Traditional Culture Encyclopedia - Traditional festivals - Film and television art appreciation thesis
Film and television art appreciation thesis
& ltbr & gt line, or line, is a visual morphological element in real life or artistic works. Because they often coexist with visual factors such as shape, body, color and light, lines in modeling concepts are often associated with visual generalization and abstraction. However, the formation of these abilities must be trained through artistic appreciation and artistic creation practice. How to deepen the understanding of the concept of "line" and apply it artistically in practice is an important link in art teaching in middle schools. & ltbr & gt 1. Appreciate Chinese and foreign works of art with line modeling, and improve students' aesthetic ability for the art form of "line". & ltbr & gt line is the most basic modeling method of art, and both plane and three-dimensional works are the basic factors that constitute the image of visual art; Whether realistic or decorative; Whether abstract or concrete ... In the long process of artistic development, "line", as an artistic language for artists to create images and express their thoughts and feelings, has always been in a very important position, and has increasingly shown rich expressive force and artistic beauty. The Landscape Painting by Wu Guanzhong, a famous Chinese painting master, is not much colored, but mainly outlined by brush lines, but the lines are smooth and free, and the light and heavy changes are arbitrary, with strong lyrical meaning and distinct sense of the times. The Notes on the Red Sofa (oil painting) by the late French fauvism master Vantis vividly and concisely depicts the image of a young girl with concise generalization, erotic and decorative lines. & ltbr & gt Second, emphasize the role of the midline in the traditional art of China. The lines of br> Chinese paintings can be traced back to the colored paintings in Yangshao period, the silk paintings in the late Zhou Dynasty, the lacquer paintings on Chu containers and the murals in Han and Tang Dynasties. Painted pottery patterns of Yangshao culture. This is China's earliest line work. Its lines are bright, vivid and straight, depicting spirals, chords, human faces, insects, fish, birds and animals, etc., which embodies the simple and innocent beauty of primitive art. Since the Tang and Song Dynasties, with the prosperity of figure painting, line drawing art has reached a climax. Wu Daozi was a master of line drawing in Tang Dynasty. People call Wu's poems "the Party Style in Wu Dynasty". The figures he painted are vivid and unusual with fluttering sleeves, which embodies a high sense of movement and rhythm and gives full play to the effect of line drawing art. Liang Jie, a painter in the Southern Song Dynasty, painted a figure painting with freehand lines, in which Huineng, the sixth ancestor of Zen Buddhism, was the ancestor of the figure. The painter vividly described an old man at work with a few strokes. After a long period of artistic practice, China painters use lines in different ways (from literati painting to institutional painting to folk painting) & ltbr & gt Third, the similarities and differences between eastern and western painting lines. & ltbr & gt Due to the influence of different cultural backgrounds, lines in eastern and western paintings are different in formal beauty: lines in eastern paintings pay attention to expressing emotions, and are full of rhythm and decorative beauty; Lines in western painting have strong rational characteristics, and they cannot be opposed. It should be pointed out that line modeling is interlinked in eastern and western works of art, and it also has rich expressive force and colorful artistic beauty. It is only because of the differences in appreciation habits and traditional concepts of painting modeling that different expression techniques and national styles have been formed. From the analysis of specific works, the performance characteristics of lines in eastern and western paintings are often intertwined, such as the works of Matisse in France at the beginning of the twentieth century. His works not only have the fine tradition of western painting, but also absorb the characteristics of oriental art, giving people new aesthetic enjoyment. In China, with the continuous integration of Chinese and Western cultures, China's traditional fine arts have made new development and changes, especially in the past decade, which is more prominent. For example, Wu Shu's skillful use of mechanical instruments is innovative, and the sense of rhythm and rhythm of lines is very strong and distinct. We should seriously study and inherit the fine traditions of Chinese and foreign works of art. On the basis of learning Chinese painting well, we also need to know about western art. "Making the west serve China" makes our national painting art contemporary and cosmopolitan.
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