Ouyang Zhongshi's Most Famous Calligraphy Works

Ouyang Zhongshi was born in 1928 in Feicheng, Tai'an City, Shandong Province. , is a famous scholar, educator, calligrapher and calligraphy educator in China. He is a professor and doctoral supervisor at Capital Normal University. He studied in Jinan in his early years, and after graduating from secondary school in 1948, he taught in elementary schools. 1950, he was admitted to the Department of Philosophy of Fu Jen University in Beijing, and then transferred to the Department of Philosophy of Peking University, majoring in the History of Chinese Logic, in 1951. After graduating from the department in 1954, he taught at Tongxian Normal School, Tongxian No. 2 Middle School, and 171 Middle School in Beijing, where he taught courses in language, mathematics, history, physical education, chemistry, and other subjects. In his long-term teaching practice, he actively and y thought about some long-standing problems in language teaching. With his unique and profound understanding of the characteristics of Chinese language and writing, he put forward a set of scientific reforms of language education, which was piloted in middle schools and was unanimously praised by all circles, and was included in Fifty Years of Language Teaching in Beijing. Ouyang Zhongshi was transferred to Beijing Normal College (now Capital Normal University) in 1981, where he taught subject education and logic, and embarked on the path of calligraphy education. In 1985, he presided over the founding of the Calligraphy Program, and firstly opened the adult calligraphy college class, the first batch of nearly one hundred students were recruited from all over the country, and then developed the undergraduate and master's degree education of Calligraphy.In 1993, the Academic Degrees Office of the State Council set up the authorization point of the doctoral degree of Fine Arts (Calligraphy and Art Education) in the Capital Normal University, and in 1998 the Ministry of Personnel approved the admission of the postdoctoral fellows of the project of the direction of calligraphy in the Capital Normal University. Ouyang Zhongshi was appointed as the supervisor of master's and doctoral students in 1990 and 1993 respectively, and thus built the first complete calligraphy education system in China's institutions of higher learning from specialist, undergraduate, master's, doctoral to post-doctoral, and cultivated a large number of high-level specialists in Chinese calligraphy education, which made important contributions to the development and perfection of the discipline of calligraphy and to the overall development of the cause of China's culture and education. Under his advocacy, in November 2005, Capital Normal University established the "Chinese Calligraphy Culture Research Institute" and the first "Calligraphy Culture Museum" in China. Ouyang Zhongshi has also edited and written many important academic treatises, such as Introduction to Calligraphy, Overview of Calligraphy, Miscellaneous Knowledge of Calligraphy, Chinese Calligraphy, Calligraphy Tutorials, Calligraphy and Chinese Culture, and so on. Ouyang Zhongshi's calligraphy, like his person, is fresh and elegant, calm and dignified, handsome and elegant, simple and gorgeous. Viewing his works, such as appreciating the high mountains and flowing water, as well as seeing a million horses galloping, which shows his deep strength and courageous spirit of innovation that he is always in the pool. He has published many collections of works, such as Ouyang Zhongshi's Selected Poems of Shen Peng, Zhongshi's Notes on Night Reading of Words, Contemporary Famous Regular Script Script Genealogy - Zhu Zi's Family Trainings, Zhongshi's Notes on Reading of Qingzhao's Words, and Laozi's Tao Te Ching. His calligraphy is well known both at home and abroad. Ouyang Zhongshi is erudite and versatile, with comprehensive and profound attainments in traditional Chinese culture and art. He is the author of more than 40 books, covering Chinese studies, logic, opera, poetry, phonetics, and so on. Ouyang Zhongshi has served as a member of the Art Discipline Review Group of the Academic Degrees Committee of the State Council, and as a member of the Evaluation Committee of the Ministry of Culture for Senior Titles of Fine Arts Specialties in the Art Series. He is currently the honorary director of the Institute of Chinese Calligraphy and Culture at Capital Normal University. He is a member of the 8th to 10th National Committee of the Chinese People's Political Consultative Conference (CPPCC), and on August 21, 2003, he was appointed as a member of the Central Research Museum of Culture and History. Later he became a professor of logic at Beijing Normal University, where he also lectured on the art of calligraphy. He studied calligraphy first under Master Wuyan and then under Wu Yuru. He started with the Tang stele and then moved on to the tomb inscriptions of the Northern Wei Dynasty; later on, he also dabbled in seal script, official script, oracle bone and gold script, and was especially diligent in the Ouyang Xun steles. He often writes in running script, following the method of the two kings, but also taking the trend from the kings. In cursive script, he takes Wang Xizhi and Sun Shuting as his disciples, and also benefits from Huang and Zhu's method of pointing. His style of writing is graceful, elegant and elegant. He is now a member of the National Committee of the Chinese People's Political Consultative Conference (CPPCC), a member of the Academic Degree Committee of the State Council for the Discipline of Art, a member of the Evaluation Committee of the Ministry of Culture for Senior Titles of Fine Arts Majors in the Art Series, a professor, doctoral student and post-doctoral supervisor of Capital Normal University, and the director of the Institute of Chinese Calligraphy Culture. He is a professor, doctoral student and post-doctoral supervisor of Capital Normal University, and director of the Institute of Chinese Calligraphy Culture. He is an erudite and versatile scholar, with profound attainments in logic, Chinese literature, phonetics, painting, opera, literature, calligraphy and other disciplines. He has been teaching for many years, and has conducted in-depth research and practice in basic education and higher education, which has filled the world with students and plums. 1985, he presided over the founding of the Calligraphy Art Education Program in Capital Normal University, and after more than a decade of construction, he has formed a complete higher education system of Calligraphy Art, ranging from specialization, undergraduate education to master's degree, doctoral degree, and post-doctoral degree, which has made the Calligraphy Research Institute of Capital Normal University a base for the cultivation of high-level talents and scientific research of Calligraphy in China. scientific research base. In terms of calligraphy theory research, he has edited more than 40 monographs and teaching materials. The main ones are "History of Chinese Calligraphy", "Chinese Calligraphy", "Calligraphy Tutorial" (edited by him), "Chapter and Cursive", "Calligraphy and Chinese Culture" (edited by him), and a series of teaching materials of calligraphy for China Calligraphy and Painting Correspondence University (edited by him, and authored some important parts of them), and so on. Among them, "Calligraphy Curriculum" won the second prize of Excellent Textbook for Higher Education of the State Education Commission in 1995, and was awarded the first Chinese Calligraphy Lanting Prize in 2002, the Special Contribution Prize for Education. As for calligraphy, he has dabbled in Zhou Jin and Han stones, Jin posters and northern monuments, Tang Xian and Song philosophers, and even the Ming and Qing schools. He has learned from all, and has returned to the Er Wang school, forming a unique and fresh style, which has had a wide influence both at home and abroad. His published works include Zhongshi's Notes on Reading Lyrics at Night, Zhongshi's Notes on Reading Qingzhao's Lyrics, and Scrolls of Tao Te Ching in Lowercase. In his early years, he majored in logic and studied with former scholars such as Jin Yuelin, and achieved fruitful results in this field. He participated in the preparation of the five-volume History of Chinese Logic under the National "Sixth Five-Year Plan" project, and served as the author of the section on Sui, Tang, and Ming. His other works include Selected Materials on the History of Chinese Logic - Pre-Qin Volume (co-author), Logic (editor-in-chief), and A Course on the History of Chinese Logical Thought (co-author), etc. He is also an artist and researcher of Peking Opera. He is also a Peking Opera artist and researcher. He is a direct disciple of Mr. Xi Xiaobo, the founder of the "Xi School", and has assisted Mr. Xi Xiaobo for a long time, making important contributions to the perfection of the art of the "Xi School". At the same time, he also took Peking Opera as a discipline of learning, such as the historical origin of Peking Opera, rhyme, artistic characteristics of various schools and performance practice, etc. He has specialized in research, and has made a lot of achievements. His insights have been published in various newspapers, magazines and anthologies.