Architectural Features of Yunnan National Museum

At present, Yunnan National Museum is the largest national museum in China and a first-class international museum. Covering an area of 200 mu, the venue is a comprehensive cultural place integrating scientific research, exhibition, collection and display. The exhibition area is over 6,000 square meters, and there are 8 special topics 1 1 exhibition hall. It reflects the spiritual outlook of Yunnan ethnic minorities from different aspects, such as social status, costume festivals, ecological life, folk art and ancient books, and vividly embodies the rich and colorful traditional culture of Yunnan ethnic minorities.

First floor: At present, there are seven exhibition units: Yunnan religion, Yunnan blue and white porcelain, Yunnan national musical instruments, caravan culture, Yunnan national folk crafts, Yunnan national costumes and Yunnan bronzes. Nearly 2000 exhibits are pure Yunnan elements. These exhibits come from four aspects: first, they have been collected and accumulated by Yunnan Ethnic Village Cultural Rescue and Protection Center for many years; The second is the old collection from the Yunnan Provincial Cultural Relics Command; Third, from the society when preparing to set up a folk museum; Fourth, from collectors or collection agencies, this is very rare. The second floor: the mobile exhibition hall, which can undertake, organize and hold all kinds of exhibitions, is constantly renewed, providing another platform for units and individuals who are interested in holding exhibitions or even exhibitions in the museum. At present, Yunnan Wenbo Industry Group, Yunnan Provincial Cultural Relics Command, Yunnan Ethnic Village and Yunnan Gallery have been established to hold exhibitions of Yunnan ethnic and folk cultural relics. China's folk cultural heritage has been in a state of self-destruction. Although we call for protecting it every day, the importance of protection has not been fully recognized. As cultural relics, some modern folk cultural relics have not been included in the scope of cultural relics protection. Folk handicrafts such as paper-cutting and clay sculpture, as a kind of culture and art, have not entered the art palace. Now, because the collection of folk customs and handicrafts has become hot, the value of folk culture has increased, and some previously insignificant things have begun to be paid attention to by both sides, which proves that the collection of intangible cultural heritage can promote inheritance and protection. With the increase of people's interest in collection, people began to re-recognize the value of folk arts and crafts, and found that there is a very high cultural and artistic value behind it, including the skills passed down from generation to generation.