What are the top ten famous erhu songs in China?

Ten famous erhu songs are rare masterpieces in Chinese national instrumental music, which are: reflecting the moon in the second spring, listening to the pines in the bright moon, singing birds in the empty mountains, singing the spring breeze on a cold night, singing in the moonlight, singing in sickness, walking in the light. These ten pieces are the treasures of China traditional music.

The moon on the fountain

"Two Springs Reflecting the Moon" is a rare masterpiece in China's national instrumental music. Er Quan, Huishan Spring in Wuxi, Jiangsu Province, is known as "the second spring in the world". The author Hua () named the music "Two Springs Reflecting the Moon", which not only introduced people into the artistic conception of quiet night, clear home and Leng Yue, but also seemed to meet someone-an upright and tenacious blind artist who poured out his bumpy life to people. The author played the erhu in five positions, and with the change of various bow mana, he showed depressed and sad emotions. After the brief introduction, the melody is slightly flowing, just like the author sitting by the spring meditating on the past. The second phrase has only two bars and appears six times in the whole song. It starts from the octave high, revolves around Gong Yin, breaks the silence in front, and begins to soar, revealing the author's infinite feelings. When entering the third sentence, the melody flows in the high-pitched area, the melody is soft and firm, and the mood is more exciting. The theme changed from calm and deep at the beginning to high spirits, which profoundly revealed the author's inner life feelings and tenacious and proud will to survive. He frequently uses various techniques in his performance, which makes the music a little sad. This is the emotional expression of a blind artist who has suffered from human suffering. The theme of the whole song is changed five times, and with the presentation, extension and development of the music, the feelings expressed are more fully volatilized. This song is touching and tear-jerking, with profound national style and strong artistic appeal. It is widely circulated in the north and south of the Yangtze River and is deeply loved.

Fold and edit this beautiful night

Formerly known as "Singing Except Night", it was written by Liu Tianhua 1928, a national musician. Good night is an impromptu work by the author at a party with students and friends on New Year's Eve. Under the joyful emotional contagion on New Year's Eve, the author was in high spirits, playing music while taking shape instantly. The music image of this song is single, lyrical, fresh and lively, giving people a sense of self-satisfaction. The music gives full play to the performance characteristics of erhu in various positions. The whole song is divided into three sections, the first section is mainly played on the top handle, and the melody is as smooth and rich as a song; The second paragraph is mainly played in the middle, with bright melody and strong passion; The third paragraph is mainly played in the lower part, with high melody and rich colors. The whole song is short and pithy. Through the light and soft melody, the author vividly describes his happy mood of celebrating his old age and spending the night with friends. More than 60 years later, this song is still full of vitality. The joy and passion expressed in the songs have reached the ultimate performance of musical instruments, which is a masterpiece in erhu music.

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Hua (A Bing). According to legend, in the Song Dynasty, Wu Shu was defeated by Yue Fei and fled to the foot of Hui Quan Mountain in Wuxi, lying on the listening turquoise, listening to the shouts of the military forces in the Song Dynasty with trepidation. Listening to songs describes this story, so it is also called listening to songs. Although this statement is far-fetched, it can also be explained by the heroism and unrestrained feelings of music. The author used the story of Song Tao to praise the military power of the national hero Yue Fei, and at the same time devoted his outspoken character and firm and confident will. Strong melody, ups and downs; The structure is symmetrical and the main body is prominent. Ambitious introduction, like roaring pine trees shaking the valley, makes people feel a kind of perseverance and heroism. The melody of the music is smooth and in one go. The first half leads to a strong horn sound, a weak vibrato and staccato, and the second half is irregular and freely repeated. The speed and intensity of the whole song suddenly change, which has a dramatic effect. Most of them use one word and one bow in their performance. Even when 16 sounds are extremely fast, the words are clear and powerful, which is one of the magnificent factors of music. This song is a rare masterpiece with rigorous structure, distinct layers, strong emotions and great momentum.

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Liu Tianhua spent ten years composing this song. The name "Empty Mountain Bird" comes from the meaning of "There seems to be no one on the empty mountain (Chai Lu)" written by Wang Wei in the Tang Dynasty. On the basis of traditional folk playing techniques, the author used professional creative skills to compose a piece of music with complete structure and rich poetry, expressing his love for nature. Music describes the scene of birds singing and full of vitality in the deep mountain canyon. Music imitates the songs of birds with onomatopoeic words, which deeply permeates the composer's emotions. Structurally, there are five paragraphs, plus an introduction and an ending. The introduction is like the call of the mountain forest and the echo of the empty valley, with far-reaching artistic conception, quiet and charming. Then, a very active melody goes on, appearing in the image of "human" throughout the whole song, sometimes alone, sometimes combined with birdsong, just like the natural scenery gives "human" a fresh and happy mood intertwined with free birdsong. In the music, the wheel finger (the ring finger, middle finger and forefinger of the left hand press the same sound in turn), the large-scale sliding technique and the major triad decomposition in the melody are used, which embodies the author's innovative spirit in creation and makes the erhu, an ancient musical instrument, look brand-new.

Fold and edit this cold spring breeze

Hua () composes music. Some tunes and playing techniques of the music are similar to those of "Two Springs Reflecting the Moon", but the tunes are mostly played in bright sound areas, which are more lively, smooth and broad, making listeners feel that bright spring is coming.

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Liu Tianhua composes music. 19 18 in the summer, Liu Tianhua enjoyed the cool under the moon, and could not help but be moved by the scene before him, holding the erhu in his hand and looking at the moon to express his feelings. I wrote the first draft of this song and finalized it six years later. The melody of music is soft, euphemistic and simple. In the process of melody, there are big jumps of six degrees, seven degrees and eight degrees from time to time, which are ups and downs and eclectic. The whole song is divided into three sections, mainly by spreading and spinning, such as spring silkworm spinning, continuously; Every sentence is a fixed ending, with the characteristics of singing and sighing, like the composer's heartfelt admiration. The whole song has the artistic conception of a bright moon, but it is more about the expression of emotions, which can not help but remind people of the poem "Moonlight Night" by Liu, a poet in the Tang Dynasty: "At midnight, the big dipper withers south." Tonight, I know that spring is warm and insects are fresh through the green screen window. "

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The representative work of folk artist Sun Wenming. The writer is from Shaoxing, Zhejiang. He was blind in childhood. Because of his father's poverty, he had to leave his hometown to make a living by divination. After that, he played Hu Qin and made a living by busking in the street. Music is a self-portrait of his hard life in exile. After liberation, with the improvement of life and cheerful mood, he wrote eight erhu songs, including Liu Tan, Liubo, Sifang and Xin 'an. And explore and create in playing techniques, such as "playing six" is an imitation of stringed instruments without a thousand pounds; In the song "Anxin", we try to play octave harmony with four octaves; The timbre of night flute uses similar techniques.

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Yin in Sick, also known as Comfort or Hu Shi, is Liu Tianhua's first work, with the first draft on 19 15 and the final draft on 19 18. The title of the song means "Where is life going?" . 19 15 years, the author was hit by unemployment, father loss and poverty, and became depressed. He tried to play erhu to relieve his depression during his illness, but his relatives and friends regarded him as doing nothing. He felt in a difficult situation and his future was bleak. In this state of mind, the first draft of the melody "Singing in a Sick Heart" was conceived, and the depressed mood at that time, the sigh of life comfort, the struggle in adversity and the desperate pain were all poured into the music. But this is not a sad song of despair, but an expected and moving inner monologue. The first paragraph of the music shows the feeling of depression and hesitation, and the melody is weeping and euphemistic. The second paragraph is decisive and powerful, and the melody is relatively rapid, showing a desire to get rid of the oppressive pressure and an ambition to swear to fight against the surrounding dark forces. The third paragraph and conclusion express the sigh and difficulty of constantly strengthening the will to struggle and struggling forward in adversity. When the music reached its peak, the melody suddenly stopped, and the mood plummeted. The decline of 12 degrees caused a sad effect, and the whole song ended in a vibrato, like a groan of pain. In the title, the author puts forward the problem of "comfort" in life, which is vividly expressed from time to time, from time to time, from time to time, from time to time, from time to time and from time to time through music.

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The music "Three Ji Lang" was once adapted into Cantonese music "Thunderstorm in Dry Days" by the dulcimer Yan Laolie, which showed people's joyful mood when there was rain after a long drought. The rest of the music is melodious and the rhythm is smooth. The erhu and orchestration have been carefully treated to make the music more beautiful.

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Liu Tianhua wrote it in the spring of 193 1. Bright Walk is an inspiring March, with bright and firm melody and flexible rhythm, which shows the intellectuals' constant pursuit of progress and light in the old society. In music, the decomposition of the main chord is used to form the horn sound, which plays a leading role in music. The whole song is divided into four parts, with an introduction and an end. It is based on the cyclic variation in China traditional folk music, absorbs the characteristics of the complex trilogy in the West, and has a rigorous structure. In the introduction, you can hear firm and neat footsteps, followed by drum-like rhythm and high-spirited tone. The melody of the second March style is smooth and beautiful as a song. The third paragraph is repeated, transposed and constantly presented in an elastic sound pattern, just like a person striding forward with vigorous steps. At the end, when the mood reached its climax, tightening and repetition were adopted to make the music more enthusiastic; Finally, a melody simulating the decomposition of the main triad of the bugle appeared, which made the whole song full of vitality, enterprising spirit and optimism and confidence in the bright future.

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