Folk music in Hungarian music

The early Hungarian folk songs are mostly narrative songs in theme. Most of them use pentatonic scale, with free rhythm and irregular structure, which has less relationship with western European music and more obvious relationship with eastern music such as Turkey. Under the influence of western European music, Hungarian folk songs changed significantly in the17 ~18th century. The ancient pentatonic scale was replaced by Dorian mode, sticky Lydia mode and modern big mode; The rhythm has also changed from freestyle to regularity, and syncopation rhythm closely related to Hungarian has appeared; The structure of the song is more regular and symmetrical, but it is still a single voice. With the development of the city, urban folk music has also developed.

/kloc-In the late 8th century, there appeared dance accompaniment music for recruiting new soldiers, namely whip dance. This kind of dance music, usually played by gypsies, is influenced by the traditional techniques of western European music and also contains gypsy music factors; In form and structure, it consists of two parts: Adagio and Allegro, which are opposite in nature. /kloc-At the beginning of the 0/9th century, childas dance music was formed on the basis of Welbensh dance music. This kind of dance music keeps the basic structural characteristics of Weber's dance music, but the Allegro part has been greatly developed. The 1 part of Csardas dance music is called Rasheed, which has a slow rhythm and a sad style. The second part is called French fries, which is fast-paced and passionate. The scale usually used in this kind of dance music is called "Gypsy Scale", which is characterized by the rise of the 4 th and 7 th grades in minor form, forming two intervals with increasing degrees between the 3 rd and 4 th grades and the 6 th and 7 th grades.