Chinese traditional beauty has those characteristics?

Traditional Chinese beauties have those characteristics

1. Skin like congealed fat

"Congealed fat", congealed fat, smooth, delicate and white. "Skin like congealed fat", smooth, delicate and white skin, is one of the main standards of ancient Chinese beauty.

Women's physical beauty, the first thing to look at the skin, and skin color white is the most rare. "Poetry" cloud: "Su to be gorgeous," the Su, white also. "The nature of women, but white is the most difficult. Often have eyebrows, eyes, mouth and teeth generally into the picture, and defects in the skin alone" (Qing?). Li Yu, "Idle Happenings? Voice Department"). Anciently, there is the saying "a white cover a hundred ugly", whether the skin is white is often seen as the first standard of female beauty.

2, bright eyes

Mindful, dynamic, charismatic eyes, is also one of the main criteria for beauty in ancient China.

Women's beauty, the focus on the eyes. "The face is the master of the body" (Li fisherman "Idle Affair? The Ministry of Sound and Appearance"), and the eyes are the master of one side. Eyes are the windows of the soul, "the heart of the evil and positive, no better than to look at the eyes." Li Yu believes that the size of a woman's eyes are closely related to her emotional rigidity and flexibility, and her foolishness and wisdom. "Eye fine and long, the nature of the soft"; "eye good movement and black and white clear, will be more intelligent."

3, cloud hair colorful

Black, bright, dense, long is the ancient Chinese beauty hair aesthetic standards.

"Cloudy hair is colorful" is from Sima Xiangru's "Beauty Fugue". "Cloudy hair" describes hair as black and thick as dark clouds; "rich and colorful" describes hair that is not only thick, but also shiny and glossy.

4, moth eyebrow green

Thin, curved, light green color is the aesthetic standard of the eyebrows of the ancient Chinese beauty.

The ancients called the eyebrows "the rainbow of seven emotions" because they showed different moods and made the face more three-dimensional. In fact, ancient poems probably have the most descriptions of the female body regarding the eyebrows. Among them, two main points are emphasized: slenderness and curvature. For example, Sima Xiangru's "Zi Xu Fu": "Long eyebrows linked with juan"; Cao Zhi's "Luoshen Fu": "Trimmed eyebrows linked with juan"; Bai Juyi's "White-haired Man in Shangyang": "Green deities dotting eyebrows with slender eyebrows"; Lu Guimeng's "The Stranger in the Mulberry": "long eyebrows are also like smoke Hua paste"; Wen Tingjun "Nan Gezi": "sideburns hanging low combing bun, Lianjuan fine sweeping eyebrow", "bun maid wolves Dai eyebrow long, want to converge fine eyebrow to the embroidered household" and so on.

5, apricot face peach cheeks

Beautiful light, white and red, is the aesthetic standard of the ancient Chinese beauty face.

The ancient Chinese often used the word "jade" to describe the appearance of a beautiful woman, such as "jade face" or "face like jade", taking the meaning of jade's warmth, cleanliness and beauty. In addition to the above, there are also the twelfth of Nineteen Ancient Poems: "There is a beautiful woman in Yanzhao, and her face is like jade"; Wang Wei's "Daughters of Luoyang": "Who pities the Yue woman whose face is like jade, and who is poor and has been raining yarn on the river", and so on.

Ancient poems and songs depicting the face of a beautiful woman are not intended to be pure white, too pale, without a trace of blood, will give a person a sickly feeling. Harmonized with the white is pink, white with red is what the authors appreciate. For example, Song Yu's depiction of his neighbor's daughter in the Dengtu Zi Lustful Fugue: "If you put on powder, you will be too white; if you put on vermilion, you will be too red" puts forward the harmonious beauty standard of white and red, which is also a kind of healthy beauty. The description of the perfect combination of white and red is also the "Han Xiaohui Empress Extravaganza": "without fat and powder and the color is like the morning sun reflecting on the snow", the red morning sun reflecting on the white snow, the mood alone, is enough to be beautiful and mesmerizing.

6, cherry lips and teeth

Ruby color, small mouth is the aesthetic standard of the lips of the ancient Chinese beauty; crystal white, neat and even is the aesthetic standard of the teeth of the ancient Chinese beauty.

Since ancient times, people often use "red lips and white teeth", "cherry lips and teeth" to praise the beauty of women's lips and teeth, crystal white, neat and even teeth with small, red, vibrant cherry lips, of course, it will give people a natural and healthy sense of beauty, the beauty of the appearance of the clouds and the moon. The beauty of appearance plays a role in baking the moon.

7, willow waist

Fiber, soft is the ancient Chinese beauty waist aesthetic standards.

The beauty of the waist lies not only in its slenderness, but also in its softness and suppleness. Soft is not weak, but to show a kind of toughness, soft and powerful.　　

The ancients to the waist of the slender and soft for the beauty, but also with the dance has a direct relationship. If a woman is good at singing and dancing, her waist must be more graceful. To jump out of the "floating spinning back to the snow light, sweet longitudinal delivery of the dragon surprised. Small hanging hands after the willow powerless, diagonally trailing train when the clouds want to be born" such a soft "Nishang Yuyi Dance", there is no lithe body, soft waist, it is difficult to imagine. According to history, Mrs. Qi, the favorite concubine of Liu Bang, the first Han emperor, was "good at the dance of the folded waist with the sleeves cocked". It is said that Zhao Feiyan because of the lightness of the body, the waist can make a slender "palm dance", Xiaoban because of its willow waist, dance and by Bai Juyi's favorite, on the previous text has been mentioned.

The ancients' appreciation of women's waist is consistent with the concept of curvaceous beauty in Chinese art. Ancient poems and songs, the woman's waist is often called "willow waist", "bee waist", emphasizing that the waist is thin so that the body shows the curve of the ups and downs. A curvaceous body has a soft and gentle aesthetic effect. Moreover, the Chinese tradition especially emphasizes women's suppleness and obedience, and the aesthetics of the waist of course requires that it be able to sway with the wind like a weak willow. The unique feminine nature of women determines that suppleness is an important criterion for the beauty of the female form.

8, delicate hands

White and delicate, slender and dexterous is the aesthetic standard of the fingers of the ancient Chinese beauty.

Ancient beauty, in addition to the face, the human body's most frequently exposed part of the hands.　

The ancients praised the beauty of the slender hand shape, including fingers, often used to describe the "delicate hand". For example, the second of the nineteen ancient poems, "Grass on the Green River", has a "slender hand", and the end of the Eastern Han Dynasty, "Nineteen Ancient Poems? The Long Distance from the Altair Star" has "Slender Mew Hands, Zazha Getting the Loom"; Su Dongpo's "Advising the Golden Boat (and the elements rhyme with the name of the cavity written by himself)" has "Slender Hands Like Frost and Snow, Laughing at the Autumn Flower Insertion". The word "slender" describes a small or slender and soft hand. "Slender hands", describing the hand is both tender and slender, extraordinarily beautiful and touching.

A pair of beautiful hands show people not only visual pleasure, but also more importantly, show their own wisdom of the heart, that is, we often say that "the heart and hand". The poem "Poetry? Wei Feng? Ge Sandals" has the phrase "the hand of a woman can sew a garment", writing about the hand that can do needlework and emphasizing its dexterity, and the word "doped" means "delicate". In Li Yu's "Occasional Remarks on Idle Feelings" (闲情偶寄? The Department of voice and appearance" in the selection of gestures: "ten fingers of the two hands, for a lifetime of skill and clumsiness of the gateway, a hundred years of glory and blight of the system," the tender hand is most likely quite clever, the tip of the finger is most likely to have the wisdom.

9, three inches of gold lotus

Small, bowed, white is the ancient Chinese beauty feet aesthetic standards.

Ancient Chinese women were most proud of their own bodies, not the Western beauty of the fat buttocks and breasts, but the beautiful feet, the ancients called "three inches of golden lotus". This not only makes many Westerners feel confused, but also relatively unfamiliar to the traditional Chinese beauty culture of modern people feel incredible. "Three-inch Golden Lotus" originated from the "woman with small feet for the beauty" of the aesthetic concept, the woman reached a certain age, with a cloth band to the feet tightly wrapped, and ultimately constituted a sharp, thin and small, such as the cone of the rhombus. Feet wrapped, and then put on satin or cloth embroidered pointed shoes (bow shoes), this is the "three-inch golden lotus".

10, soft jade warm fragrance

Delicate, white, fragrant is the ancient Chinese beauty body aesthetic standards.

"Soft Jade and Warm Fragrance" is a depiction of the beauty of a woman's body, in which "soft" and "warm" mean soft and gentle, and "jade" and "fragrance" mean "soft" and "gentle". ", "fragrance" two words are quite generalized, one to show the visual and tactile aspects of the white greasy, the other to show the olfactory and gustatory aspects of the aroma. "Jade" and "fragrance" are also often used to refer to women, such as "pitying the fragrance and cherishing the jade" and "stealing the fragrance and stealing the jade", "to be lost", and so on. Some poems in the fragrance of jade used in conjunction, such as Wen Tingjun poem "return to the evening song" "bird fan round cover fragrance of jade", after the Sichuan Yan selected "Yu Beauty" "Chu waist grub collar group fragrance of jade", the Southern Song Dynasty? Liu Kezhuang "Qingpingle" "a ball of jade tenderness, smile and knit have style" and so on. Here, the word "soft jade" summarizes the ancient beauty of the body of several features: soft, white, fragrant.