Atlas of the Master-apprentice Relationship of China Zisha Pottery-making Masters

Like many traditional arts and crafts, the pottery-making skills of teapot are passed down from generation to generation by the master with his disciples. Although there are some exceptions, the so-called self-learning, but those who are quite accomplished, after all, belong to their predecessors. Disciples of Zisha Pot have sorted out the relationship between some famous Zisha Pot Masters, which is not comprehensive, and there are other places that are worth discussing. Please leave a message below.

Hong ci qi JIU

Gu Jingzhou

These utensils are novel and rigorous in style. Good at making plain luster, smooth lines, exquisite production, both form and spirit, elegant temperament, known as the master of pot art, a generation of masters.

Mentor apprentice:, Gao Haigeng,, Shan, Bao. During this period, and Xun are not in the craft class.

Zhu Kexin

Good at flower modeling. He is especially good at the creation of dragons, clouds, pines, bamboos and plums. His style is rich and simple, his laws are appropriate and his charm is good.

Mentors: Pan Chunfang, Bao Xinyuan, Shi Zhipeng, Li Qinxian, Li, Ni Shunsheng, Cao Wanfen and An.

Pei Shimin

In his early years, he devoted himself to studying and imitating ancient Shanghai purple sand wares. He was once entrusted by "Shengsi Taobei" to provide a lid for the spring "Shudan" pot in strong storage in southern Chu, which is quite famous. Can make all kinds of light goods, flower goods tea cans, especially the best simulation effect, elegant and unique product shape, with the characteristics of heavy and steady bronze, known as "the second in Chen Mingyuan".

Renganting

His work mode is cursive script and seal script, and he is good at seal script. Painting is dominated by landscape flowers and birds, and common themes are plum, orchid, bamboo and chrysanthemum. Decoration techniques are mostly part-time and writing, and design pictures show auspicious meanings. Skillful knife work, casual description of poetry and painting, self-discipline.

Mentor Ren Ganting's apprentice:1August, 954: Xu Xiutang; 65438+May 0955: Xian Zhongying; August: Feng. 1956 10:, Wang Pinrong, Zhang, Zhu Rongjuan. 65438+May 0958: Bao Zhongmei, Tan Quanhai, Ren, and later Bao Zhiqiang and Shen Hansheng.

Wu Yungen

Pot-making style is honest and steady, and it is good at smooth ware and ribbed bag ware, especially bamboo into the pot, forming its own family. It not only keeps the texture of purple sand, but also captures the character and integrity of bamboo, which is neat, handsome, smart and elegant without carving.

Mentors: Shi, He Tingchu, Xu Ciyuan, Fan Hongquan, Xie Lexian, Wu Xinnan.

Wang Yinchun

Its vessels are graceful, regular, smooth and harmonious, and occupy the market with innovative varieties, which is called "Silver Spring Pot". Wang Yinchun is quick, good at making cans, and smart, and doesn't stick to the rules. The method of blocking the blank with wood grain was his first, which improved the efficiency and made the shape more accurate.

Mentors: Gao, Chen Xiaogeng, Ge, Jiang Hongda, Ji Debao, Bao Saifen and Fang.

Jiang Rong

After more than half a century of art, he carefully studied and made a bionic elephant kettle. Most of the creations are based on natural fruits, plants and animals, and the expression techniques are mainly bionic. The device has vivid image and unique kung fu.

Teacher Jiang Rong's apprentices: Fan Naizhi, Fan, Qian Liyuan, Cheng Hui and Qian Jiansheng.