What are the rules for the line thickness of calligraphy running script?

Lines, especially the lines of running script, are light, heavy, long, short, thick, thin, thick, light, dry and moist, and so on, with endless changes, myriad manners, different techniques and modes. No wonder some people say that calligraphy is "line art".

although this statement is a bit simplistic, it is also reasonable. Lines seem to be very simple things, in fact, any kind of calligraphy lines have their abstractness, especially the lines of running script, which contain extremely rich artistic life information.

the unity of simplicity of appearance and complexity of connotation constitutes the profound artistic characteristics of running script lines. Even the slightest abnormality in running script works is related to the even subtle changes in its lines.

Running script lines have the standardization of their artistic rules. Not any random lines can be called lines of running script art, they must meet the normative requirements of running script rules and be owned by the calligrapher after long-term technical training.

this normative requirement is objective and does not depend on the subjective will of the writer. Only under the premise of mastering the normative requirements can the writer develop and publicize his personality. To distinguish writing from calligraphy, we must first look at whether it has "awareness of statutes" or "awareness of norms" and whether it meets the normative requirements.

Extended information

Writing characteristics of running script:

1. Features of using pen

Running script is a kind of writing style between block letters and grass. Write more indulgent flow, close to the cursive script called cursive; The writing is relatively correct and stable, close to the standard of regular script.

In the process of writing, the stroke of the brush is obvious in various forms of stippling. This stroke of the brush often leaves a delicate trace between stippling and words, which is silk connection.

Running script is the quick writing of regular script, and it is the flow of regular script. Through the analysis of several groups of characters in regular script and running script, it is found that when writing in regular script and running script, the writing method of stippling and the criteria to be followed when using the pen, such as center, spreading the brush, pushing the main and hiding the front, are all consistent, but the running script is relatively stretched and flowing.

2. Structural features

Both size and size. That is, each word presents a different size, and there is a pen-to-pen connection of a word. The connection between words is both real and intentional, and there is a connection between them.

combination of retracting and releasing. Generally, the short lines are closed and the long lines are released; The back front is closed and the side front is released; Most of them are left-handed, right-handed, up-handed and down-handed, but they can also be converted to each other. It is not excluded that left-handed and right-handed, up-handed and down-handed.

appropriate density. Generally, it is dense on the top and sparse on the bottom, dense on the left and sparse on the right, and dense on the inside and sparse on the outside. The middle palace is tight, and the blank space in the box is as small as possible, and the blank space in the circled strokes is as small as possible. In the layout, the word spacing is tight, the line spacing is wide, and it is vigorous and colorful.

shades blend. Running script writing should be easy, lively and quick, and master the combination of disease and delay, movement and static. Ink color arrangement should be thick at the beginning and dry at the end. The lines are long, thin, short and thick, with appropriate weight and alternating shades. It's similar to cursive, but it's not so grassy.

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