The artistic background of northeast folk's lullaby

Northeast folk lullaby is a northeast folk composed by the famous composer Zheng Jianchun in 1960. It comes from the folk, but it is artistic and professional, showing the unique charm and artistic value of northeast folk.

When Zheng Jianchun wrote a lullaby, he was influenced by the strong local culture and music in Northeast China. He went deep into the fields to collect folk songs, listened to and collected a large number of folk tunes, adopted the melody and rhythm with northeast characteristics, and successfully integrated the traditional elements of northeast folk, giving this song a distinctive regional feature.

"Lullaby" shows the mother's deep love and warm feelings for her children. A lot of air, hum (nasal sound) and cavity lubrication are used in the song, and at the same time, special attention is paid to the pronunciation of words, especially to the ending, ending and vibrato in the middle of words. This delicate expression makes the feelings of songs more easily accepted by people and become excellent music works that have influenced generations.

In addition, the success of "Lullaby" is inseparable from Gao Ru's second creation and interpretation. She made a second creation of Zheng Jianchun's "Lullaby", and made great adjustments in singing, making the song more in line with the music rules and expressing feelings more easily accepted by people. Teacher Gao Ru also pays special attention to pronunciation. In her interpretation of "Lullaby", she pays special attention to the ending, the ending and the vibrato in the middle of the characters.

Generally speaking, the Northeast Folk Lullaby is a classic with profound artistic connotation and wide spread. It is a treasure of Northeast folk and an important part of China folk music.