Ancient Poetry in Running Script Brush Calligraphy Appreciation

What will be a pair of calligraphy works of ancient poems in running script? Let's enjoy the ancient poems in running script calligraphy together. Below is the ancient poems in running script brush calligraphy works that I have organized for you, I hope it is useful to you!

Ancient Poetry Running Script Brush Calligraphy Works

Ancient Poetry Running Script Brush Calligraphy Works Picture 1

Ancient Poetry Running Script Brush Calligraphy Works Picture 2

Ancient Poetry Running Script Brush Calligraphy Works Picture 2

Ancient Poetry Running Script Brush Calligraphy Works Pictures 3

Ancient Poetry Running Script Brush Calligraphy Works Pictures 4

Writing Running Script of the three major knowledge

1, begin to practice the Running Script The former suggested that it should not be too large, large is not easy to grasp, to seven or eight minutes square word is appropriate to have some reason. In order to practice cantilever, there is no harm in choosing some of the larger, but also easy to find the tablet to practice. Such as Su Dongpo's "before and after the Red Cliff Fugue", Huang Shan Gu's Pine Wind Pavilion poems. Advocates for the first time to learn running script first go a way, if you can hang the wrist, you can continue to write Su "cave", "sky" and so on, and then dabble in a hundred, because the pen is the same. Although the pro writing line book than the regular book to the freedom, but also can not write too fast, otherwise it will form a letter writing, not only do not get the shape of the tablet, not to mention the spirit of the tablet. Where a post, the process should first seek similarity, and then to the similarity of God. Lin LinShu post, more difficult than LinKaiShu, not only to learn it like the KaiShu strokes, fonts, structure, but also to learn between the strokes and strokes, between words and words, between the lines and lines of the cloth white and echo relationship.

2, writing running script can not be understood as a letter, but also has its rules. For example, there are certain rules for radicals, radicals, character heads, character lows, character frames, and overall structure. To put it simply, Running Script is a slightly simplified version of Regular Script, with the strokes echoing each other, and the size of the strokes being different and staggered. As long as you pay attention to learning, master the law of writing, progress will be very fast.

Writing the running script to cloud book paper, jade buckle, burlap paper, even the history of the paper is appropriate. Because this paper is astringent, there is a certain degree of water permeability, can enhance the practice of wrist, play a multiplier effect. If you can not find this paper, water-absorbent newsprint or rough a little bit of grass paper is also very good. Printed newspaper can also be practiced, if the beginning of the writing is not straight, the following can be placed with a grid of paper.

3, write running script, depending on the size of the word, it is appropriate to use the upper case in the regular sheep hair (longer edge is better) or part of the hair, this part of the hair to sheep hair component more, less purple hair component, such as three purple seven sheep, two purple eight sheep is good. But it depends on what post, if you pro Wang Xizhi's "Sacred Teaching Preface", Wen Zhengming's "Tengwangge Preface", Chu Suiliang book "withered tree fugue", Ouyang Xun, "Zhang Han post", Li Beihai book "Yun Hui generals monument", Mi Nanguang's "tour of Huqiu" and other monuments with a neutral pen is appropriate. It is better to use a neutral pen or one that is a bit harder, such as the large white cloud, small calligraphy brush, and the small wolf hair of the demeanor. You write Su Dongpo's "before and after the Red Cliff Fugue", "the sky dark clouds post", "Dongting spring color fugue", with soft sheep hair is appropriate. On the issue of model books: you can choose according to your personal favorites. In order to facilitate the choice, to provide a few easy to find the model. Elegant and handsome all the way: Huai Ren set of Wang Xizhi's "Sacred Teaching Preface" and "Lanting Preface". Ouyang Xun's Zhang Han post. Chu Suiliang's The Dead Tree Fugue. Wen Zhengming's Tengwangge Fugue. Thucydides generous, natural and fluent: Yan Zhenqing's Ritual of the nephew. Liu Gongquan's "Mengzhao Post". Fresh Yu Shu's Running Cursive Ink. Zhao Mengfu's Running Script and Poetry. Charming forms and strong strokes: Mi Nangong's Shu Su Post. Yang Ningshi's Chives and Flowers Post. The rich, wide and comfortable, majestic: Su Dongpo's Before and After the Red Cliff Fugue, The Sky and Dark Clouds Post. Huangshan Valley's Pine Wind Pavilion