Middle School Essay: History and Reality 、、、、、、、、、、、 Rush! 800 words!

Review sixty years ago, everywhere is full of sores and ravaged national, people can not bear to see; everywhere is the wail of gunfire and slaughter, people can not bear to hear. China's modern history is the history of China's humiliation. the victory of the War of Resistance against Japan in 1945 won the liberation of the whole nation, and the Chinese nation was truly at home. Now, the powerful China, standing in the world of the forest of nations, showing his valiant: "two bombs and one star" of great achievements; super hybrid rice development and production; "Shenzhou" spacecraft in the sky, are enough to prove that the "Pearl of the Orient". The "Pearl of the Orient" is dazzling.

But, in the rapid development of China, the next generation of patriotism education but very unsuccessful, students, you think, you grew up with what education? Especially for the rural children, what did your parents teach you? They told you this: "You have to study hard! If you don't study hard, you won't be able to get ahead in the future. You have to work hard and study hard, and studying is all about you!"

When the "education reformers" removed patriotic articles such as "The Five Heroes of Wolf's Teeth" from elementary school textbooks, did they ever think about what this meant? This means that our next generation will gradually forget the history, forget that the Japanese imperialism in China to commit heinous crimes, forget that the Japanese imperialism under the ravages of the tragic situation of the people. What does it mean to forget history? Forgetting history means betrayal.

The great achievements of China today are the result of the tireless efforts of several generations. If the children and grandchildren do not see it as a pity to give it to others, such as abandonment of the grass, it will repeat the same mistakes. "The former, after the car," forgetting the lessons of historical blood, will again become a lamb slaughtered by people.

In the 60th anniversary of the victory in the war of resistance against Japan, do not forget that the pattern of the world is quietly changing, do not forget the atrocities committed by Japan in China, and do not forget that today's Japanese right-wingers are tampering with history, we must always be vigilant.

Patriotism education in China has been very unsuccessful. And moral education has not kept up. To tell a story, when the 12th Asian Games ended in Hiroshima, Japan, there was not a single piece of waste paper in the square of 60,000 people. Then look at the footage of the raising of the national flag in Tiananmen Square on October 1, when people dispersed, there was waste paper all over the place. Don't say, "Our country is a big country with 137 gold medals - it's useless, our moral level has not yet come up, it's still far from it! Everyone picks up a scrap of paper, and that's the beginning of patriotism."

Patriotism is very specific. We have a slogan at the entrance to our school: one step away from the school gate, shoulder the honor and disgrace of loyalty and faith. By extension, one step away from the school gate, shoulder the honor and disgrace of the motherland. The rise and fall of China is related to the fate of 1.3 billion living beings, and the rise and fall of China is our responsibility.

A smoke war has ended, but a war without smoke has long been playing, only to win the victory of this war without smoke, can be considered a real victory, only then, China is considered a real big country, in order to play a big country's role in the international arena, in order to show China's large and rich style.

The day of commemorating the victory in the war of resistance against Japan has passed, but should be remembered at all times in everyone's heart, remember the moment of the rise of the Chinese nation.

Flying, the dream of mankind. In literature, Europeans fly is long in the same part of a pair of wings and birds, Americans have to wear that red cape or spider suit. And we Chinese people gently foot a piece of cloud, such as walking on the ground but the sky, this is how ethereal, romantic and majestic. Reading Liao Dequan's historical essays gives me this sense of flying in the sky. In addition to the bright eyes, Liao Dequan's appearance, a "Liao Dequan anthology" before and after the level is not neat, but he wrote about history but the heart of the heroes of ten thousand, the reality and the history of the same, the world and the human heart of each other to ask the question, on the sky into the ground and the sharpness of the pen, there is a kind of river and Han sprawl, vicissitudes of life in the history of the flight of the word sense of God.

This is the realm of prose that is free, free to do as it pleases, and "to travel by the heart".

This realm is based on his humanized reading of Su Shi, Liu Bang, Zhang Fei, Cao Cao, and even Pearl City and the Hakka people, on his relentless pursuit of historical difficulties, and on his realistic reflection on historical tragedies. In his reading, questioning and reflecting, he points his pen directly to the world and its people, as if history is the present, the current situation of life. From this, we understand the low return of his ambition and the dance of the strong, and feel his enthusiasm and perseverance. In today's historical prose, we see too many retellings or casual dramatizations of historical texts, too many narratives about the change of dynasties and power struggles, and too many descriptions of intellectuals' loyalty, integrity, personality and resistance. Liao Dequan, contrary to the popular grandiose narratives, with the sharp eyes and life experience honed by the extraordinary experience of a local official (or perhaps more accurately called a "Confucian"), leads history and tradition to the modern era and to the depths of human nature, and takes a dual view of culture and human nature with modern consciousness, from which he obtains personalized insights and dialogues with history as an equal, thus realizing a close relationship with the historical figures. They will also have a dialogue with history as equals, thus realizing a dialogue with historical figures and a dialogue with readers. The history of the world is a lesson to be learned, and it is a free and easy way to learn from history.

I have always thought that Su Shi is the only great man in history who has exhausted the possibilities of life and Chinese culture, and I have been looking for him all the way to Meizhou, Huangzhou, Hangzhou, Huizhou, Danzhou, and I have been so enthusiastic and so sad that they often collide, and it makes me cry, and I can't say anything about it. Therefore, I look at Liao Dequan's Dongpo with a critical eye. I have read it more than twice, and I am still touched by him. This is both Mr. Dongpo and Mr. Dequan. Because what I see in front of my eyes is "bitter rain and wind", "clearing" after the amount of Dong Po moved to Hepu, this "untethered boat", "the heart seems to have been ash of the wood He was "not tied to a boat" and "his heart was like a tree that was already gray", but he set his eyes on the sea and wrote the book "Ten Thousand Miles to Heaven". This is the unusual experience of the peak of the human figure, Liao Dequan flew his imagination, with the details of the passionate interpretation of the Su Shi, which is the greatness of the spirit and the greatness of the spirit, in the bleakness of the vitality, the tip of the pen straight to the long history of the politics of the villain and the chickens and dogs, and ask Su Shi's strange injustice and who is to blame? This kind of direct questioning of the world's people and social ills, in the "Delighted Ancestor Sings the Great Wind", Liao Dequan, who is both wise and courageous, asks Liu Bang, who shouted "Where are the fierce warriors? He asked Liu Bang, who had won the world, if you had killed all the "fierce warriors", where are they? Cao Cao's "Worry" asks "Why do you worry? What are you worried about? What will I worry about? What can I worry about?" What can I worry about? Why did Zhang Fei die? Who are the guests of the Hakka people in "Where are the Guests Coming From"? What is the name of the spiritual eunuch in "The City of Fading Pearls?" To ask questions is to add to history, to verify one's own discoveries, for archaeology is to ask questions of the present. I feel the author's deep concern and impulse of life, the author's inquiry into history and the truth of life, the care for the present world and the alertness of human nature. This inquiries into history and reality of the vastness and thoroughness, for an official needs wisdom, but also need courage. I think, in the center of power always dancing on the tip of the knife, playing the role of the old man, the youngest flower girl, as Mr. Qian Mu said, "not a weapon", walking in the daytime of the reality of the disturbed and noisy and the long history of the dialogue between the quiet night, his spiritual journey to be much longer than the average, much richer, and for this reason, his pen Friesian unevenly and Winking at the rooster can only offset the noisy thrill, to obtain quiet and peace to relieve a touch of inner confusion.

This confusion is not only related to the situation of the context of the state of mind, there is also a point related to the author of the prose, that is, how to face the vastness of the history of the books, the history of the pen, the reading of nature, reading poetry, reading the history of the fusion, but also from the history of the tired, and thus program their own human nature of the readings, access to their own discovery and interpretation, to send out their own voices, so that the tension of the mind extends to outside the text. Some commentators have pointed out that "the power of history, for prose writers, is precisely achieved in a non-historical way; it is not to seek the correct solution of history, but to connect to the secret passage of the mind in history". As an individual of the Hakka family, the author has asked thousands of times, "Where did the Hakka come from? He seeks up and down, digging submerged in the folk history legend and historical backdrop, trying to connect the history of the secret spiritual channel, searching for the roots of the Hakka people, looking for the soul of the Hakka people, asking for the home of the self, he is full of enthusiasm for the escape all the way to create all the way to the glory of all the way to the song all the way to the sadness of the Hakka people back to the low eulogy. He is not only searching for the root: where does the Hakka come from? And even more so, he asks: who is the guest? This is a persistent, tragic and dignified voice. Unfortunately, in the helplessness of no answer, too much love for their own genus of authors into the world, in Chapter 7, not only a large list of Hakka excellence, but also for the loss of the original hometown, "but has the whole world" and proud of this is more or less on the search for the roots of the reaction, but also on the secret channel has been connected to the obstruction of the stubborn as a moment to be more literate and more powerful. But the article step by step to solve the mystery and unique perspective, space and time far away, especially with flesh and blood and feelings and temper, the momentum of the male Zhang, is still a touching and moving masterpiece. And the most potential also push the "Cao Cao's" worry ", also push with Cao's and wine culture accompanied by the sound, depth and width and broad-minded flying, Liao Dequan here is full of the addiction to wine addiction, he put the Chinese language poetic poetry spilled to a fascinating realm of freedom, about this article is a good time to drink the creation of it.

In addition to the majestic historical prose, Liao Dequan has another kind of text, which is the author's feelings about real life. Most of these words are short and dynamic, simple and sincere, heartfelt details will be heartfelt emotions, flashing with intellectual luster and the warmth of interest, especially miscellaneous essays, its text blade does not change, the meaning of the deep micro, sharp writing, although some chapters or articles, missing deep excavation or trapped by the time, resulting in varying levels of regrets, but the "Liao Dequan anthology" undoubtedly shows the author's soaring talent and modern character.

Yes, Liao Dequan without wings is flying, that is in his ideal kingdom. On the earth, he waved his sleeve and took away only a beautiful cloud.