Bibliography of China's Art Aesthetics

Introduction: The first part of China's art and artistic aesthetics catalogue, the second part of China's painting tradition of "freedom", the third part of image art-"unfinished works", the fourth part of China's painting theory of "vivid" and its evolution, the fifth part of the origin of China's landscape aesthetics, the sixth part of China's landscape art's life consciousness, the seventh part of the new exploration of "Ancient Painting Catalogue" and the eighth part of Lin's aesthetic taste. Poets chanting poems by painters X. The special contribution of calligraphy art to China's aesthetics XI. "Harmony of Beauty and Goodness" and "Sound without Sorrow and Music" —— The twelfth longitudinal exploration of music aesthetics. From "Singing with Words" to "Dancing with Heart" —— First, the aesthetic significance of "harmony" and "neutralization" Second, "wind" and "sound" and "seeking" —— empathy and aesthetic psychology. The realm of intransitive verbs, artistic conception, and the realm of no self. Seven. The formal beauty of China's classical art. Postscript back cover of aesthetic creation that breaks through the bondage of utilitarianism and tradition