Traditional Culture Encyclopedia - Traditional festivals - Historical allusion essay material
Historical allusion essay material
In real life or work and study, everyone has dealt with the essay, with the help of the essay people can reflect the objective things, express thoughts and feelings, transfer knowledge and information. The first thing you need to do is to get your hands dirty. The following is my help to organize the historical allusion essay material, I hope to help you.
King Zhaoxiang of Qin, bent on making Zhao submit, invaded the borders of Zhao one after another and occupied some places. In 279 B.C., he played another trick by inviting King Huiwen of Zhao to meet with him in Mianchi (渑池) (present-day Mianchi County, Henan Province, west of Mianchi County, China; Mian yin miǎn), the land of Qin. At first, King Huiwen of Zhao was afraid of being detained by Qin and did not dare to go. The generals Lian Po and Lin Xiangru both thought that if they did not go, they would show weakness to the Qin.
King Huiwen of Zhao decided to take the risk. He asked Lin Xiangru to go with him, and asked Lian Po to stay in his country to assist the Crown Prince in his defense.
In order to prevent accidents. King Huiwen of Zhao sent Li Mu, a general, to escort him with 5,000 soldiers, and Yuanjun, the prime minister, with tens of thousands of soldiers, to meet him at the border.
On the date scheduled for their meeting, the king of Qin and the king of Zhao met at Mianchi and held a banquet, drinking and talking happily.
King Zhao Xiang of Qin drank a few cups of wine and said to King Huiwen of Zhao, "I heard that the king of Zhao plays a good tune. Please ask the King of Zhao to play a tune for the group." After saying this, he really ordered his left and right to bring up the serpent.
King Huiwen of Zhao could not refuse, so he reluctantly played a tune.
The Qin historian wrote this down on the spot, and read: "On a certain day in a certain month in a certain year, the king of Qin and the king of Zhao met at Mianchi, and the king of Qin asked the king of Zhao to play a tune."
King Huiwen of Zhao was so angry that his face turned purple. While this was going on, Lin Xiangru took a fou (缶) (pronounced fǒu, a kind of tile vessel that can be struck to soundtrack music) and suddenly knelt down in front of King Zhaoxiang of Qin, saying, "The King of Zhao has heard that the King of Qin is quite good at Qin's musical instruments. I have a tile basin here, please also ask your majesty to honor me by knocking a few times to cheer up."
King Zhao Xiang of Qin turned pale and ignored him.
Lin Xiangru's eyes shot out an angry light and said, "Your majesty is too bullying. Although Qin's army is powerful, within these five paces, I can splash my blood on the Great King!"
King Zhaoxiang of Qin was so surprised to see this momentum from Lin Xiangru that he had to pick up his striking stick and bang it on the percussor a few times in a haphazard manner.
Lin Xiangru turned back and told the historian of Zhao to write this down as well, saying, "On a certain day of a certain month in a certain year, the king of Zhao and the king of Qin met in Mianchi. The king of Qin gave the king of Zhao a percussion."
The ministers of Qin were disconcerted when they saw that Lin Xiangru had dared to hurt the king's honor in this way.
Someone stood up and said, "Please ask the king of Zhao to cede fifteen cities to the king of Qin for his birthday."
Lin Xiangru also stood up and said, "Please ask the king of Qin to cede the city of Xianyang to Zhao for the king of Zhao's birthday."
King Zhao Xiang of Qin saw this situation as very tense. He had already found out that Zhao had sent a large army to the neighboring places, and he was afraid that he would not be able to get any advantage if he really started to fight, so he stopped the Qin ministers and said, "Today is the day for the kings of the two countries to have a joyful meeting, so you don't need to talk too much."
In this way, the Mianchi meeting between the two countries was finally successfully dispersed.
Lin Xiangru went on two missions to protect the state of Zhao from humiliation and made great achievements. King Huiwen of Zhao trusted Lin Xiangru so much that he made him his superior, above the general Lian Po.
Lian Po was not satisfied, and said to his disciples privately: "I am a great general of Zhao, and I have made a lot of achievements. What's so great about Lin Xiangru? I'm a great general of Zhao, and I've made a lot of achievements. I'm not going to be able to do that. When I see Lin Xiangru, I will show him a color."
These words reached the ears of Lin Xiangru, who pretended to be sick and did not go to court.
One day, Lin Xiangru went out in a car with his men, and he saw Lian Po's carriage coming from a distance. He told the driver of the car to retreat to the alley to hide. He told the car to go back to the alley and hide for a while.
This incident can be Lin Xiangru's subordinates door polite bad, they blame Lin Xiangru should not be so timid and afraid of things.
Lin Xiangru said to them, "Look at General Lian compared to the King of Qin, which one is more powerful?"
They said, "Of course the King of Qin is more powerful."
Lin Xiangru said, "Right! All the lords of the world are afraid of the King of Qin. In defense of Zhao, I dared to rebuke him to his face. How come I am afraid of General Lian when I see him. Because I've thought about it, the mighty Qin doesn't dare to come to invade Zhao just because General Lian and I are here. If the two of us don't get along, Qin will take advantage of the opportunity to invade Zhao if they know about it. For that alone, I would rather be tolerant."
Someone passed this story on to Lian Po, who felt very ashamed. So he ran to Lin Xiangru's house, naked and carrying thorns, to apologize. When he met Lin Xiangru, he said, "I am a rude man, with little knowledge and narrow temperament. How could I have known that you would be so tolerant of me? I really have no face to come to see you. Please chastise me."
Lin Xiangru quickly picked up Lian Po and said, "Both of us are ministers of Zhao. I am already very grateful that the general can sympathize with me, so how can you come to make amends to me."
Both of them were so excited that they shed tears. After this, they became close friends.
High mountains and flowing water
In the Spring and Autumn Period, Yu Bo Ya worked on the qin, and the qin music was so deep that it was difficult for ordinary people to understand, and only Zhong Ziqi could appreciate it. The first time I heard this, I was in the middle of a mountainous area, and I was told by Ziqi, "It's a good thing I'm not a mountainous area," he said. When Bo Ya's drum was playing the qin, Zhong Ziqi praised him and said, "Good, it's like a river in the ocean." Later, Zhong Ziqi died, Bo Ya lost his soulmate, and he did not play the piano for the rest of his life.
Beoya's music is a metaphor for his soulmate, and it is also a reference to the beauty of the music.
Zhuang Zhou Dreams of a Butterfly
During the Warring States period, the philosopher Zhuang Zhou advocated the unity of right and wrong, and the forgetfulness of things. In Zhuangzi, there is a fable that represents this theory: Zhuang Zhou dreamed that he was transformed into a butterfly, fluttering and dancing, and was happy with himself. After waking up from the dream, he was still Zhuang Zhou. Therefore, I don't know whether it is Zhuang Zhou who transforms into a butterfly, or the butterfly transforms into Zhuang Zhou.
Later generations used "Zhuangzhou dreaming of butterflies" as a metaphor for life as a dream, which is difficult to investigate.
The country and the city
When Emperor Wu of the Han Dynasty, Li Yannian composed a song in front of the Emperor: "There is a beautiful woman in the north, who is absolutely independent of the rest of the world. The first time I saw her, I was so happy to see her, and I was so happy to see her again. I would rather not know that it is hard to find a beautiful woman again." Emperor Wu was endlessly mesmerized, and sighed for a long time, saying, "Is there such a person in the world?" Princess Pingyang said, said Li Yannian has a sister, appearance, wonderful good dance.
Emperor Wu called, into the harem, that is, later favored Mrs. Li.
Lingbo Weibu
Cao Zhi, the son of Cao Cao, is a talented and renowned writer, but after his elder brother Cao Pi came to power, he was highly suspected and frustrated. His "Luoshen Fu" is a famous piece of writing, which describes the beauty of Luoshen's gait: "The body is swift as a flying bird, and flutters as if it were a god. Her body is swift as a flying bird, and she moves as if she were a god. She walks slightly, and her stockings are alive with dust." The writing of Luo Shen walking on the water, the surface of the water seems to leave the footprints of the state is very vivid.
Later generations used the term "Lingbo Weibu" to describe the lightness of a woman's steps.
The Mirror Cracked
Xu Deyin, the wife of Chen Dai Zi Sherman, was the sister of Chen Houzhu, the Princess of Lechang, who was afraid that the couple would be lost after the break of the country. Fear of the country after the break, the couple separated, so the broken mirror for two, the husband and wife each half, about the first month of the other year on the fifteenth day of the sale of mirrors in the city in order to seek to meet. After Sui's destruction of Chen, the princess was captured by Yang Su, an important minister of Sui Dynasty, and was highly favored. Xu Deyin was displaced to the capital and met a servant selling broken mirrors on the street, which matched the half of the mirror he had hidden. He wrote a poem: "The mirror and the people are all gone, the mirror returns to the people do not return. No more Chang'e shadow, leaving the moon shine." Princess saw the poem, weeping and not eat. When Yang Su was informed, he was greatly moved and finally reunited the couple.
Later, the term "broken mirror" was used to describe the reunion of a couple after separation.
The Eastern Jin politician Xie An's family got together when it was snowing more and more outdoors, and Xie An was so excited that he pointed to the snow outside and asked, "What is the resemblance of a flurry of white snow?" Xie An's nephew Xie Lang said casually, "Salt in the air poorly comparable." His niece, Susanna Xie, then said, "It is not as if the willow wadding rises in the wind." When Xie An heard this, he praised his niece for her extraordinary talent. She was a famous woman of talent in the Eastern Jin Dynasty.
Willow flakes flying with the wind, strong like snow, used to compare the flying snow, apt and image, so the world reputation of women's poetic talent as "Wing Wushu talent".
Peach Blossom in the Face
Tang poet Cui Gu, Ching Ming traveled to Chang'an Nanzhuang, to a village, see the flowers and trees, no one heard. The first time I saw this was when I was a little girl, and I was a little girl, and I was a little girl. A woman answered the door after a long time, holding a cup of water to sit. Woman leaning alone in front of the court peach blossom slanting river, posture Chuchu moving; stare at each other, seems to have unlimited love. The following year, Ching Ming, Cui Gu recalled this matter, the love can not meet, and then to visit, only to see the door courtyard as before, flat locks no one. In his despair, he wrote a poem on the door, saying: "Last year today, this door, the face of the peach blossoms reflecting the red. I don't know where to go, but the peach blossoms are still smiling!"
Subsequent generations of poets have often used the metaphor of "peach blossoms on the face of a man" to describe the melancholy of a man and a woman who have met, but will never see each other again.
Traveling by candlelight at night
Nineteen Songs of the Ancient World has the following lines: "Life is less than a hundred years old, and we often have a thousand years of worries. The day is short, the night is long, why not swim by candlelight". When Cao Pi was the son of the king of Wei, he was friendly with Wu Qi. In the twenty-second year of Jian'an, there was a pandemic, and some literati such as Xu Chieh, Liu Zhen, Chen Lin, and Wang Ch'ung all died of dysentery. Cao Pi wrote a book to Wu Qi, urging him to cherish the time for his own amusement. In the book, there is a sentence "The ancients thought of traveling by candlelight at night, good to have", and later people used "traveling by candlelight at night" as a metaphor for having fun in a timely manner.
Life in the mirror
The flower in the mirror, the moon in the water, the world is often used as a metaphor for illusory and unattainable things, but poets are often used as a metaphor for a hazy and ethereal state of mind. Such as the Song Yan Yu to Buddhism on poetry, advocating enlightenment, he said; "so its wonderful place, thorough and exquisite, can not be put together, such as the sound of the air, the color of the phase, the moon in the water, the image of the mirror, the words have to be endless." The metaphor of "mirror flower, water and moon" is the ineffable beauty of poetry.
Changmei and Bamboo Horses
Li Bai, a great poet of the Tang Dynasty, described a woman who was so eager to see her husband that she was willing to travel hundreds of miles from her place of residence, Changgan, to Changfengsha to meet him. The poem begins with a reminiscence of the intimate play they had together since childhood: "Lang rode on a bamboo horse, and brought green plums around the bed; they lived together in Changgan, and there was no suspicion between the two children." Later on, the words "bamboo horse" and "two little guesses" were used to show that the innocent and pure feelings were long and deep.
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