Traditional Culture Encyclopedia - Traditional festivals - Nanyang opera troupe's aesthetic choice
Nanyang opera troupe's aesthetic choice
As the Nanyang Opera, which was formed in the hometown of Dazhong Qu and the area where Henan Yuexiang and Hanxiang Erhuang were spreading from the River School, is not satisfied with the general popular music, as it is with the repertoire of the show, which also does not stay at the aesthetic level of reflecting parents' shortcomings, children's love, and humor, mockery and banter, such as "The Goods Man Turns Over the Box", "Selling Tile Pots", "The Blind Man Looks at the Lantern", and "Xiaoguxian", etc., it started with an open mind to accept and absorb the artistic achievements of the big brother opera types to develop and grow in all aspects. Instead, it has been developing and expanding in all aspects with an open mind, accepting and absorbing the artistic achievements of its big brother. Especially after the founding of the People's Republic of China, Nanyang City Qu Opera Troupe, as the representative of the Qu Opera performing groups, made great efforts to break through the limitations of the style of the genre and created, adapted, transplanted and performed a variety of different types of plays with different themes, so that all the trades of Sheng, Dan, Jing and Chou could be fully developed, so that Qu Opera not only had bright, lively, vivid and interesting plays such as The White Jade Zan and Yanjiatan, but also had plays of great importance, with heavy subjects, profound ideas and deep tones. The play not only has bright, lively and interesting life plays such as "The White Jade Zan" and "Yan Jia Tan", but also has significant themes, heavy themes, profound thoughts and deep emotional plays reflecting the fight, the struggle of loyalty and treachery, and human nature and the destiny of life.
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