Traditional Culture Encyclopedia - Traditional festivals - The representative works of folk songs in The Book of Songs and the realistic source of China literature (2) Qu Yuan, Chu Ci and the romantic source of China literature (3

The representative works of folk songs in The Book of Songs and the realistic source of China literature (2) Qu Yuan, Chu Ci and the romantic source of China literature (3

(A) on the two flags of poetry and classical poetry

1. About Poetry: The earliest genre of China literature (primitive ballads) is also the most fully developed genre of China literature.

2. Two flags of China's classical poetry:

The Book of Songs is called the tradition of "poetry" or "wind", and it is the source and banner of realistic literature in China's classical poems.

(B) The Book of Songs and the tradition of realistic literary creation

1, the basic creative principles of realistic literature (characteristics)

(1) Reproduce life according to its actual style. (reproducibility)

(2) Express the author's thoughts and feelings through a true, concrete and vivid description of life, and reflect the essence of social life or some aspects of its essence. (emoticon)

2. The position of realistic literary creation in China's literary creation.

(1) germinates early. For example, "Dage" in the original ballad is a relatively primitive realistic poem. Although the whole poem has only eight words (broken bamboo, bamboo, flying soil and meat), it is a reflection of people's working life in the primitive fishing and hunting era.

(2) It is dominant in China's literary creation.

3. The Book of Songs is the source of China's realistic literary creation, and it is a tradition of abundant poetry handed down from generation to generation. .

(1) The representative works of realistic literature in The Book of Songs are:

Qi Feng, a two-week folk song in Guofeng. In July, Feng Wei. Cut sandalwood, Feng Wei. Self-preservation ","Zheng Feng. Qin Yan and so on.

The Chinese satirical poem "Ya" in Er Ya. Sang Rou, Xiaoya. At the turn of October and so on.

Elegant style: refers to the realistic poetry works represented by folk songs and satirical poems by scholars in the Book of Songs.

(2) The realistic literary features of The Book of Songs:

Content: Face up to reality; Describe reality; Expose reality; Criticize reality.

Artistic technique: simple style; Concise language; The application of bi xing technique and so on.

(3) Examples of works:

The husband is far away.

A gentleman is in service. He doesn't know its date. What is this? The chickens have entered the nest, the sun is setting, and sheep and cattle are descending the hillside. A gentleman is in service, so why not?

A gentleman is in service, in a few days or months. What are the advantages? Chickens live in Jie, at dusk, around cattle and sheep. Husband is serving in the distance, I hope it's not hungry!

Comment: This poem describes the nostalgia of a working woman in a mountain village for her long-serving husband. The whole poem is unpretentious, simple and touching, which naturally reminds people of the pain brought by the heavy social corvee at that time. The so-called "the wild has a husband, and the family has a dissatisfied wife" arouses people's sympathy for the protagonist and hatred for the ruler. The use of "Xing" in this poem is also commendable.

4. China's classical literature inherits and develops the realistic literary tradition of The Book of Songs.

(1) The folk songs of Yuefu in the two Han Dynasties directly inherited and developed the realistic literary tradition of The Book of Songs.

Inheritance: The folk songs in The Book of Songs are characterized by "Hungry people sing about their food, while laborers sing about their affairs", while the folk songs in Han Yuefu are characterized by "feeling sad and happy, starting from things", which describes various contradictions and phenomena in society and is a mirror reflecting the social life in Han Dynasty.

Development: On the basis of the creation of The Book of Songs, the narrative-oriented creative characteristics have been developed, and the art of narrative poetry has risen to a new mature stage. Such as the narrative poem Peacock Flying Southeast written in five words (praised by later generations as "the first long poem in ancient and modern times"). The high ideological content and artistry make the folk songs of Han Yuefu the second milestone of China's realistic poetry.

(2) Jian 'an literature inherits and develops the realistic literary tradition of The Book of Songs.

Created "Three Cao" and "Seven Zi" (RoyceWong, Chen Lin, Serina Liu, Ruan Yu, etc. ) and Cai Yan's Poems of Sorrow and Indignation are generous and desolate, which set off the first upsurge of realistic creation of China literati poems.

(3) Tang poetry inherits and develops the realistic literary tradition of The Book of Songs.

Inheritance: Chen Ziang in the early Tang Dynasty consciously inherited the tradition of "elegance is better than vulgarity" (literary theory "Bamboo Preface")

Development: Du Fu and Bai Juyi's achievements in realistic poetry creation in the middle Tang Dynasty.

(4) Literature since the Song Dynasty has inherited and developed the realistic literary tradition of The Book of Songs.

Wang Yucheng: The earliest poet in Song Dynasty who praised Du Fu and Bai Juyi and opposed the poetic style of floating mi. His poems are simple, elegant and simple, and many of them reflect reality.

Yuan Haowen: A famous poet in the Jin and Yuan Dynasties, his poems painstakingly described the tragic reality of the country's collapse and the loss of life.

Yuan, Ming and Qing Dynasties: The achievements of China's realistic literature are not poems, but plays and novels. A dream of red mansions, etc. )

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