Introduction of guqin timbre

Compared with traditional plucked instruments such as pipa and guzheng, the sound of guqin is heavier and more lasting. In fact, the timbre of guqin can be divided into three kinds, namely, bending sound, overtone sound and scattered sound. The following is an introduction to the timbre of Guqin compiled by me, hoping to help you.

? Introduction of guqin timbre

The musical range of guqin is four octaves and two notes, seven scattered notes, ninety-one overtones and one hundred and forty-seven bent notes.

Playing guqin is an instrument that expresses musical feelings alternately by mastering three timbres: scattered tone, overtone and pressed tone through complicated fingering. The main playing technique is pressed tone.

knob down

Pinning is the sound that the left hand presses the string and the right hand pops up at the same time. According to the characteristics of euphemistic, comfortable, mellow and delicate voice, for example, when people talk about their feelings, there is a metaphor of "children's language", so the voice symbolizes people.

The piano has the most oppressive sound, and the fingering of the left hand is particularly rich and delicate, which can be said to be the most expressive sound of the piano.

A scattered sound

Scatter is an empty string sound played by the right hand instead of the left hand. Yin San is characterized by its profundity, which has become a solid foundation of piano music, as solid as the earth, and has the metaphor of "a warrior goes to the battlefield", so Yin San symbolizes the earth.

suggestion

The so-called overtone is that the left hand touches the string like a dragonfly and the right hand pops up at the same time. Its sound is crisp and high-pitched, sometimes looming, light and lively, such as the sound of nature, with the metaphor of "floating clouds without roots and catkins", so overtones symbolize the sky.

The overtones of piano playing, centering on the Seven Emblems, rise correspondingly to both sides in turn, and can play about 1 19 overtones. The number and frequent use of overtones are also a major feature of the piano.

The three sounds of guqin, dispersion, overtone and pressure, are very quiet.

According to the sound is very rich, the rhyme under the fingers is subtle and long, like human language, can speak, like people's mood, ethereal and changeable.

The scattered sound is loose and far-reaching, which reminds people of ancient times; Its implication is like nature, and it has a feeling of coldness and immortality.

The overtones are like the sky, the sounds are like people, and the scattered sounds are like the ground, which is called the three tones of heaven and earth. Therefore, guqin, with one instrument and three tones, can embody human feelings and reach the principle of heaven, earth and universe.

Introduction to the way of guqin matching piano furnace

Guqin, an ancient traditional musical instrument in China. The voice is strong and weak, deep and lingering, with very rich and profound expressive force.

The performance of guqin is not simply used for performances between literati.

The far-reaching significance of a song "Father" is to make this ceremony correspond to the player's own heart, so as to pursue the artistic conception of "cold heart and cold bones, longing for immortality", which is close to a way of spiritual cultivation.

Guqin pursues the unity of spirit and rhyme. Playing the piano requires not only fingers, but also breath. Qi is at the fingertips, and the sound of the piano is completely integrated into it.

Incense is born with pure yang and pure rhyme. Without fragrance, you can't touch the piano.

The ancients played the piano without incense. The sound of the piano is intermittent, sometimes melodious or impassioned, sometimes whispering or quiet, and there is a long and graceful fragrance beside me, swaying and soaring with the sound of the piano.

Since the incense burner, there has been incense with the piano.

Whether Confucius in the Spring and Autumn Period, Yu Boya in the Warring States Period, Sima Xiangru in the Han Dynasty, Zhu Gekongming in Shu, Seven Sages of Bamboo Grove in Wei and Jin Dynasties, Evonne in Song Huizong, poet of Emperor Li Hong of Qianlong, ancient and modern poets, no matter high or low, all used incense burners to soothe the harp.

Introduction to the way of guqin matching piano furnace

Boshan was used in Han Dynasty, porcelain was used in Tang and Song Dynasties, and copper was used in Ming and Qing Dynasties.

Modern people follow suit in many elegant piano concerts, but they are not very particular about it. It's a pity that this thousand-year-old cultural heritage is out of date.

This is such a delicate instrument.

Sitong is combined into a piano with ancient sounds. How can the piano furnace next to the piano player caressing the drum be tacky?

Therefore, for the choice of piano furnace, here are the following suggestions for everyone:

1. Size should be less than 3 inches.

2. the shape should be elegant.

Ear washing furnace, bell furnace, tripod furnace, bell furnace, bridge ear furnace, barrel furnace, slub furnace, begonia furnace, etc.

3. It is not advisable to choose squares, halberds, animal ears and Phnom Penh, unearthed funerary objects, grotesque things, poor styles or tacky things.

4. Materials can be selected from copper, porcelain, bamboo, wood, jade and ivory.

In the choice of incense, you can choose according to space and time: use rich incense for large space and light incense for small space.

Time should be light in the morning, refreshing in the afternoon and calm at night.