Traditional Culture Encyclopedia - Traditional customs - 12 photographer's creative composition skills

12 photographer's creative composition skills

Photography is first of all light and shadow,

Then the composition,

No light and shadow, no shooting,

There is no creative blockbuster without composition.

Look at the composition of the master more,

You will find many art classics.

In every composition,

All contain artistic words,

We have to read it,

To get to know each other better.

Enlarge the unremarkable things in the right environment,

Not only can it show a sense of space, but it can also make

The outline of the foreground echoes the pebbles.

Bill Brandt Bill Brandt: Naked East Sussex, 1957.

Building images through complex means and the complexity of the world,

This is a typical multiple composition,

The complex world will reveal its original appearance.

Harry Callahan, Harry Callahan: 1950.

Turn around and look at it (change of perspective),

Unusual strangeness,

The warmth and coldness of the lines will also change.

Nobuyoshi Araki, Nobuyoshi Araki: Elotos, 1993.

Jumping itself is the most important language of photography.

Chairs, water and cats are jumping in the air.

-It's amazing.

Philip Halsman Philip Halsman: salvador dali. Atomic beauty in Dali. United States 1948.

Perfect light brings unexpected composition,

The key is to be able to see,

The light spot corresponds to the footprints in the snow.

Daido Moriyama Daido Moriyama.

The confusion of reality, the complex relationship between people,

The key is to understand that this bench comes from the upper left corner.

Tilt to the lower right corner,

It expresses a kind of drama.

Garry wino grand- World Expo, Winogrand, 1964.

Less is more, which brings room for imagination.

This imagination is what I said.

The third creation for the audience.

Andre Cortez, Andre Cortez: Elizabeth and I, 1933.

Graveyards and factories, life and death are getting crowded,

This is a life-and-death struggle for space.

Walker Evans Cemetery, Bethlehem, Pennsylvania 1935.

Who says you can't see your eyes? Incomplete is complete,

Interception is to make lines appear.

Marc cohn, marc cohn.

Find the sense of turbulence in reality,

Slant lines are emotional,

Let this emotion be expressed in picture language.

Shomei Tomatsu Shomei Tomatsu: Untitled (Hateruma-Jima, Okinawa), from "Pencil of the Sun" series 197 1.

Looking at the novel world from the perspective of animals,

This is a different perspective,

The world is different.

Eliot Erwitt: new york, 1974.

Everything happens for a reason, the metaphor brought by masking,

Let the audience have new associations,

This is the clever part.

Robert Frank robert frank: Political rally, Chicago, 1956.

In every composition,

All contain artistic words,

We have to read it,

To get to know each other better.

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