What are the color meanings and representative figures of Facebook?

The meaning of Peking Opera facial makeup color: red is the main color, indicating loyalty, courage and righteousness; Black indicates fortitude, courage, rudeness and recklessness; Blue represents strong, rough, brave and unruly; Green represents courage, tenacity, irritability and irritability; Yellow stands for aggressive, fierce, insidious and calculating; White represents insidious and cunning; Purple indicates majesty and decisiveness; Pink represents old age.

The representative figure of Peking Opera facial makeup color: red represents martial arts, and the representative figure is Guan Yu; Black stands for justice and honesty, and the representative figure is Bao Zheng, an honest official in the Song Dynasty. Blue represents courage and resourcefulness, and the representative figure is Dou Erdun, a hero of the Qing Dynasty.

Green means recklessness and impatience, such as Cheng in Sui and Tang Dynasties. Yellow means tough and cruel, and the representative figure is Yu Wencheng, the general of Sui Dynasty. Bai means treachery, and the representative figure is Cao Cao, a traitor in the Three Kingdoms. Purple means majestic and decisive, and the representative figure is Zhuan Xu, the assassin of the Warring States Period. Powder means old age, represented by Su Xian, a famous minister in the Eastern Han Dynasty.

The Formation of Peking Opera Facial Mask

Peking Opera facial makeup was gradually formed after the formation of Peking Opera in1late 8th century1early 9th century. In the process of its formation, Peking Opera masks absorbed the masks of many local operas. On the basis of local opera facial makeup, take its essence and discard its dross. After several generations of famous actors and opera artists' continuous exploration, research and reform, Peking Opera masks have been formed. Peking Opera facial makeup is also the most complete facial makeup system on the opera stage.

Peking Opera facial makeup is a branch of China traditional facial makeup, which has its own characteristics and universality. Peking Opera facial makeup draws on the experience of Hui, Han, Kun, Qin and various operas. From the beginning, it has a relatively complete system, and Facebook is an inherent part of the stage art of China opera. Without the characters on the stage and in the play, Facebook will lose its fundamental meaning.

Clean and ugly faces in the play are the same facial makeup methods as raw horns and powder patting. It must be coordinated with the styles of costumes, masks and other roles, and with the performance forms such as singing, reading, doing, playing and flipping. Therefore, acting is the integration of drama works in the front and back stages. The musical form of a facial mask and the cooperation of facial mask in a play must be included in the whole stage art, which is the integrity of facial mask art.