Write a good essay on Hakka Mountain Songs this way

The Hakka mountain song is a marvel in Hakka literature and art. Experts define it as "Hakka Shan Song is a short singing art that is rooted in the Hakka area, expresses the inner feelings in the mountains and fields, and is enjoyed by the majority of Hakka people."

The Hakka songs are rich in form and variety. Morphologically, they can be divided into "body songs", "songs", "songs", "songs", "songs", "songs", "songs", "songs", "songs", "songs", "songs", "songs", "songs", "songs", "songs", "songs" and "songs". The "Songs of the Mountain", "Songs of the Mountain", "Songs of the Mountain", "Songs of the Mountain", "Songs of the Mountain" and "Songs of the Mountain". "question-and-answer mountain song", "absolute gas mountain song", etc.; from the content, it can be divided into love mountain song, labor mountain song, revolutionary mountain song, lamentation of life mountain song, banter and entertainment mountain song, and so on. But no matter what the content, what form, most of the Hakka men and women in the "Gangtouxiwei, shoulder

pick a load, even the day back and forth" improvised chanting out of the Hakka working people from the bottom of their hearts out of the voice of heaven.

In the old days, Tingzhou was known as the "town of mountain songs", and when it came to singing mountain songs, everyone got excited, listen:

To sing a mountain song, just come and take a stool to sit down. The song will be sung until the chicken feather sinks into the sea, and until the stone floats up.

To sing a mountain song, sing until the sun shines against the moon. Sing to the unicorn to the lion, sing to the golden chicken to the phoenix.

The relationship between Hakka women and their songs is even more inseparable, and it is said that "Hakka songs are the most famous, the first song has a sister name. The first song has a sister's share, and a song without a sister can't be sung." Without Hakka women, there would be no more Hakka songs.

The most numerous and wonderful Hakka songs are the love songs. The majority of the singers are illiterate farmers and farmers' wives, and their hard labor and simple life is the source of their creative inspiration. Their songs are inspired by their feelings, and they are na?ve and straightforward. The language of Hakka love songs is vivid and simple, and the metaphors are skillful. The feelings in the songs are sincere and passionate, expressing the love and affection between men and women, and showing the sorrow and joy of love, which can be compared with the fifteen national winds and the songs of the Southern Dynasty.

For example, when a man and a woman meet for the first time and have a good feeling about each other, the man will test each other's feelings with a mountain song:

Eighteen old girls are kissing each other, and they don't know the depth of the muddy water, so they will throw stones to test the depth of their feelings, and sing a song to test the heart of their sister.

The woman is cautious, but at the same time, because of the shyness, she did not speak up. The man was so anxious that he sang another song, comparing the woman's mouth to a purse made of iron, hoping for a sharp knife to open it:

The heart wants to go up to heaven as high as the sky, the heart wants to fall in love with the younger sister as tricky as it is.

So the woman finally opened her mouth, and also used a clever metaphor to politely express her joy, but did not dare to express her feelings:

Knife will regret this, my sister has something to hide in her heart. I'll be sorry if I don't tell you this, it'll be like a plum blossoming in the dark.

When she understands each other and her mind is made up, the girl opens her heart and praises her lover with the most beautiful words:

Eighteen brothers are smiling, their flesh is red as a pomegranate. His teeth are more beautiful than the snow of the mountains, and his eyebrows are more beautiful than two dragons.

The two sides then expressed their hearts to each other, and the man sang:

Lang has the heart to come to the sister has the heart, don't be afraid of the mountain high and the water is deep. The mountain is high enough to have someone to walk on, and the water is deep enough to have a ferryman.

The woman's side sang:

It's cold in June, and I'm sorry to hear you say that. I'm not sure if you're going to be able to get a good deal on a new product, but I'm sure you'll be able to get a good deal on a new product.

And then the two sides exchanged gifts of love, also expressed in mountain songs. The woman sent is hand-woven straw sandals, novel style, dense stitching, contains the girl's love and affection:

Lang have the heart to sister have the heart to make a pair of straw sandals playing crochet. The upper of the shoe is slanted with pepper eyes, and the sole of the shoe is scaled with carp scales.

The man sends a specially purchased cooler hat, which conveys the young man's genuine concern for the girl:

The cooler hat is newly purchased with four pieces of silk, which is given to the old sister to resist the sun. I'm not afraid of the wind blowing the silks away," he said.

Lover's eyes, lovers always want to be together, never part for a moment. The Hakka people like to use common things as analogies for such truths. There is a Hakka song in Shanghang, which says:

Spring comes to plant vegetable seedlings, my sister is better than the moonlight, my brother is better than the stars, and he accompanies my sister to the light of day every night.

The Hakka girls are mostly straight, they advocate the pursuit of love to be straightforward, passionate, and do not like to be timid and hesitant, cover up. Listen to the Hakka girls on the banks of the Tingjiang River, how bold and generous they sing:

You want to Lotus fast forward, you want to love the sister Mo Yan, the world is only a boat moored to the shore, the blind have seen the shore moored to the boat.

The Hakka young man who is making the tide in the Ting River is also fast, you see his Penny a little, the boat arrows towards the shore, the Ting River immediately echoed his passionate and humorous song:

Propelling the boat to the side of the road, I know that the old girl wants to take the boat. When the girl wants to get on the boat, she says, "Oh-nyong-nyong, I'll moor the boat right away.

When a Hakka girl recognizes her beloved, she devotes herself to her love, and she loves him with all her heart, soul, and mind. You listen to this long Ting mountain song:

Lang is a long tree in the ridge, sister is a hundred years in the ridge vine ah, tree death vine life entangled to death hey, tree life vine death also entangled, grin hey yo.

Lang is a long-lived tree, sister is a long-lived vine by the side of the tree, the tree is born and the vine is dead forever, hey, the vine is long and the tree is born for ten thousand years, hey, yo.

This song is warm, simple and even a bit wild, expressing the pursuit of love that is unswerving between life and death. There are two other Shanghang songs that are similar to this one:

Lang has love for his sister, and the two of them have love for each other; the two of them are good until the ninety-ninth year, and they don't lose their love for each other when they are hanging on the wall in hemp clothes. The yellow loach has scales, the horse has horns, and the iron tree blossoms without losing its love.

Life is also soul to death is also soul, dead curry two people *** tomb tomb; anniversary of the 100th day *** bowl of wine, paper money burned down two people share.

Hanging up the wall in hemp clothes, burning paper money when sweeping graves, and setting up wine offerings are all Hakka folklore in western Fujian, and the song absorbs these folklore phenomena into the song, and skillfully utilizes the words "ninety-nine", "hanging up the wall in hemp clothes", "** bowl of wine", "** bowl of wine", "** bowl of wine", "** bowl of wine", and "** bowl of wine". The song absorbs these folklore images and skillfully uses words such as "ninety-nine", "hanging on the wall with hemp clothes", "** bowl of wine", "two people", "yellow loach", "horse", "iron tree" and other folk symbols of eternity and friendliness, and repeatedly renders the feelings of both sides of the love for each other for all eternity, which creates a strong artistic charm and is touching to the core.

For all aspects of the love life of the laboring people, the Hakka songs of western Fujian have been involved, and have left touching chapters.

The following song, "Old Sister Lianlang Hope for a Long Time," expresses the love of young men and women for the same labor, and then hope to become husband and wife and grow old together:

March dill field rows to rows, brother dill field sister to send rice seedlings. The first is to make sure that you have a good understanding of the situation, and that you have a good idea of what you are doing.

Some of them express the delicate and deep feelings of waiting for a lover, such as "The old sister waits for her brother with her head bowed down":

After a slope, there is another slope, and the tail of the bamboo trails behind the bamboo on the slope. The bamboos bow their heads to eat the dew, and the old sister waits with her head down for her brother.

Another song, "Old Cane Is Always Sweeter Than Young Cane," is a clever metaphor used by a woman in love to express her heart to her lover who is younger than her:

The taro seed is thin and the taro leaf is round, so the old sister's elder brother does not mind. It's like picking sugar cane in the garden, the old cane is always sweeter than the young cane.

Because of the dragnet of feudalism, free love was difficult. The following song reflects the woman's feelings of love being blocked:

The left side is also difficult to the right side is also difficult, like a fish in a deep pool. I'm afraid that the cormorant will beat me up, and I'm afraid that the net will stop me at the bottom of the pool.

Sending a groom to the side of the road, sending a groom to the ancient well. The ancient mirror is so dusty that it's hard to see each other, and the hats and hemp on top of their heads are so heavy.

But there are also some "wild" men and women who dare to break through all the resistance, and dare to use their blood and lives as the price to pursue sincere love. The following mountain song is a hot-blooded woman's cry to break through the feudal net:

Life loves even to death loves even, not afraid of the lawsuit in front of us. The head is like a hat blown by the wind, and the prison is like a garden!

The Hakka love songs are numerous. Some people say that "mountain songs and almost synonymous with love songs", although exaggerated, but also close to the truth. According to the survey, the Hakka male and female groups singing songs of love and conjugal situation is not much, singing songs to express love is often regarded as lewd, immodest, subject to all kinds of obstacles and restrictions. Therefore, it can be said that, under the yoke of feudal rites, in a variety of deformed marriages in the cage, the Hakka people a lot of love songs just to pour the heart of the block. The flourishing of Hakka love songs reflects the general misfortunes of Hakka marriages. That is to say, at least in the recent past, the Hakka people have more free socialization, there is a repressed love, but in the old days, love is love, marriage is marriage, from love to marriage is, after all, a very small number.

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