The Last Shadow Show of "The Words of Daming Palace

The name of the shadow play staged in the last episode of The Words of the Palace of Daming is "Treading Shaking Niang", and the explanation of this shadow play is as follows:

1. Introduction is as follows:

Also known as "Treading Rhyme Niang". Taken from folk tales. According to the record of the "Church of the Square", "Miscellaneous Records of the House of Music": in the Northern Qi Dynasty (or the end of the Sui Dynasty), Heshuo (north of the Yellow River), Su, a rotten nose and ugly appearance, not an official, but claimed to be the Langzhong, addicted to alcohol, and often in a drunken manner, beating his wife. Su wife is beautiful and good at singing, will be full of grievances into the lyrics and songs, pouring out their own misfortunes. These words and songs were enriched and developed in the singing, and the accompanying music was added, gradually forming a song and dance performance.

2, the origin of the name:

According to the "Old Tang Book - Music Zhi", Liu Binke "Jiayu Records", "Taiping Yuban" cited in the "Miscellaneous Records of the Lefu," it is due to the fact that the heroine complained of her misery when she shook her body constantly.

During the Tianbao period of the Tang Dynasty, the poet Chang Feiyue wrote a poem titled "Singing about Rongniang", which reads: "Raising my hands and fixing the flower inlays, I turned around and danced at the banquet. Horses surrounded the rows of the circle, the crowd watched the scene round. Her songs are sung in unison, and her love is conveyed through her words. I don't know how big or small my heart is, but I can have a lot of pity." This poem reflects the mood, scene and popularity of the audience during the performance of this program.

The poem "Treading the Ballad of the Lady" was written in Cui Lingqin's "The Record of the Teaching House" in Tang Dynasty, which reads: "In Northern Qi, there was a man surnamed Su, who called himself Langzhong, and who was addicted to brewing wine and drunkenness, and who would always beat his wife. Wife articulate grief, complained to the neighbors. People get it; husband dressed in women's clothes, Xu line into the field; line song, each stack, the bystanders and the cloud: "tread the ballad"; to its and step and song, so called "tread the ballad"; to its claim of wrongdoing, so the words of the bitter. And their husbands to, it is made to fight, in order to laugh and enjoy. This means that because the woman and song (v.) and dance (step), so called "step ballad mother".

3,

The classic dialogue of the TV series The Story of the Palace of Daming

Women:Wildflowers flutter in the wind

as if they were pouring out their hearts

The green grass trembles

Endless lingering attachment

The first green willow branches

Falling into the long green water

The hearts of the young are stirred up with tenderness.

Why does spring come every year as scheduled

But my faraway husband is missing every year

Man: I left home for three years

To dream of a glorious Chang'an

The city is full of magical adventures

Fulfilling the grandiose wish of a man

And now I finally return to my homeland

And I meet the home of my family

And the home of the city, where I live, where I live, where I live.

It's springtime in my hometown again

Look at the river

Look at the peach blossoms in the stream

Look at the green hills

Nothing has changed

I wonder if my wife, who left me after a month of marriage, is still in her prime

Who's the woman who came here, who's full of springtime beauty

Who's the girl?

Please stop your beautiful steps,

Do you know what kind of mistake you have made

Woman:

It was clearly your horse's hooves that tipped over my basket

Look at this wide avenue going up to the blue sky

You had to let this damn animal splash me with stains

How could you blame my mistake on me instead? Mistake

Man:Your mistake is to be as beautiful as the sky

Your fluffy hair fills my eyes

I can't see the road or the mountains

It is only pitch black

Your bright cheeks make my horse fall over

Forgetting how majestic its master is

Woman:Go away from here, you lightweight! man

Do you know what kind of an affectionate woman you are molesting

She has thrown away three years for her husband whom she has seen only once

Throwing her youthfulness into endless waiting

Giving her maidenly tenderness to the nightly empty dreams

Go away quickly

When the emptiness and the sadness have already brought her down

You want to Add another knife to the fall

Beat her chastity once and for all...