What are the characteristics of men's wear in Tang Dynasty? Analysis of men's wear characteristics in Tang Dynasty

In the Tang Dynasty, if the theme style of women's clothing in the Tang Dynasty is romantic, then the theme of men's clothing in the Tang Dynasty is practical and solemn. In the Tang Dynasty, due to political stability, economic development, progress in production and textile technology, and frequent foreign exchanges, the costumes in the Tang Dynasty were unprecedentedly prosperous, showing an unprecedented new situation in clothing styles, colors, patterns and so on. Especially when the prosperous Tang Dynasty became the economic and cultural exchange center of all ethnic groups in Asia, it was the most brilliant page in the cultural history of China. During this period, Indian and Iranian cultures were absorbed and integrated into China culture, which was fully reflected in murals, stone carvings, sculptures, books, paintings, silk embroidery, pottery figurines and costumes. So what did men's wear look like in the Tang Dynasty? Men's round robe lapel clothing in Tang Dynasty, on the basis of continuing the traditional cross-collar and double-breasted Hanfu, added new styles. One is a hoe and the other is a round neck and narrow sleeve robe. In the Tang Dynasty, it was the first dress based on the towel of the Han and Wei Dynasties. After the Tang Dynasty, people added a fixed ornament to the hoe, called "towel". The shape of towels varies from time to time. Besides towels, many changes have taken place in the feet of steamed bread. By the end of the Tang Dynasty and the Five Dynasties, the original soft foot had become a hard foot with one left and one right. The official's main clothing in Tang Dynasty was a round neck and narrow sleeve robe. In addition, the application of horizontal lines under robes was also a major feature of men's wear at that time. Judging from many pictures handed down from ancient times, this kind of T-shirt is popular in informal occasions: it is not attached to the chest below the neck, so that the front layer of the robe naturally hangs loosely and forms a lapel. This is also close to Khufu's lapel, which really achieves a similar effect to Khufu's. In today's words, it is probably called looking foreign. However, the round neck robe is not a common dress for people in the field, nor is it a dress for major sacrifices and major political activities. Men's Half-Arm Dress in Tang Dynasty, also known as Half-Sleeve, is a double-breasted jacket developed from Wei and Jin Dynasties. It is characterized by elbow-length sleeves and waist-length sleeves, and is usually worn outside a shirt. During the Sui and Tang Dynasties in China, the half-arms were double-breasted, pullover, lapel or collarless, and the double-breasted half-arms were tied with a small belt as the chest. Popular in the court of Sui Dynasty, it was first recorded by court officials and women. Half-arms were more popular in the early Tang Dynasty. Not only can men and women wear it, but it has also entered the ranks of court uniforms and spread to the people. The rise of the half arm is quite interesting. It originated very early. In the Three Kingdoms, Wei Mingdi wore a thin silk half-sleeve coat to appear before the minister, but was questioned by the minister. What is the reason for this strange dress? It can be seen that the style of short sleeves belongs to the non-mainstream fashion when it first appeared. But with the progress of the times, it became popular in the flourishing age of Sui and Tang Dynasties. The Tang Dynasty was an ancient youth in China and an era of dissolute imagination. At this time, the half-arm soared into the sky and became a common practice. Of course, not all have been forgiven. For example, the prime minister of Emperor Taizong thought that the half arm was a "frivolous suit" and specially wrote the * * * half arm in French. Maybe there are fashionable men and women in his family who have been hit by the board for this. However, this is only part of the phenomenon. Another famous minister, Ma Zhou, went to the toilet and asked that no matter how ordinary people are, they can wear half an arm outside their light clothes, thinking that this dress is very appropriate. Being able to put forward different opinions on a dress shows that the imperial court and men at that time were still very confident, and did not think that the so-called "submission to the demon" would lead to national subjugation-that was an excuse that their ancestors and future generations loved to find.