Appreciate the Journey to the West, more than 2,500 words, thank you.

Wu Cheng'en's life

Wu Cheng'en (1500- 1582) was born in Shanyang County, Huai 'an (now Chuzhou District, Huai 'an City, Jiangsu Province). Ming dynasty novelist. His father, Wu Rui, was born in a family where a junior official was reduced to a small businessman. He was optimistic, open-minded and pursued the philosophy of happiness. He named his son Cheng En, the word Ruzhong, which means that he can study as an official, inherit the business of emperors, benefit the people and be a loyal minister in history.

When Wu Cheng'en was a child, he was eager to learn and read and recite quickly. He is good at painting, calligraphy, lyrics and Go, and he also likes to collect Fa Tie's famous paintings. As a teenager, he was famous in his hometown for his outstanding literary talent and was appreciated by people. He thought he was "as good as picking up a mustard tuber" in the imperial examination. The Records of Huai 'an Prefecture recorded that he was "quick and wise, rich in books, and wrote for poetry." In addition to being eager to learn, he also likes to search for anecdotes and read books such as immortals, ghosts, foxes and monkeys. For example, unofficial history, with the growth of his age, developed a hobby of seeking novelty in this colorful mythical world, which had a great influence on his The Journey to the West creation. After the age of 30, the anecdotes he searched have been "hidden in his chest" and he has a creative plan. At the age of 50, I wrote the first ten chapters of The Journey to the West, which was interrupted for many years for some reason. It was not until he resigned in his later years and returned to his hometown that he finally finished The Journey to the West's creation which lasted for seven years.

Wu Cheng'en, who entered his youth, is a wild and arrogant young man. Low social status, poverty and hardship made this great genius wild and uninhibited, which attracted a flood of laughter. Gone are the days when he was praised by others.

When Wu Cheng'en was about twenty years old, she married a girl from her hometown named Ye. After marriage, she had deep feelings. Although Wu Cheng'en was bohemian, she was virtuous and faithful to her wife.

In the ten years of Jiajing, Wu Cheng'en achieved excellent results in the annual examination and scientific research, obtained the qualification of Jinshi, and went to Nanjing to take the provincial examination with friends. However, his talent is not as good as that of his companions. He, a well-known gifted scholar in a village, is notorious in Sun Shan.

The following spring, his father passed away with regret. Wu Cheng'en accepted the lesson of his first failure and studied hard for the next three years, but he still failed in the exam in the autumn of Jiajing 13th year. Wu Cheng'en felt ashamed and resentful, and fell ill this winter. The defeat of two provincial examinations, coupled with the death of his father, was a heavy blow to Wu Cheng'en. In his view, it is not only unreasonable to fail the jury in the exam, but also a shame for parents and grandparents. However, he didn't think that he didn't have the ability to get in, but his fate was not good. He believes that "fame and fortune have their own lives, and it is stupid to have them?"

Wu Cheng'en lived a different life, upright and upright. The reason why he is so talented and tried and tested is probably related to his unwillingness to please Shangguan against his will. He hates corrupt officialdom, doesn't want to go against his heart, and holds a negative attitude towards the dark reality. He wrote in the poem "Jiro's Song of Seeking Mountains": "The disaster of human beings is not for apes and cranes, but for insects. Sitting in the song room with the five ghosts, I didn't see the four murderers in court. Ye Fu was very grateful, but he felt sorry for his kindness. Wear an evil knife on your chest. You can't hate it. Save the moon has a goal to save the Japanese bow. Are there no heroes in the world? Who can make a contribution of forest air for me and let it last for ten thousand years? " It is believed that the reason for the "civil disaster" and the ugliness of social reality is that the rulers are not good at employing people and let the bad guys like "Five Ghosts" and "Four Fierces" take power. He wanted to "make a fortune" and "be king" to turn Gan Kun around, but he was short of talents and ambitious, so he could only sigh generously when the wind came.

The hardships of life have brought Wu Cheng'en no less pressure than the failure of scientific research. After his father died, he needed to manage all the expenses at home, but he was unable to support his family, let alone the means to support it. The source of family life, in addition to getting back six dou of rice from the university every month, can only eat the legacy left by my father.

Wu Cheng'en, who had tasted the ups and downs of social life, began to think more clearly and deeply about the problems of social life, and used his own poems to fight against unreasonable society.

Journey to the West mainly describes the Monkey King's story of protecting Tang Priest's Buddhist scriptures in the West and going through 81 difficulties. It is a true story in history that Tang Priest learned the scriptures. About 1300 years ago, in the first year of Zhenguan of Emperor Taizong (627), Xuanzang, a 25-year-old young monk, left the capital Chang 'an and went to Tianzhu (India) to study alone. After starting from Chang 'an, he passed through Central Asia, Afghanistan, Pakistan and finally arrived in India. He studied there for more than two years and gave a speech at a large-scale debate on Buddhist classics, which was well received. In the 19th year of Zhenguan (645), Xuanzang returned to Chang 'an and brought back 657 Buddhist scriptures. He traveled to Wan Li 19 years before and after his voyage to the West, which was a legendary Long March and made a sensation. Later, Xuanzang dictated what he had learned about his journey to the West, which was compiled by his disciples into a 12 volume of "Records of the Western Regions of Datang". But this book is mainly about the history, geography and transportation of countries seen on the road, and there is no story. As for "Datang The biography of Master Sanzang" written by his disciples Huihe and Yan Cong, it adds a lot of myths to Xuanzang's experience. Since then, the story of Tang Priest's Buddhist scriptures has been widely circulated among the people. There were poems by three monks in the Tang Dynasty in the Southern Song Dynasty, Tang Sanzang and Pan in the Jin Dynasty, Tang Sanzang's "Learning from the Western Heaven" in Wu Changling, and "Great Sage" in the Fifth Ming Dynasty, all of which laid the foundation for The Journey to the West's creation. It is also on the basis of folklore, scripts and operas that Wu Cheng'en completed this great literary masterpiece that the Chinese nation is proud of through hard re-creation. Wu Cheng'en, like a Chinese character, was born in Yangshan, Huai 'an Prefecture (now Huai 'an City, Jiangsu Province). Born in the 13th year of Hongzhi in Ming Dynasty to the early year of Zheng Dechu (1500— 15 10), died in the 10th year of Wanli (1582). Wu Cheng'en's great-grandfather and grandfather were both scholars, and both served as lecturers and lecturers in county schools. But in his father's generation, due to his poor family, the Xu family became redundant. "So he attacked the Xu family and became the boss" and became a small businessman. Nevertheless, the Wu family has not lost the tradition of reading. It is said that although his father Wu Rui is a businessman, he is not only decent, but also good at reading and talking about current affairs, which naturally has a great influence on Wu Cheng'en. Wu Cheng'en was very clever since he was a child, and he entered school very early. He was very successful as a teenager and was famous in his village. Volume 16 of The Apocalypse of Huai 'an Prefecture said that Wu Cheng'en was "quick and wise, and learned a lot of books, whether poetry or prose." However, Wu Cheng'en, as an adult, encountered many setbacks on the road to the imperial examination. He didn't make up for one-year-old Gong Sheng until he was in his forties. In his fifties, he worked as a county magistrate in Changxing, Zhejiang Province, and later as a king's residence, Jishan. This is a sinecure, with the same level as the county magistrate. Wu Cheng'en created The Journey to the West after middle age, or was considered to have done it in his later years. The exact time cannot be determined. Besides The Journey to the West, he also wrote long poems "Song of Jiro Seeking Mountains" and "In Zhi Ding". Sheyang Survival Draft consists of four volumes, including one volume of poetry and three volumes of prose, which were edited by Du Qiu after Wu Cheng'en's death.

The complete works of Journey to the West have one hundred chapters, which can be divided into three parts from the big structure. The first time to the eighth time is the first part, mainly about the birth of the Monkey King, his apprentice, who made a scene in heaven. This is the most wonderful chapter in the book, very vivid. The Monkey King had a good meal in heaven and earth, which showed his rebellious character to the fullest. Chapters 8 to 12 are the second part, mainly describing the origin of Tang Priest and the reasons for learning from the scriptures. The thirteenth to the last time is the third part, mainly about Tang Priest's Buddhist scriptures. On the way, I received three apprentices, the Monkey King, Pig Bajie and Friar Sand. After eighty-one difficulties, I finally got the true scripture and got the right result. Journey to the West shows people a colorful world of ghosts and gods, and people are all amazed by the author's rich and bold artistic imagination. However, any literary work is a reflection of a certain social life, and The Journey to the West, as an outstanding representative of ghost novels, is no exception. As Lu Xun pointed out in A Brief History of China's Novels, The Journey to the West "satirized and mocked the world at that time and described it in an extravagant way". He also said: "The author's nature is to restore a beautiful and humorous drama, so although he said something sudden, he also said something confusing, which made all gods and demons have a human touch and sophisticated." That's true. Through the illusory world of ghosts and gods in The Journey to the West, the projection of real society can be seen everywhere. For example, in shaping the image of the Monkey King, the author's ideal is entrusted. The Monkey King's indomitable spirit of struggle and fearless spirit of sweeping away all monsters and ghosts reflect the wishes and demands of the people. He represents the power of justice and shows the people's belief in overcoming all difficulties. Another example is the monsters encountered on the way to the scriptures, or the illusion of natural disasters, or the symbol of evil forces. Their greed, ferocity, insidious and cunning are also the characteristics of the dark forces in feudal society. Not only that, the Heavenly Palace ruled by the Jade Emperor and the Western Heaven under the jurisdiction of the Buddha have also been heavily painted with the color of human society. The author's attitude towards the supreme ruler of feudal society is also quite interesting. In Journey to the West, there is no competent emperor at all. As for the incompetent Jade Emperor, the King of Guo who loves monsters, and the King of monks who want to use childlike innocence as medicine, they are either bad kings or tyrants. The portrayal of these images, even if handy, is of great practical significance.

The Journey to the West not only has profound ideological content, but also has made great achievements in art. With rich and peculiar artistic imagination, vivid and tortuous story, vivid characters and humorous language, he has built a unique art palace in The Journey to the West. But I think the greatest artistic achievement of Journey to the West is that he successfully created two immortal artistic images, the Monkey King and Zhu Bajie. The Monkey King is the first hero in the Journey to the West and a great hero. He has unlimited skills, fearlessness and indomitable spirit of resistance. He has the extraordinary bearing of a great hero, but he also has the disadvantage of listening to compliments. He is witty, brave and humorous. And his biggest feature is that he dares to fight. Dare to fight with the supreme jade emperor, and have the reputation of "Monkey King"; If you dare to hit a monster, you will never let go of a monster and show no mercy to the monster under the golden hoop; Dare to fight against all difficulties, never flinch or bow. This is the Monkey King, a dazzling mythical hero. When it comes to Pig Bajie, his skill is far worse than that of the Monkey King, not to mention his brilliant and tall figure, but this image is also well portrayed. Pig Bajie is a cartoon character. He is honest, powerful and dare to play demons. He is the Monkey King's first right-hand man. But his mind is full of problems, delicious and delicious, taking advantage of small things, liking women and being afraid of difficulties. He often gives in, always thinking of Gao Laozhuang's daughter-in-law. He likes to lie sometimes, but he is all thumbs. From time to time, he provoked the Tang Priest to recite a spell, which made the Monkey King suffer. He even hid some private money in his ear. He has many problems, which is a bad habit of small private owners. The author's criticism of Zhu Bajie's shortcomings is severe, but it is also kind. He is not a denied figure, so people don't hate Pig, but think it is real and cute. The image of Tang Priest is well written, but it is much worse than that of the Monkey King Pig Bajie. Friar Sand lacks distinctive personality characteristics, which is the shortcoming of Journey to the West. Nevertheless, The Journey to the West's artistic achievements are still amazing. The Monkey King and Zhu Bajie, two images, with their distinctive personality characteristics, have established an immortal artistic monument in the history of China literature.

The Journey to the West has a total of 100 articles, which are divided into two parts: the first to the twelfth chapters are the introduction of the book, in which the first seven chapters tell the story of the Monkey King's life experience and trouble in the Heavenly Palace, providing background materials for his miraculous work and later following the Tang Priest to learn from the West; Chapters 8 to 12 introduce Tang Yan, another hero of the novel, and explain the reasons for learning from the scriptures. The thirteenth to the hundredth time is the main body of the story. It is written that the Monkey King converted to Buddhism, and together with Pig Bajie and Friar Sand, he protected Tang Priest from going to the Western Heaven to learn Buddhist scriptures. He went through eighty-one difficulties all the way, defeated other monsters, and finally got the true scriptures, which he made himself a positive result.

In Wu Cheng'en's works, the religious significance of learning from the scriptures has been greatly diluted, and it is only symbolic. Its enlightenment to readers is that in order to achieve a lofty goal, people must work hard, persist for a long time and bravely defeat all enemies.

The main part of Journey to the West describes the eighty-one difficulties on the way to learn from the scriptures, and has written forty stories in detail. The author's imagination is rich, and many stories of beat the devil have left a deep impression on readers, because both sides of the battle have their own special magic weapons and ingenious tricks, just like a modern war with many high-tech contents. The Journey to the West's story is wonderful and complicated, with endless interesting stories and no repetition, which makes people fondle it.

Journey to the West has a rich artistic imagination. In heaven and earth, Dragon Palace and the underworld, characters have a broad space for activities and can freely display superhuman skills. Many of these characters, such as the Monkey King, Zhu Bajie, Niu, Bai, etc., often have both divinity or magic (fantasy), humanity (sociality) and materiality (naturalness). The author combines the three well, so it is interesting and reasonable. Later sci-fi novels and movies only retained the fantasy of the characters, and also replaced naturalness and sociality with some scientificalness. Therefore, although they can give readers a lot of fresh knowledge and beneficial enlightenment, they have never created such a well-known hero as the Monkey King. Excellent classical novels always have their unique and irreplaceable charm. Journey to the West mainly describes the Monkey King's story of protecting Tang Priest's Buddhist scriptures in the West and going through 81 difficulties. It is a true story in history that Tang Priest learned the scriptures. About 1300 years ago, in the first year of Zhenguan of Emperor Taizong (627), Xuanzang, a 25-year-old young monk, left the capital Chang 'an and went to Tianzhu (India) to study alone. After starting from Chang 'an, he passed through Central Asia, Afghanistan, Pakistan and finally arrived in India. He studied there for more than two years and gave a speech at a large-scale debate on Buddhist classics, which was well received. In the 19th year of Zhenguan (645), Xuanzang returned to Chang 'an and brought back 657 Buddhist scriptures. He traveled to Wan Li 19 years before and after his voyage to the West, which was a legendary Long March and made a sensation. Later, Xuanzang dictated what he had learned about his journey to the West, which was compiled by his disciples into a 12 volume of "Records of the Western Regions of Datang". But this book is mainly about the history, geography and transportation of countries seen on the road, and there is no story. As for "Datang The biography of Master Sanzang" written by his disciples Huihe and Yan Cong, it adds a lot of myths to Xuanzang's experience. Since then, the story of Tang Priest's Buddhist scriptures has been widely circulated among the people. There were poems by three monks in the Tang Dynasty in the Southern Song Dynasty, Tang Sanzang and Pan in the Jin Dynasty, Tang Sanzang's "Learning from the Western Heaven" in Wu Changling, and "Great Sage" in the Fifth Ming Dynasty, all of which laid the foundation for The Journey to the West's creation. It is also on the basis of folklore, scripts and operas that Wu Cheng'en completed this great literary masterpiece that the Chinese nation is proud of through hard re-creation. Wu Cheng'en, like a Chinese character, was born in Yangshan, Huai 'an Prefecture (now Huai 'an City, Jiangsu Province). Born in the 13th year of Hongzhi in Ming Dynasty to the early year of Zheng Dechu (1500— 15 10), died in the 10th year of Wanli (1582). Wu Cheng'en's great-grandfather and grandfather were both scholars, and both served as lecturers and lecturers in county schools. But in his father's generation, due to his poor family, the Xu family became redundant. "So he attacked the Xu family and became the boss" and became a small businessman. Nevertheless, the Wu family has not lost the tradition of reading. It is said that although his father Wu Rui is a businessman, he is not only decent, but also good at reading and talking about current affairs, which naturally has a great influence on Wu Cheng'en. Wu Cheng'en was very clever since he was a child, and he entered school very early. He was very successful as a teenager and was famous in his village. Volume 16 of The Apocalypse of Huai 'an Prefecture said that Wu Cheng'en was "quick and wise, and learned a lot of books, whether poetry or prose." However, Wu Cheng'en, as an adult, encountered many setbacks on the road to the imperial examination. He didn't make up for one-year-old Gong Sheng until he was in his forties. In his fifties, he worked as a county magistrate in Changxing, Zhejiang Province, and later as a king's residence, Jishan. This is a sinecure, with the same level as the county magistrate. Wu Cheng'en created The Journey to the West after middle age, or was considered to have done it in his later years. The exact time cannot be determined. Besides The Journey to the West, he also wrote long poems "Song of Jiro Seeking Mountains" and "In Zhi Ding". Sheyang Survival Draft consists of four volumes, including one volume of poetry and three volumes of prose, which were edited by Du Qiu after Wu Cheng'en's death.

The complete works of Journey to the West have one hundred chapters, which can be divided into three parts from the big structure. The first time to the eighth time is the first part, mainly about the birth of the Monkey King, his apprentice, who made a scene in heaven. This is the most wonderful chapter in the book, very vivid. The Monkey King had a good meal in heaven and earth, which showed his rebellious character to the fullest. Chapters 8 to 12 are the second part, mainly describing the origin of Tang Priest and the reasons for learning from the scriptures. The thirteenth to the last time is the third part, mainly about Tang Priest's Buddhist scriptures. On the way, I received three apprentices, the Monkey King, Pig Bajie and Friar Sand. After eighty-one difficulties, I finally got the true scripture and got the right result. Journey to the West shows people a colorful world of ghosts and gods, and people are all amazed by the author's rich and bold artistic imagination. However, any literary work is a reflection of a certain social life, and The Journey to the West, as an outstanding representative of ghost novels, is no exception. As Lu Xun pointed out in A Brief History of China's Novels, The Journey to the West "satirized and mocked the world at that time and described it in an extravagant way". He also said: "The author's nature is to restore a beautiful and humorous drama, so although he said something sudden, he also said something confusing, which made all gods and demons have a human touch and sophisticated." That's true. Through the illusory world of ghosts and gods in The Journey to the West, the projection of real society can be seen everywhere. For example, in shaping the image of the Monkey King, the author's ideal is entrusted. The Monkey King's indomitable spirit of struggle and fearless spirit of sweeping away all monsters and ghosts reflect the wishes and demands of the people. He represents the power of justice and shows the people's belief in overcoming all difficulties. Another example is the monsters encountered on the way to the scriptures, or the illusion of natural disasters, or the symbol of evil forces. Their greed, ferocity, insidious and cunning are also the characteristics of the dark forces in feudal society. Not only that, the Heavenly Palace ruled by the Jade Emperor and the Western Heaven under the jurisdiction of the Buddha have also been heavily painted with the color of human society. The author's attitude towards the supreme ruler of feudal society is also quite interesting. In Journey to the West, there is no competent emperor at all. As for the incompetent Jade Emperor, the King of Guo who loves monsters, and the King of monks who want to use childlike innocence as medicine, they are either bad kings or tyrants. The portrayal of these images, even if handy, is of great practical significance.

The Journey to the West not only has profound ideological content, but also has made great achievements in art. With rich and peculiar artistic imagination, vivid and tortuous story, vivid characters and humorous language, he has built a unique art palace in The Journey to the West. But I think the greatest artistic achievement of Journey to the West is that he successfully created two immortal artistic images, the Monkey King and Zhu Bajie. The Monkey King is the first hero in the Journey to the West and a great hero. He has unlimited skills, fearlessness and indomitable spirit of resistance. He has the extraordinary bearing of a great hero, but he also has the disadvantage of listening to compliments. He is witty, brave and humorous. And his biggest feature is that he dares to fight. Dare to fight with the supreme jade emperor, and have the reputation of "Monkey King"; If you dare to hit a monster, you will never let go of a monster and show no mercy to the monster under the golden hoop; Dare to fight against all difficulties, never flinch or bow. This is the Monkey King, a dazzling mythical hero. When it comes to Pig Bajie, his skill is far worse than that of the Monkey King, not to mention his brilliant and tall figure, but this image is also well portrayed. Pig Bajie is a cartoon character. He is honest, powerful and dare to play demons. He is the Monkey King's first right-hand man. But his mind is full of problems, delicious and delicious, taking advantage of small things, liking women and being afraid of difficulties. He often gives in, always thinking of Gao Laozhuang's daughter-in-law. He likes to lie sometimes, but he is all thumbs. From time to time, he provoked the Tang Priest to recite a spell, which made the Monkey King suffer. He even hid some private money in his ear. He has many problems, which is a bad habit of small private owners. The author's criticism of Zhu Bajie's shortcomings is severe, but it is also kind. He is not a denied figure, so people don't hate Pig, but think it is real and cute. The image of Tang Priest is well written, but it is much worse than that of the Monkey King Pig Bajie. Friar Sand lacks distinctive personality characteristics, which is the shortcoming of Journey to the West. Nevertheless, The Journey to the West's artistic achievements are still amazing. The Monkey King and Zhu Bajie, two images, with their distinctive personality characteristics, have established an immortal artistic monument in the history of China literature.