Traditional Culture Encyclopedia - Traditional customs - The name of the orchestral part in Peking Opera accompaniment
The name of the orchestral part in Peking Opera accompaniment
The orchestral part of the Peking Opera accompaniment is called Wenchang.
The orchestral part of opera bands such as Huqin, Yueqin, Pipa, Ruan, Banhu, Jinghu, Erhu, and Sanxian is called Wenchang. The main function of Wenchang is to provide accompaniment for singing and to play scene music to accompany the performance.
The percussion part is called the wuchang, which consists of different types of drums, boards, gongs, cymbals, etc.
They are collectively called civil and military fields, or scenes.
The main task of the martial arts center is to coordinate the actors' body movements, narration, singing, dancing, and fighting, so that the beginning and end are clear and the rhythm is distinct. In addition, the martial arts field is also responsible for the change of scenes and the rendering of stage emotions.
The Development of Peking Opera Peking Opera is a type of traditional Chinese opera. Judging from the time of its birth and formation, Peking Opera has a history of more than 200 years.
In the fifty-fifth year of the Qianlong reign of the Qing Dynasty, in order to celebrate the 80th birthday of Emperor Qianlong, the Sanqing Troupe of the Hui Troupe, with the famous Anhui opera artist Gao Langting as the mainstay, came to Beijing to perform.
After that, more than a dozen Anhui troupes came to Beijing one after another, among which the strongest ones were Sanqing, Sixi, Hechun and Chuntai, collectively known as the "Four Anhui troupes".
After the Hui Troupe came to Beijing, they extensively absorbed the strengths of Beijing Opera, Qin Opera and other operas that were popular in Beijing. They merged the northern and southern operas and gradually formed their own artistic style.
The arrival of the Hui Troupe in Beijing marked the beginning of Peking Opera.
During the Daoguang period, Han tunes from Hubei came to Beijing and absorbed and integrated with Hui tunes.
The fusion of Hui and Han tunes gradually formed a new type of Peking Opera.
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