Wang Peiyu is interested in inheriting the tradition.

Wang Peiyu is a family of Peking Opera. The reasons why she can't revitalize Peking Opera like Degang Guo are as follows:

First, there are many gaps between Beijing opera and crosstalk, and crosstalk is easily accepted.

In fact, although crosstalk and Peking Opera are both traditional arts, crosstalk is accepted by many people because of its funny form. Crosstalk is actually more humorous. There are many jokes in it. People nowadays just like listening to jokes and watching comedies. Therefore, although crosstalk is a traditional art, there are still many people who accept it and many young people are willing to watch it.

However, Peking Opera itself is so professional that most people can't understand it. People who don't know Peking Opera don't know the appearance, singing skills or even the stories told by Peking Opera, so they can only watch the excitement. If you don't understand the drama, watching Beijing Opera is just a waste of time, and it is even more impossible to like such art. Therefore, it is not easy for Wang Peiyu to revitalize Peking Opera, but even easier for Degang Guo's crosstalk.

Second: Peking Opera needs costumes, and Wang Peiyu may not be recognized.

In fact, Degang Guo can revitalize Peking Opera now because his disciples are still handsome. Nowadays, young people are all Yan Kong, and they are infatuated with their handsome little brother. In fact, there are many powerful figures in Beijing Opera, but why is Wang Peiyu the only one who is famous? In fact, it's only because Wang Peiyu is good-looking, which is also a very special existence in Beijing Opera.

After all, people have the impression that people who sing Peking Opera are very old, but Wang Peiyu is relatively young. However, when performing Peking Opera, people basically wear heavy makeup. Maybe once you dress up as this person, people will not know each other. Those idolized young people may not find their idols after watching the whole Beijing opera, which is also a problem in revitalizing Beijing opera.

Moreover, Beijing opera is too professional, not as easy to understand as cross talk, and can be listened to with the audience, so cross talk is more acceptable.