck, some people believe that the sheep is the ancient Yue people of Guangzhou totem worship. The word "sheep" is used in the ancient Chinese bronze inscriptions as "auspicious sheep". Han Yuanjia knife inscription has "Yi Hou Wang, big auspicious sheep." Sheep is also a symbol of good fortune, auspicious objects, since ancient times is one of the six savings. Some people believe that the Chinese character for "beauty" is "sheep big", that is, sheep fat is beautiful; the Chinese character for "fresh" is "fish and sheep". The Chinese character for "fresh" is "fish and sheep", and the beautiful white jade is compared to the white and moist sheep's paste, which is beautifully called white jade with sheep's fat. Sheep character tame and rich in the spirit of fraternity, since ancient times, sheep and mankind have lived in harmony, for mankind to make selfless contributions. It never asked for anything to people, eating grass, dedication to people is sheep's milk, wool, mutton and sheepskin, even sheep dung is also a good fertilizer. In the sheep, there is a spirit of dedication and sacrifice.

2. What Buddhist culture is reflected in the story of the Sixth Patriarch's study of Buddhism? Discuss with examples.

Answer: (1) The story of Huineng leaving home to study Buddhism and the debate about "streamers" reflect the Buddhist concept of color and emptiness;

(2) The story of Huineng dropping his waist and pounding rice reflects the spirit of Buddhism that emphasizes hard work and refinement;

(3) The story of Huineng planting vegetables reflects the purity of root required by Buddhism, The character of the mind as if it were still water;

(4) the story of Huineng eating breakfast reflects the enlightenment required by Buddhism;

(5) the story of Huineng manifesting the Dharma (Huiming leaving his mantle, borrowing land from Chen Yaxian, Hsing Chang Hsing's assassination, and so on) embodies the function of the Dharma's limitlessness in Buddhism;

3. What is the natural form of the story of the theft of the Treasure of Guangdong like? And what kind of mentality does it present? Try to describe it.

Answer: from the foreigner's knowledge of the treasure to the foreigner's theft of the treasure, and from the equal trade to the forcible seizure of the treasure. However, there are fewer stories of the latter type in Guangdong, and the conflicts are not so sharp and intense. Most of them revert to the form of the early treasure-knowledge stories, in which the treasure-knowers and the treasure-holders buy and sell voluntarily, focusing on the fact that the treasures cannot be purchased for a large sum of money, and reflecting the mentality of people's love of home and patriotism through the treasures' attachment to their native land rather than the contradictory struggles between the treasure-knowers and the treasure-holders. More foreign-related stories glorify the traditional friendship between Chinese and foreign people in economic and cultural exchanges, which is rare under the ideological pressure of closed-door and blind xenophobia in the last hundred years.

"Lingnan Folk Culture" Homework Answers (3)

I. Fill in the blanks

1. The tea-drinking custom of the Guangzhou people began to take shape from the end of the (18th) century, and the culture of the Guangzhou teahouse is characterized by a style that combines the East and the West.

2. In the middle of the 19th century, the first modernized teahouse was born in Guangzhou's (Thirteen Houses) Street, known as (Sanyuan House).

3. Teochew Kung Fu Tea, which started in the Ming Dynasty and flourished in the Qing Dynasty, has become a cultural phenomenon of tea-drinking in Teochew, and is an important part of Teochew's food culture.

4. The Kung Fu Tea is not in the tea leaves, but in the tea (cooking method).

5, Teochew Kung Fu Tea "eight steps" refers to the treatment of equipment, (tea), waiting for tea, punching points, scraping foam, pouring canisters, scalding cups, (sprinkle tea).

6, Hakka famous dish "Dongjiang stuffed tofu", the legend originated from (the habit of wrapping dumplings in the Central Plains).

7. The half-cavern-style shacks built on the ground and the (dry) buildings higher than the water (ground) surface were the main forms of habitation of the Lingnan ancestors after they came out of the caves.

8, the bamboo tube house is also known as (straight head house), bamboo pole house. His plan is characterized by a single room on the front fa?ade, narrow width, depth depending on the length of the terrain.

9, Guangzhou's (riding) building commercial city products, is the result of the fusion of Chinese and foreign cultures.

10, Chaoshan residential plan type, the most basic form of (four points of gold) and (downhill tiger) most of the other residential four points of gold as the basic unit to combine the development of.

11, floating color is popular in (Panyu Shawan) and (Wuchuan Meilac) around the area of a kind of folk games. It is usually performed on the third day of the third month of the lunar calendar every year on the occasion of the birthday of the Northern Emperor.

12, generally said "Foshan autumn color", refers to (autumn color crafts) "autumn color race" commonly known as (out of the autumn color), it is the Foshan folk crafts and its exhibition of a special form of work, the beginning of the celebration of abundance of pay God, and then developed into a comprehensive folkloric mass entertainment. The folk art of the masses.

Second, multiple-choice questions

1, the agent of Cantonese cuisine is: (A)

A Guangzhou cuisine B Hakka cuisine C Chaoshan cuisine D A, B, C are all

2, Chaoshan cuisine to (A) is characterized by exquisite production, the pattern of elaboration.

A Seafood B Beef C Vegetables D Chicken

3, before brewing Kung Fu Tea, you have to boil water and scald the tea utensils, this step is called: (C)

A Waiting for Tea B Nana Tea C Ruling the Vessel D Punching the Points

4, Tea utensils for Kung Fu Tea, are often (D).

A "a style of one set" B "a style of two pieces" C "a style of three pieces" D "a style of many pieces "

5. Wei Long House is (B)

A Guangzhou Folk Houses B Hakka Folk Houses C Chaoshan Folk Houses D Foshan Folk Houses

6. The largest number of surviving traditional dwellings in Guangzhou as well as towns and cities of the Pearl River Delta is (B)

A Xiguan Dajia B Zhuzhu House C Cui Lou D Wei Long House

7, The "Four Points of Gold" is (C)

A Guangzhou Folk Houses B Hakka Folk Houses C Chaoshan Folk Houses D Foshan Folk Houses

8. "Sai Da Biao" is a springtime colorful activity in (A).

A Chaoshan region B Guangzhou region C Hakka region D Foshan region

9, floating color to (B) floating color is the most famous.

A Wuchuan B Zini C Shawan D Xiaolan

10, Guangdong famous water color there are two places, they are (D)

A Xinfeng, Longmen; B Wuchuan Meitu Town, Zhongshan Xiaolan Town;

C Foshan City, Panyu Shiqiao Town; D Panyu Shiqiao Town, Zhongshan Xiaolan Town.

Three, short answer questions

1, briefly describe the characteristics of Guangzhou cuisine.

Answer: Guangzhou cuisine is characterized by a wide variety of ingredients, rich dishes, can be unique, but also to coordinate with the mouth, to receive the same interesting dietary effects of elegance and vulgarity. Furthermore, the production of fine, in the ingredients, knife work, utensils, fire, oil temperature, the order of raw materials into the pot, cooking time, starting pot, wrapping tail, serving method and other aspects have strict requirements. The taste of Cantonese cuisine is suitable for salty and light, rich in seasonal changes, crisp texture, never get tired of eating, and is good at taking the local food culture as the basis and absorbing the essence of other domestic cuisines and western food to form a unique southern flavor.

2. What are the structural characteristics of Guangzhou bamboo tube? What is the reason for its formation? Briefly describe it.

A: (1) bamboo tube house is one of the modern traditional housing forms in Guangzhou, the plane is characterized by a single room, and small openings, narrow, the width of the doorway to the street is usually only 3 to 4 meters, but the depth is very large, mostly 12 to 15 meters, but also up to 30 to 35 meters, the ratio of width and depth from 1:4 to 1:8, or even 1:10 or more, from front to back arranged into a number of rooms, resembling a bamboo tube, so the name bamboo tube house. Therefore, it is called Bamboo Cylinder House. It is mostly seen in Guangzhou Xiguan and the city center area, especially in Xiafeifang, salt transport West, General East, West Street area is more typical and concentrated. Bamboo house is generally divided into three parts: front, center and back. The front part is the main door and the entrance hall; the middle part is the hall, which is a higher single-story with a god tower inside; and the back part is the bedroom and the kitchen and toilet. The three parts are separated by a patio and connected by a corridor, and the streets and alleys formed between the bamboo houses are very narrow.

(2) The reason for its emergence is that in the first half of the 19th century, with the development of industry and commerce and the gradual increase of the urban population, the central part of Guangdong was overcrowded and land was scarce and expensive, and at the same time, the climate of the region was hot and humid, so that the bamboo houses could rely on the open halls and patios, and the corridors could be solved in terms of ventilation, lighting, drainage, and transportation.

3. What is the difference between Hakka houses and Chaoshan houses?

A: The overall plan of Hakka house is basically a large oval, close to the modern athletic stadium. The main part in the center is the house building, in front of the house is the rectangular Wo Ping, and further ahead is the half-moon shaped pond. Behind the house is a semi-circular hillside or woodland, planted with bamboo trees, known as the "flower platform", "tombs back"; Chaoshan residential plane types, the most basic form of the lower tiger and four points of gold. The most basic forms are the Xia Shan Hu and the Four Points of Gold. The Xia Shan Hu is commonly known as the "Alley Dust", and its layout is in the form of a triplex courtyard. The four-point gold plan layout for the four courtyard form.

4, briefly describe the characteristics of the Zini spring color in the outstanding. See page 173 of the textbook

Four, expository questions

1, combined with the actual, discuss the characteristics of Guangzhou teahouse culture.

Answer: (Points) Guangzhou people's friends dating, relatives gatherings, lovers dating, family reunions, literati on manuscripts, business negotiations and so on are often done in the teahouse. Modern Guangzhou teahouse is not only a place of business services and social venues, or cultural activities, family self-entertainment places, Guangzhou teahouse social functions, far beyond the reach of other places, Guangzhou teahouse culture is one of the characteristics of Lingnan culture.

2. Discuss the characteristics of Teochew Kung Fu Tea.

A: "Harmony, respect, refinement and joy". From the picking, identification, utensils, fire, water, baking, grinding, cooking, drinking and other aspects of the nine, should strive for its fine. Precision is the most prominent feature of Kung Fu tea, which is embodied in every aspect of the cooking and drinking process, rather than just "more delicate utensils". Kung Fu tea cans have single cup to four cups and other specifications. Generally: three people with two cups of pot, four people with three cups of pot, more than five people with four cups of pot. In this way, when each round of tea is spilled, there is always a seated guest who has to take a turn. Therefore, after the first round of tea, juniors must honor the elders, the master to let the guests, it has become the unwritten norms of tea. After that, the host and the guest will give way to each other, the eldest and the youngest will give way to each other, and the sound of humility is endless, and the harmonious atmosphere overflows the teahouse, and the spirit of "harmony and respect" gets the fullest and very natural expression. Kung Fu tea is not only the art of drinking tea in the hall of elegance, but also a folklore that has jumped out of the narrow circle of literati and is rooted in the fertile soil of the general public. Elegant in the vulgar, vulgar in the elegant, elegant and vulgar **** appreciation, elegant and vulgar, which is exactly where its charm and vitality lies. People can seek from it both interest, more can get pleasure and pleasure. 3, discuss the cultural characteristics of Foshan autumn color.

Answer: Autumn color is also known as "autumn sky", "autumn scenery". Autumn color event is generally known as out of the autumn color or out of the autumn scenery, is unique to Foshan folk art competition and cultural performances and competitions. The rise of autumn color began during the Yongle period of Ming Dynasty (1403-1424), which was closely related to the developed handicrafts and agriculture in Foshan. The development of handicrafts created a lot of skilled craftsmen and provided a lot of raw materials for the art of Foshan autumn colors. Every year after the autumn harvest, Foshan people to store or industry as a unit, self-organized, the use of agricultural products or handicraft surplus materials such as sesame, cocoons, fruits, potatoes, shavings, waste paper, cotton wool, etc., at your fingertips, with clay sculpture, wax casting, paper pouncing processed into a fake artwork, to the "tandem head", "table" in the form of picking, pushing through the streets for the masses to watch, comment, and then matched with the Dragon Dance, lion dance, Shifan, gongs and drums, each show their ability to become a folk cultural and entertainment activities called "Autumn Colors will be King".

"Lingnan Folk Culture" homework answers (4)

I. Fill in the blanks

1, combing women is a unique marriage customs in the Pearl River Delta, to (Shunde), Nanhai, Panyu, Zhongshan, the most.

2, has been regarded as the Lingnan marriage customs of the two major wonders are referred to (self-combing) and (string Lung Boudoir). 3、The industry that specializes in cultivating concubines for prominent noblemen is called (Married Maid)

4、The second climax of the self-combing trend appeared at the beginning of the 20th century

5、The lettuce party in Guangzhou is the most popular one in Kengkou of (Fangcun).

6. In Guangdong, (Zhu Rong) is known as the god of water and is enshrined in the Nanhai Temple in the eastern suburb of Guangzhou.

7. Among the taboos in Guangdong, there are language taboos, yearly taboos, marriage taboos, murder taboos, (behavioral taboos) and so on.

8, (South China Sea God's birthday) is popular in the Guangzhou area of faith customs, also known as Polo Festival, South China Sea Polo Festival.

9, Beidi, originally for the ancient myth of (star) God, after the Lingnan people call it the god of water. 10, Tianfei, also known as the Queen of Heaven, Fujian, Taiwan, known as (Mazu), worshiped as the god of the sea, foreign countries are called "China's female god of the sea".

Second, multiple choice questions

1, "self-combing women" is (B) a unique marriage customs.

A Chaoshan region B Pearl River Delta region C Hakka region D Li region

2, in the self-combing custom, some women do not want to marry nor do not want to self-combing, they will look for a man married to a man who died early, to the dead ghosts of the widowhood of the custom is (C).

A BuLuJia B DaiMingLiuShi C DaiShouQing D BuYouMenDoor

3, lettuce will be the meeting period is (C).

A New Year's Day 13 to 16 B New Year's Day 18 to 24

C New Year's Day 24 to 27 D New Year's Day 26 to 28

4. The Dragon Mother is a (D).

A God of Nature B God of Heaven C God of the Underworld D God of the Clan

5. Which of the following gods belongs to the category of heavenly gods? (A)

A Beidi B Taishanglaojun C Chenghuang D Shishen

6. The folk legend of the Mother of Dragons is related to the proverbial story of "The heart is not enough for a snake to swallow an elephant" and to (C).

A Huang Da Xian fighting B He Xian Gu fighting C Lai Bu Yi fighting D Fisherman fighting

7, the human god refers to (C)

A the god of the underworld B the god of conception C the god of the ancestors of all races D the goddess Guanyin

8, the divinity of the Dragon Mother as the goddess of the water, firstly, through her own magical powers, and secondly, through the (A).

A Five Dragon Sons B Adoptive Father C Fighting with Lai Bouyi D King of the Sea Dragon

9. The God of Wave Voltaic is a (B).

A God of Heaven B God of Water C God of the Underworld D God of Nature

10. Which of the following gods was changed from a god of fire to a god of water? (D)

A God of Waves B God of the North C Mother of Dragons D God of Zhu Rong

Three: Short Answer Questions

1. What is the difference between "self-combing" and "stringing together the boudoir"? See the penultimate paragraph on page 188 of the textbook

2. Briefly explain the reasons for the formation of the custom of "not leaving home" and its characteristics.

Answer: Some women, because of their determination to live a celibate life, although hidden from their parents have been secretly combed, but ultimately, because of the parents could not resist the compulsion to marry, so they had to take after marriage, "do not fall home" approach to deal with their parents. Intentionally do not fall home women, to get married secretly asked confidant sister-in-law sisters to teach the wedding night to cope with the way, and asked the Jinlan sisters specially made a set of defensive clothing, clothing made of up and down connected, the mouth of the clip is sewn particularly strong, so that the bride can not tear away. Bring a pair of scissors for self-defense, do not let the groom close to their bodies. If the bridegroom to violence, that is, screaming for help, to the Jinlan sisters played by the truth, heard the voice of the collective will go to the rescue, to help the bride free. In the husband's home to live to three days, "back to the door" will not return to the husband's home. However, the women do not fall home, in the husband's family is still the name of the housewife. Husband's family, such as red, white and funeral events, but also to send people back to show care. If aunts or husbands pass away, they must go back in person to do their filial duty. If she was dying, she could not stay at her mother's house for the funeral, but had to go back to her husband's house to wait for the end of her life. The woman's family is responsible for her food, medicine and expenses during her stay. The husband's family is responsible for the funeral in the same way as a housewife. The estate is left to the concubine or concubine's children. There are also cases where a woman dies in a nunnery or a house of aunties without returning to her husband's home.

3. How is the divinity of the Dragon Mother manifested?

Answer: The divinity of the Dragon Mother as a water goddess is realized through her own magic power and through her filial sons, the Five Dragon Sons. From her own point of view, one can solve the drought and water problems; the second can predict the wind and clouds, calm the waves and solve the drowning problems; the third guides the sailing ships and carries the battle-axe to help the battles. As for the five dragons, themselves are dragon-shaped, its traveling clouds as fish, the ability to make waves, are above the Dragon Mother. As long as the mother gives the order, the dragons can do whatever they want.

4. In the context of your own daily life, what are some of the taboos in the life you are familiar with? See page 231 of the textbook

Four: Discussion Questions

1. Explain the cultural significance of the two marriage customs of "self-combing" and "stringing the dragon's chamber". See the last paragraph on page 201 of the textbook

2, try to describe the relationship between the belief in the mother of the dragon and the folk culture of Xijiang.

Answer: Dragon mother culture is the core of Xijiang culture, is one of the sources of Chinese dragon culture, its wide circulation and influence is no less than the sea goddess Mazu. After thousands of years of historical and cultural deposits and the formation of the mother of the Dragon culture nurtured and produced by the strong cultural force, has been transformed into social productive forces, a powerful impetus to the Xijiang River Basin's social progress and economic development.

(1) With its deep historical and cultural heritage and rich cultural connotation, Longmu culture has continuously activated the concept of "people-oriented", nurtured and created generations of laborers, and promoted the social progress of the Xijiang River Basin.

Laborers create society. Looking back on the history of the Xijiang River Basin, especially the history of the social development of the Xijiang River Basin, we can see that it is the culture of the Dragon Mother and the influence of the influence of the Dragon Mother, the Xijiang River Basin generation after generation of laborers to inherit and carry forward the Dragon Mother's spirit of self-improvement, virtue and materialism, and with wisdom and diligence, to create the Xijiang River Basin's social wealth, and to promote the progress of the Xijiang River Basin's society.

(2) Dragon Mother Culture has created the economic brand of the Xijiang River Basin with its unique cultural effect and rich economic connotation, and promoted the economic development of the Xijiang River Basin.

After more than 2000 years of historical accumulation, Longmu culture has formed a cultural brand with its own characteristics and strong competitiveness. In thousands of years of social practice, Longmu culture, a brand that resonates throughout the Xijiang River Basin, consciously and unconsciously combined with economic activities, thus forming its own unique cultural effects and rich economic connotations, which is cultural innovation and economic competitiveness, cultural power to enhance the economic competitiveness of a historical inevitability.

What are the characteristics of the evolution of the Lingnan Water God. See the second paragraph on page 259 of the textbook