What are the aesthetic principles of ancient Chinese painting **** the same

(1) Viewing the small with the large: focusing on the details and exaggerating them artistically. The fact that there are so many ancient Chinese paintings of birds, flowers, insects and fish is due to the artistic principle of viewing the small with the large.

(2) Scattered perspective: all-round depiction, deep depiction, three-dimensional depiction. It is mainly reflected in the landscape painting and custom painting, such as the panoramic depiction of "Qingming Riverside Drawing", this all-around overlooking beyond the human visual limitations and visual characteristics of the whole painting of every place but the focus of human vision. It does not conform to the laws of physics, but achieves artistic success.

(3) Loss of appearance to take God: it is the style of writing, emphasizing the resemblance of God but light on depiction. Through the overall rendering of the environment without focusing on the details of the depiction, to achieve the effect of "Wu belt when the wind". For example, Qi Baishi's ink shrimp figure, a few strokes, through the resemblance and painted the shrimp's body dynamics and light posture.

(4) the pen and ink interest: this is the most notable feature of Chinese painting, because the ancient Chinese painters are literati intellectuals, so painting is often as a kind of leisure, is a reflection of the elegance of the literati. This is mainly reflected in humanistic paintings. For example, the ancient literati love to paint plum orchids, bamboo and chrysanthemum four gentlemen, love to paint the rain hit the banana, love to paint the "lone boat Demoiselle Weng, fishing alone in the cold river snow", are the embodiment of the pen and ink sentiment.

Extended information:

Traditional Chinese paintings are referred to as " Chinese painting", "national painting". Chinese painting emphasizes the importance of "learning from the outside, getting the source of the heart", and requires the use of form to write God, both form and God, to achieve "the intention of the first brush, the painting of the meaning of the".

The main subjects are figure painting, landscape painting, flower and bird painting.

Figure painting appeared earlier than landscape painting, flower and bird painting. Figure painting can be further divided into Taoist and Buddhism paintings, ladies' paintings and so on. The figure painting can be further divided into Taoist and Buddhism paintings and women's paintings, etc. Women's paintings are also known as "scholar's paintings".

In a general sense, bird and flower paintings include plumes and beasts, flowers and fruits, birds and insects. In the Ming and Qing dynasties, it was popular to paint flowers without writing the whole plant, but only showing part of the flowering branches taken from the trunk of the tree, so it was called "folding branches".

Shanshui paintings depict the natural scenery of mountains and rivers as the main body.

References:

Baidu Encyclopedia-Ancient Chinese Painting