100 high marks Oil painting Oil painting background Classical oil painting Still life oil painting How to get it What technique to use?

Here refers to the combination of gelatin pink and oil painting color painting method. Specifically: the first gelatin pink painting large type and structure, the color requirements of the painting of the concise and bright you, and then use the oil color for detailed processing. The works of this painting method are distinctive, colorful and heavy, with strong expressive power.

Second, multi-layer covering painting method

Multi-layer covering painting method is a new painting method after the western oil painting transparent painting method. Mixed painting method after the new painting method. This painting method is in some parts of the work using opaque colors directly painting, this practice speeds up the process of painting, but also make the color effect greatly improved. Oil color in the case of opaque painting has a great degree of freedom, very easy to articulate, can change any piece of color at will, slow drying speed, can be a long time in an area of continuous painting, the color of the varnish almost does not change.

Third, the classicism technique

This technique is the sixteenth century before the prevalence of a Western painting technique. This painting method is the first in the canvas on a flat layer of primer, generally with glue and powder for flat coating, powder is generally used Lidl powder, is a mineral material, color white and fine, suitable for painting on it. Coated with a good powder base after the general line sketching out the image and the relationship between light and dark, and then from the appearance of the dark part of the gradual drawing of the image. This painting method is clear lines, rigorous modeling, smooth picture, but the color is relatively monotonous.

Fourth, palette knife painting method

Mainly refers to the palette knife instead of a brush technique. This technique is able to show a strong, thick, concise visual image.

Fifth, the canvas painting method

This painting method is now painted on the canvas full of a color, and then this color is not yet dry, with a finger or other tools dipped in clean turpentine to wipe, wipe out the desired image, and then retouch until the picture effect to achieve satisfaction.

Sixth, the impressionist painting method

This painting method focuses on sketching, direct depiction of nature's beautiful scenery, so that the expressive power of the oil painting is greatly enhanced. Out of Manet, other impressionist painters do not use black color, with bright colors and rich brushstrokes, to express the instantaneous change of light.

Seventh, point color painting method

This painting method is prevalent in France, from the impressionist principle of light and color development. It is through the point of color contrast, both: warm and cold contrast, brightness contrast, etc., so that the effect of the picture has the sunlight that flickers under the effect of jumping you, Seurat for the point of one of the main founders of the color painting method.

Eighth, direct painting method

This painting method is represented by the Spanish master painter - Velasquez. The main performance of its painting method: according to the content to be expressed, directly on the canvas pile of color, rigorous modeling, loose brushwork, brilliant colors, there is a kind of light and air surrounded by visual effects.

Technique 1.

Thwisting

Twisting is the method of using the root of the oil brush to drop the brush for coloring, pressing the pen down and then lifting it up after a slight thwarting, such as the calligraphy of the backward strokes of the brush, strong and sturdy. The difference between the tip of the brush and the root of the brush dipped in color, and the different directions of pressing the brush can produce a variety of changes and interest.

Pat

The technique of using a wide oil brush or fan-shaped brush dipped in color and then gently tapping on the screen is called patting. Tapping creates a certain undulating texture that is neither too obvious nor too simple, and it can also deal with strokes or colors that were originally too strong and make them weaker.

Oil Painting

Kneading

Kneading refers to the two or more different colors on the screen with the brush directly manipulated with the method of color manipulation after the natural mixture of changes, to obtain a subtle and distinctive contrast of color and light and darkness, and can play a role in the transition of the articulation.

Line

Line refers to the lines drawn with the brush, oil painting outline generally use the soft hair of the tip of the ready, but in different styles, the round head, the school shape and the old flat brush can also be outlined similar to the book of the strong center like thick lines. East and West painting began with line modeling, in the early oil paintings are usually precise and rigorous line outline of the draft, Tempera technique in the line method is the main means of forming the light and dark. Western oil painting evolved later to focus on chiaroscuro and body head, but despite this, the element of line in oil painting has never disappeared. The use of slender, bold, neat or random and the repeated interlacing and superimposing of various lines make the language of oil painting richer, and the treatment of the edges of different forms is even more important. The use of line in oriental painting also influences the style of many western modern masters, such as Matisse, Van Gogh, Picasso, Miro and Klee are masters of using line.

Sweep

Sweep is often used to connect two neighboring blocks of color, so that it is not too hard, while the color is not yet dry with a clean fan brush gently sweep can achieve this purpose. You can also use the pen to sweep another color on the bottom layer of color to produce up and down the interlacing, loose and not mushy color effect.

Stamping

The hard bristle brush is dipped in color and then the head of the brush is used to stamp the paint vertically on the screen. The stomping method is not very common and is usually only applied when a special texture is required in a localized area.

Pulling

Pulling refers to the need to draw firm lines and edges of objects in oil painting, such as painting the side of a sharp sword or glass, etc., when the knife can be used to adjust the color and then use the side of the blade to pull the color on the screen in the color lines or color surfaces, the knife draws a solid and certain form, which is difficult to achieve with a brush or other methods.

Technique 2.

Rub

Rub is to put the brush lying down, with the belly of the brush in the picture of the drum rubbing, usually rubbing with fewer colors in a large area, you can form a less obvious brush strokes, but also laying the bottom of the color of the common methods. In the dried base color or undulating texture with the brush rubbing can be painted similar to the effect of Chinese painting flying white, so that the underlying texture is more obvious.

Suppression

Suppression is the bottom of the knife in the wet color layer gently pressed downward and then lifted, the color surface will produce a special texture. In some places where special texture needs to be carved, the suppression technique can be used to achieve the desired effect.

Laying

Laying involves using a knife instead of a paintbrush, and laying down the color onto the canvas like a mason using a clay knife to ring the plaster, leaving a direct mark of the knife. The layering method allows for different layers of thickness, and the size and shape of the knife, as well as the direction in which it is used, creates rich contrasts. Using the knife to blend different colors without over mixing, allowing them to mix naturally on the canvas can create subtle color relationships. Layers of color that are too undulating can also be smoothed out by laying them down. If used correctly, this method will have a strong sense of shaping

Scratch

Scratch refers to the use of the blade of the painting knife in the color not yet dry to carve out the Yin lines and shapes can sometimes reveal the underlying color. Different knives can produce different shades and thicknesses of change with the brush strokes and the knife sharp technique to produce the color surface to form a point, line, surface of the undulating texture changes.

Dot

Dot - all the law from the beginning of the point, all the brushwork from the point. As early as in the classical Tempera technique, point drawing is an important technique to express the level. In Vermeer's works also used the point of the brush to express the flicker of light and the texture of the object. During Impressionism pointillism became one of its basic characteristics, but Monet, Renoir and Pissarro each had different variations and personalities in their pointillism. The Neo-Impressionists went to the extreme, mechanically using the point as their only brushwork. Modern realistic oil paintings also use the sparseness of dots to produce layers of light and dark, which can result in a definite but not rigid transition. Dot method in comprehensive painting method and line and decent combination can produce rich contrast, with different shapes and texture of the oil brush can produce different point-like strokes, to express the texture of some objects can play a unique role.

Technique 3.

Scraping

Scraping is the basic use of the oil painting knife, scraping is generally used to scrape away the part of the picture that is not well painted, but also can be used to scrape away the unnecessary details of the knife or to weaken the relationship between the overly strong, so that appears to be tension in the picture of the relationship between the relaxation. At the end of a long day, it is often necessary to scrape away some of the finished color with a knife so that it can dry in time for the next day's painting. After the color is dry, you can also use a painting knife or razor to smooth out any unevenness. You can also use a knife to scrape the color layer that is not dry, so that it reveals the underlying color and thus reveals a variety of texture.

Painting

If stippling and outlining are the means to form the points and lines of an oil painting, then painting is the main method to form the body of an oil painting, i.e., the surface. The methods of painting are flat, thick and thin, etc. There is also the Impressionist pointillism method called loose paint. The flat painting is the main method for painting large color blocks, and even flat painting is also a common technique for decorative oil paintings. Thick paint is the main feature of oil painting that distinguishes it from other kinds of paintings, which can make the pigment produce a certain thickness and leave obvious strokes to form texture. Using a knife to scrape or squeeze the pigment directly onto the canvas is known as pile painting. Thin Xu is the use of oil to dilute the color and then thinly applied to the picture, can produce transparent or translucent effect. Scattered painting is the use of brushes to appear flexible and lively. Combined with the rubbing and sweeping of the coating method is also called halo coating.

Pendulum

Pendulum is one of the basic strokes of oil painting, in which the brush is used to place the paint directly on the canvas without further alteration. Pendulum method is often used in the beginning and end of the oil painting, with more certain colors and accurate strokes to find the relationship between color and form, often only a few strokes of the key to make the picture change, of course, should be done before the pen in the chest before it can be effective. Erase - Erase is to put the brush lying down, with the belly of the brush in the picture of the drum rub, usually wipe with less color on a large area, can form a less obvious strokes, but also lay the bottom of the color of the commonly used methods. In the dry base color or undulating texture on the brush with the rubbing can be painted similar to the effect of Chinese painting flying white, so that the underlying texture is more obvious