What are the painters of the realistic school?

The outstanding modern painter. Name quality, word Park Cun, Park Cen, also known as Park Cheng, split qin, the number of Binhong, alias I Xiang, rainbow old man, Huangshan mountain in the people. He was born in Jinhua, Zhejiang Province. He was fond of painting at an early age and practiced seal carving in his spare time after school. At the age of six, he copied the landscape album of Shen Tingrui (Simarouba Cliff), which was in his family's collection, and studied birds and flowers from Zheng and Chen Chongguang. Later, he lived in Shanghai for thirty years. In the first twenty years, he worked mainly in newspapers and bookstores, engaging in journalism and art editing; later, he switched to education and became a professor in various art schools in Shanghai. He also taught at art academies in Beijing and Hangzhou. He was the vice-chairman of the East China Branch of the China Artists Association. His technique was based on Li Liufang, Cheng Profound, and the works of Ruyi and Hongren, but he also practiced the Song and Yuan styles. His works emphasize the unity of the chapter style of reality, complexity, simplicity and sparseness; his brushwork is like the seal script, which is heavy and robust, and in the strictness of the brushwork, there is the interest of vertical and horizontal curiosity. After the age of seventy, after the painting works, Xinghui drenching, thick HuaZhi; like to cumulative ink, splash ink, broken ink, host ink each other, so that the mountains and rivers layer by layer deep, majestic. The so-called "black, dense, thick and heavy" style of painting is his distinctive feature. His calligraphy of "Zhong Ding" is more profound. His writings are: "Huangshan painter source of flow examination", "rainbow hut painting", "ancient painting micro", "painting", "gold stone painting and calligraphy", "the main points of the painting method", etc., and Deng Shi, co-editor of the "fine arts series", and there is a compilation of the "Huang Binhong painting quotes".

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Xu Beihong, 1895--1953

A native of Qitingqiao, Yixing, Jiangsu Province, Xu Beihong was a founding father of modern Chinese art, an outstanding painter and art educator, the first president of the Central Academy of Fine Arts, and the chairman of the Chinese Artists Association. Xu Beihong's life is y admired by the world for his great patriotism, outstanding artistic achievements and outstanding contributions to the cause of Chinese art.

Yixing Xu Beihong Memorial Hall, located in Yixing also garden, opened on October 26, 1988, the famous painter and calligrapher Wu Zuoren inscribed the name of the museum. Museum perennial display Xu Beihong life introduction and its calligraphy and painting works, and display Xu Beihong's students and contemporary famous painter and calligrapher Wu Zuoren, Li Keran, Huang Han, Sha Menghai, Fei Xin I calligraphy and painting works. Since the opening of the museum, it has received more than 100,000 visitors. Party and state leaders such as Li Ruihuan, Qiao Shi and Song Ping, celebrities of painting and calligraphy such as Qian Shaowu, Liao Jingwen and Yin Shoushi, as well as many friends from overseas, have all visited the museum. Now it is named as the patriotism education base of Jiangsu Province, Wuxi City and Yixing City, and the moral education base of Yixing City for young people.

Yixing is Xu Beihong's hometown, Yixing people for the hometown to feed out of such outstanding art master and feel honored, proud. Xu Beihong's glorious achievements in history, and will always inspire the people of his hometown upward, pioneering.

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Qi Baishi (1864-1957) was the first Chinese artist to be recognized as a master of the arts. p>Qi Baishi (1864-1957)

China's twentieth-century famous painter and seal carver of calligraphy. Xiangtan, Hunan, formerly known as Chunzhi, the word Weiqing, Lanting, later renamed Juan, the word Pingsheng, nicknamed Chi, No. Bai

Shi, Bai Shi Weng, Lao Bai, also known as Send Ping, Old Ping, Borrowed Mountain Weng, Xingziwu old people, Qi Da, Wood Dweller, three hundred stone prints of the rich and so on, alias Borrowed Mountain Pavilion owner, White Stone Mountain Man, Send Ping old man.

Qi Baishi's family was poor, generations of farmers, only at the age of 12 years old with his grandfather read a period of private school. He chopped wood, herding cows, farming, all work, 12 years old to learn carpentry, 15 years old to learn carving carpentry, earn money

to support the family. At that time carving, almost the same, he broke through the stereotypes, "to create many new patterns." Known as the "Chi carpenter", in 1882 he gave a carving, in the patron's home, "inadvertently saw a Qian < / p >

engraved during the Mustard Seed Garden Painting, five-color set of prints", very happy, one by one, a picture of the shadow, a full painting for half a year.

Seven years, "five out and five back", to see the famous mountains and rivers, painting style from work to writing, calligraphy from He Shaoji style to learn the Wei stone, seal carving from Ding, Huang all the way to learn Zhao Zhiqian style. 1917, the second to enter Beijing, acquaintance with Chen

Shizeng, Yao Mangfu, etc., the next year to return to Hunan, settled in Beijing in 1919, Chen Shizeng advice, began to change the method, 1926, should be Lin Fengmian employed in the National Beijing Art Specialized School as a teacher. 1936, he was invited to teach in Beijing, and then to teach in Beijing. In 1926, he was hired by Lin Fengmian to teach at the National Beijing Art School, and in 1936 he traveled to Sichuan.

In 1937, he was two years old, and at the age of 60, he settled in Beijing, where he made his living by seal carving and selling paintings. During this period, he met Mei Lanfang, and the first time they met, Qi Baishi painted insects and grasses for Mei Lanfang, and Mei Lanfang sang a piece of Drunken Princess for Qi Baishi.

When Qi Baishi met Mei Lanfang, Mei Lanfang sang a piece of Drunken Princess for Qi Baishi. During the War of Resistance against Japan, the fall of Beiping, said "paintings are not for sale with the government". 1946 to resume the career of selling paintings and printing, the same year to Nanjing, Shanghai, held a solo exhibition, and should be hired by Xu Beihong

, as an honorary professor of the Beiping Art Institute. 1949 was elected member of the Chinese Federation of Literature and Artists Association of All China, in 1952 was appointed as an honorary professor of the China Central Academy of Fine Arts, the President of the Chinese Artists Association

, the President of the Central Committee of the Chinese Academy of Fine Arts

, the President of the Central Committee of Fine Arts

.

He was appointed Honorary Professor of the Central Academy of Fine Arts, Chairman of the Chinese Artists Association, Research Librarian of the Central Museum of Literature and History, Chairman of the Beijing Chinese Painting Research Association, and Honorary President of the Beijing Chinese Painting Academy. He was elected as a deputy to the first session of the National People's Congress, and was awarded the title of "People's Artist" by the Ministry of Culture of the Central Government in 1953, and "Corresponding Academician" by the Academy of Fine Arts of the German Democratic Republic in 1955, and was awarded the International Peace Prize by the World Peace Council for 1955 in 1956. In 1957, he became the Honorary President of the Chinese Painting Academy in Beijing, and passed away on September 16 of the same year. He died at the age of 95.

Qi Baishi was a modern master of painting who was highly accomplished in all aspects of painting, and who spanned two centuries and lived to be nearly 100 years old. Following the Hai School painters of the late Qing and early Republic, he brought traditional Chinese painting to a

new peak. His character, paintings, poems, calligraphy and seal carvings are all outstanding. His style has had an extremely great influence on the creation of modern and even contemporary Chinese painting. In 1963, he was elected by the World

Peace Council as one of the world's cultural celebrities, and in the same year, he held the "World's Cultural Celebrities - 100th Anniversary of Qi Baishi's Birth Exhibition" at the National Art Museum of China, and from the end of 1983 to January 1984 he held the "120th Anniversary Exhibition of Works in Commemoration of Qi Baishi's Birth" at the National Art Museum of China. 120th anniversary of the birth of Qi Baishi Exhibition. There are

Baishi Poetry and Grass,

Baishi Seal and Grass,

Selected Works of Qi Baishi

,

Selected Landscape Paintings of Qi Baishi

, and so on.

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Liu Haisu (1896-1994)

was a distinguished fine artist, educator, art historian and painter. He was a native of Qingyunfang Village, Wujin County, Jiangsu Province. Liu Haisu was 6 years old, read private school, love of painting and calligraphy, 14 years old to Shanghai, into the painter Zhou Xiang presided over the background of the painting school to learn Western painting. 1912 in November in Shanghai Zhapu Road, Shanghai founded the first modern Chinese art school - Shanghai National Academy of Fine Arts (Shanghai Fine Arts College predecessor), served as principal, recruited Xu Beihong, Wang Jiyuan and other high school students, and broke through the feudalism of the Chinese art world, and the Chinese art world. In 1918, he lectured at Peking University and held his first solo exhibition, receiving praise from Cai Yuanpei and Guo Moruo.

In 1919, he went to Japan to study painting and art education, and attended the opening ceremony of the first exhibition of the Imperial Academy of Fine Arts of Japan, and founded the Pegasus Association after his return to China. 1920, on behalf of China's new art circles, he went to Japan in October to attend the opening ceremony of the Imperial Academy of Fine Arts, and the Japanese painters Fujishima Takeji, Mangoku Gushiro, Hashimoto Sekigun, etc., and his oil paintings were highly valued and respected in Japan, and was called the "Oriental art world" and "the most famous artist of the Oriental art world". His oil paintings were highly regarded and admired by the Japanese painting world, and he was called the "Lion of the Oriental Art World".

After returning to China, he enriched the curriculum and equipment of the Academy of Fine Arts, which became the highest school of fine arts in the country at that time, and authored the biographies of Miller and Cézanne, introducing Western art, which was quite influential.

In 1927, he was persecuted by warlord Sun Chuanfang and fled to Japan. Asahi Shimbun held an exhibition for him in Tokyo, and returned to Shanghai in the spring of 1938, at the invitation of the Shanghai Zhonghua Bookstore, he wrote an 800,000-word tome called "Haisu Series" in six volumes, divided into "Western Painting Court", "National Painting Court", "Haisu National Painting, Haisu Oil Painting" in three parts, and his painting theories were brilliant, and were widely circulated.

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Zhang Daqian (1899～1983)

Modern Chinese painter. He was born on May 10, 1899 in Neijiang County, Sichuan Province. He was born in Panyu County, Guangdong Province, and moved to Sichuan in the 22nd year of the Kangxi period (1683) and settled in Neijiang. His father, Zhang Huizhong, was an educator in his early years, then a politician, and then in the salt industry. His mother, Zeng Youzhen, was good at painting, and his sister, Qiongzhi, was also good at painting. There were 10 brothers, the second brother Zhang Ze, also known as the Tiger Idiot, was famous for painting tigers in the world.

Zhang Daqian was the eighth in line, at the age of 7, he started reading, at the age of 9, he practiced painting, at the age of 12, he was able to paint landscapes, birds and flowers and figures, and he was called a prodigy by those who saw him.13 years old, he studied in the New School, and at the age of 19, he studied in Kyoto with his second brother, Zhang Ze, and studied painting and weaving.1919, he returned to Shanghai, and worshiped Zeng XI as his teacher, and because of the death of his fiancee, Xie Shunhua, he became a Buddhist monk in the Chanding Temple of Songjiang, and was known by the name of Daqian. He was ordered to return to Sichuan and married Zeng Qingrong. Returned to Shanghai after marriage, under the tutelage of Li Ruiqing, Zeng, Li, the two masters of the late Qing Dynasty to advocate calligraphy, painting, he had a profound impact. Zeng Xibi named him "Assembled" (also written as "蝯"), which is also known as "爰". Zhang Daqian met Wu Changshuo, Huang Binhong, Wang Zhen, Feng Chaoran, Wu Guandai, Wu Dangqiu, Wu Hufan, Zheng Wuchang, etc. He held his first solo exhibition in Shanghai in 1924, and became an officer member of the National Exhibition of Fine Arts in 1929, and went to Japan as a representative of the Tang, Song, Yuan, and Ming Chinese Painting Exhibition in 1931 together with his brother, Zhang Ze. In the following year, his family moved to Suzhou, where he lived in the Garden of the Master of the Nets. At that time, Zhang Daqian was absorbed in the masterpieces of famous artists of all ages, especially indulged in Shi Tao, wherever he could see, not copying hand after hand. 1933, should be the president of the Central University in Nanjing, Luo Jialun, head of the Department of Fine Arts Xu Beihong's invitation to serve as a professor of the Department of Fine Arts of the Central University, the next year that is, resigned to specialize in the creation of the year. 1936, the Chinese Bookstore in Shanghai, published "Zhang Daqian collection of paintings", Xu Beihong, the preface, praised the " five hundred years a big thousand". In 1938, through Shanghai, Hong Kong back to Shu, living in Qingcheng Mountain Shangqing Palace, copying the Song and Yuan masterpieces. 1940, went to Dunhuang Mogao Grottoes copying murals through the ages, before and after *** counted 2 years and 7 months, *** copying 276, and Mogao Grottoes re-numbered. 1943, published "Dafeng Hall copying murals at Dunhuang". Dunhuang trip, stirred up the cultural world, promoting artists, historians interested in discovering the treasures of Dunhuang. After the victory of the war, Zhang Daqian's works have been exhibited in Paris, London, Geneva and all over the country, the reputation of the shock. 1949, temporarily residing in Hong Kong, traveled to Taiwan, the following year should be invited by the Indian Fine Arts Association held an exhibition in New Delhi, and stayed in Darjeeling, India for more than a year, during which time had to go to the Aganda caves copying mural paintings, to which and the Dunhuang Mogao Grottoes mural paintings for comparative study. During his stay in India, he painted many fine brushstrokes and had a volume of "Darjeeling Poetry". 1951, he returned to Hong Kong and moved to Argentina the following year; in 1953, he moved to Brazil and purchased 150 acres of land in Sao Paulo and built a Chinese manor house - Bade Garden, where he stayed for 17 years. 1955, the paintings he had collected were published as "Dafengtang Famous Paintings" in 4 volumes in Tokyo. 1956, the first exhibition of his paintings was held in Tokyo, and the first exhibition of his paintings was held there. In 1956, he went to France for his first trip to Europe to meet with Picasso, and in 1957, he was selected as one of the world's great painters by the International Art Society of New York for the painting "Begonia", and won the gold medal. After that, he held exhibitions in France, Belgium, Greece, Spain, Switzerland, Singapore, Thailand, Germany, England, Brazil, the United States and Hong Kong, etc. In 1969, he moved to San Francisco, the United States, and cultivated a garden called the Wicker Park. In 1972, Zhang Daqian held a forty-year retrospective exhibition in San Francisco; in 1973, he donated 108 paintings to the Taipei History Museum; in 1974, he was awarded an honorary doctorate of humanities from the University of the Pacific, California; and in 1978, he moved to Taipei, where he built the Moyer House at Waishuangxi. In his later years, he died of a heart attack on April 2, 1983, after longing for his hometown and not being able to return.

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Pan Tianshou (1897 - 1971)

In his early years, he signed A Shou, Lazy Taoist, and Abbot of Xin'a Lanruo, and in his later years, he signed aliases such as Dongyue Yi Shi, Yi Weng, and Leibao Toufeng Shou Shi. Ninghai, zhejiang province, since young, read private school, began to "mustard seed drawing spectrum". 19 years old into zhejiang first teacher training, taught by li shutong, by heng yi, summer beggar zun, etc. In 1923 to shanghai in shanghai fine arts college, xinhua art college, teaching Chinese painting and Chinese painting history, know wu changshuo, settled in hangzhou in 1928, served as a professor of the national xihu art college. In 1928, he settled in Hangzhou and became a professor of the National Xihu Art College, and in the following year, he went to Japan with Lin Fengmian to study art education, and in 1944, he became the president of the National Art College. After the founding of the People's Republic of China, he served as president of the Zhejiang Academy of Fine Arts, vice president of the Chinese Artists Association, and president of the Zhejiang Branch of the Association of Fine Arts. His writings include A History of Chinese Painting, Essays on Painting in Listening to the Heavenly Pavilion, Poems from Listening to the Heavenly Pavilion, and Pan Tianshou's Record of Art.

Pan Tianshou specializes in birds and flowers, landscapes, occasional figures, calligraphy, poetry and seal carving, and in his later years he often paints in finger-ink. In his later years, he often made finger-ink paintings. He was especially good at painting eagles, pachyderms, pines, plums, bamboos, lotuses, fruits and vegetables, rocks and wildflowers, and other subjects. His works are fresh and elegant, with a distinctive and unique style of crisscrossing brushwork and ink colors, majestic and interesting.

Pan Tianshou's highly accomplished works survive in small quantities and are highly sought after by collectors at home and abroad. His huge fine "spring pond warm water" in 1997 China Guardian spring auction from 2.6 million yuan, after all the buyers fierce bidding, the final 6.6 million yuan hammer, hit the highest price of Pan Tianshou works. Now Pan Tianshou works at 30,000 yuan per square foot, fine masterpieces often hundreds of thousands.

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Lu Yanshao, the pen name of Pan Tianshou, is one of the most famous artists in China. p>Lu Yanshao, pen name: Wanruo, date of birth: 1909---1993

A native of Jiading, Shanghai, he learned painting from Feng Chaoran at the age of 19, specializing in landscapes, and at the age of 48, he became a painter at the Chinese Painting Academy in Shanghai, where he has been a professor at the China Academy of Fine Arts since 1980. He has been teaching at the China Academy of Art since 1980, and is a professor. He specializes in Chinese landscapes and draws from nature, especially in the use of the brush. He has published dozens of collections of paintings, including Lu Yanshao's Collected Paintings. He was a director of the China Artists Association and president of the Zhejiang Chinese Painting Academy.

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