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China's first calligraphy college how to cooperate in the
Capital Normal University is China's earlier creation of calligraphy professional education colleges and universities, the first called Ouyang Zhongshi. Ouyang Zhongshi was born in 1928 in Feicheng, Tai'an City, Shandong Province. He is a famous scholar, educator, calligrapher and calligraphy educator in China. He is a professor and doctoral supervisor at Capital Normal University. In his long-term teaching practice, he has actively and y thought about some long-standing problems in language teaching, and with his unique and profound understanding of the characteristics of the Chinese language and writing, he proposed a set of scientific language education reform program, which was piloted in secondary schools and received unanimous praise from all walks of life. In 1998, the Ministry of Personnel of the People's Republic of China approved the enrollment of postdoctoral fellows of Calligraphy Direction Program in Capital Normal University, Ouyang Zhongshi Ouyang Zhongshi served as the supervisor of master's and doctoral students since 1990 and 1993 respectively, and thus built the first complete calligraphy education system from specialist, undergraduate, master's, doctoral to postdoctoral in China's institutions of higher learning, cultivated a large number of senior specialists in Chinese calligraphy education, and made important contributions to the development of the discipline of calligraphy to improve and the overall development of China's cultural and educational undertakings. Under his advocacy, in November 2005, Capital Normal University established the "Chinese Calligraphy Culture Research Institute" and the first "Calligraphy Culture Museum" in China. Ouyang Zhongshi has also edited and written many important academic treatises, such as Introduction to Calligraphy, Overview of Calligraphy, Miscellaneous Knowledge of Calligraphy, Chinese Calligraphy, Calligraphy Tutorials, Calligraphy and Chinese Culture, etc. He has served as a member of the Academic Degree Committee of the State Council, and has been a member of the Academic Degree Committee of the State Council. Ouyang Zhongshi has served as a member of the Art Discipline Review Group of the Academic Degrees Committee of the State Council, and as a member of the Evaluation Committee of the Ministry of Culture for Senior Titles of Fine Arts Specialties in the Art Series. He is now the honorary director of the Institute of Chinese Calligraphy and Culture at Capital Normal University. He is a member of the 8th to 10th National Committee of the Chinese People's Political Consultative Conference (CPPCC), and on August 21, 2003, he was appointed as a member of the Central Research Museum of Literature and History. Later he became a professor of logic at Beijing Normal University, where he also lectured on the art of calligraphy. He studied calligraphy first with Master Wuyan and then with Wu Yuru. He started with the Tang stele and then moved on to the tomb inscriptions of the Northern Wei Dynasty; later on, he also dabbled in seal script, official script, oracle bone and gold script, and was especially diligent in the Ouyang Xun steles. He often writes in running script, following the method of the two kings, but also taking the trend from the kings. Cursive script is based on Wang Xizhi, and the Institute has become a base for the training of high-level talents in calligraphy and scientific research in China. In calligraphy theory research, he edited a variety of monographs and teaching materials amounted to more than 40. Mainly "the history of Chinese calligraphy", "Chinese calligraphy", "calligraphy tutorial" (edited), "chapter and grass", "calligraphy and Chinese culture" (edited) and Chinese calligraphy and painting correspondence university series of calligraphy teaching materials (edited, and authored an important part of it) and so on. Among them, "Calligraphy Curriculum" won the second prize of Excellent Textbook for Higher Education of the State Education Commission in 1995, and was awarded the first Chinese Calligraphy Lanting Prize in 2002, the Special Contribution Prize for Education. As for calligraphy, he has dabbled in Zhou Jin and Han stones, Jin posters and northern monuments, Tang Xian and Song philosophers, and even the Ming and Qing schools. He has learned from all, and has returned to the Er Wang school, forming a unique and fresh style, which has had a wide influence both at home and abroad. His published works include "Zhongshi Night Reading Lyrics", "Zhongshi Reading Qingzhao Lyrics", and "Lowercase Moral Scripture Scrolls".
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