The traditional case of the Qin dynasty is

The ancestors of the Han nationality, the land where they lived, collected and cultivated was yellow, and the river they drank during the flood was

Yellow. By the end of Homo sapiens, his skin was yellow. It should be said that our ancestors,

I have known each other for a long time in comparison with forests, seedlings and blue sky and white clouds.

Yellow.

As early as five or six thousand years ago, in the late matriarchal clan, there was a great politics in the Yellow River basin.

Jia, a great inventor, once conquered many clans in the Yellow River valley, formed a clan alliance and became a surname.

The leader of the national alliance. People respected him, commemorated him and called him "Yellow Emperor". The "emperor" is the "king of the world"

No. "See Shuowen," Yellow Emperor "is the king of the world on the yellow land. People gave "yellow"

Since then, "yellow" has become the national color and national trend of Chinese clansmen.

Color.

"Yellow" stands for beauty and dignity.

The author of Zhouyi probably accepted the idea of attaching importance to yellow since the Yellow Emperor from the legend. week

In the Book of Changes, everything that appears "yellow" is a metaphor, and the land it occupies is absolutely prosperous, so yellow becomes it.

As an auspicious and honorable representative. Such as "Li" 62 "Huang Li Yuan Ji". Gao Feng's annotation says, "From,

Attached to Li Ye. Yellow leaves, yellow is attached to things. Color cannot exist alone, it must be attached to things. Just like gold.

Yellow is connected with gold, and Huang Shang is connected with clothes. Yi Zhuan thinks that yellow is a beautiful color, comparable to human virtue. Huang Li has more virtues than others, so he is lucky. "

Since then, "yellow" has almost become synonymous with auspicious signs. Who is related to good omen, often

It is auspicious to use the word "yellow", such as "yellow star", and Wang Jia of the Jin Dynasty said "Xuanyuan Huangdi".

Emperor was born on his fifth birthday, so he is the king of Tude. There is an auspicious yellow star. "This is also considered to be yellow.

Legend of the yellow emperor. Use yellow gas, Huang Yun, Huang Rui, yellow flag, yellow flag purple cover and yellow.

The dragon is the spirit of the son of heaven. "Song Shu Fu Rui Zhi" said: "The mother of Emperor Yao was born in Dou."

Wild, usually covered with Huang Yun. "Xie Tiao's poem" Begins in Shangshu Province ""Green wings and purple shoulders, yellow flag reflected.

"Li Zhu" is green and refined, and it is also a star. Yellow flag, Ruiyun also. All kings will prosper.

Zituo, Tian Zi car also. Judy, where Ming Di lives. It is said that the green fine auxiliary car, the yellow flag reflects the emperor's house, and the name is Ming.

When you are an emperor, you will be enthroned, Ruiye. "The warlock of the Han Dynasty tasted the taste of" yellow flag and purple "

Beggars' gangs and bullfights have met, and there is a son of heaven in Jiangdong. "

The Eastern Han Dynasty was not as popular as it is now. It is said that the opening angle uprising was all yellow people, and the insurgents were also called the Yellow Scarf Army, not the Red Army. The Western Han Dynasty was still black.

In China's traditional concept of "five elements", black is the highest position. Black is the combination of "five colors" and the reduction and regression of "five colors", so it can be defined as black.

The eternal essence of color in the concept of "five colors" has long been accumulated in people's color visual emotion.

The conceptual model in the novel is based on the abstract experience form and the imitation of "psychological video".

It leads to the occurrence of national color aesthetic image-"quiet black" color synaesthesia. The concept of the universe in the primitive thinking structure is chaotic and mysterious, and human beings are in seclusion.

The mysterious dark time and space gave birth to the conjecture and interpretation of the universe and everything in the world. Laozi's philosophy

In this system, black is regarded as a symbolic color with the meaning of reproductive worship, and its meaning is deduced.

The close relationship between everything in the universe and the origin of human beings runs through the main line of the thought of "respecting the black", which is the main idea.

Lines once accompanied the long evolution of prehistoric aesthetic fashion, showing relative stability.

Psychological orientation of color.

Second, the concept of "being hacked"

The discovery of many stone age cultural relics shows that stone tools made of black stones

A considerable proportion of them are obviously officials who understand the black visual psychology of prehistoric humans.

Induction provides a foundation for materials science. Excavation of Bailiandong Paleolithic Site in Liuzhou, Guangxi

Most stone tools are made of hard black tunnel stone, which is made in.

Among these products, there is a black tunnel stone product. (3) It is worth noting that it is near the construction site.

However, there are few black tunnel stones such as Dule River and Guliujiang River, and it is still difficult to be exact.

Know its source. From this point of view, at least we can believe that primitive humans chose the black tunnel stone.

Never accept it. Thousands of microliths unearthed from Xiqiao Mountain site in Nanhai, Guangdong Province.

Most of them are black tunnel stones. From the origin of tools, primitive humans made tools.

The choice of materials pays more attention to the thick and hard texture, while the black tunnel stone has its own advantages.

In addition to its hard texture, it also has a stronger color visual experience than other stones.

Sensory induction of black visual psychology, that is, the original form of black visual form.

From the early paleolithic specimens that can be seen at present, it is not difficult to find the making materials.

Choice seems to reveal a random color, and there is no good reason to say it.

Infiltration of aesthetic consciousness. But it does not rule out that primitive people had experience in making tools.

The practical activities at this stage contain more accidental forms. copy

The rational observation of the shape and color of objects melts the original emotional experience of color and produces the color theory.

Visual surprise and sensory pleasure are driven by mental state, which is precisely because of the skill of tool making.

The satisfaction and pleasure of self-realization obtained by mastering skills and abilities only leads to some work.

Abandonment with pure practical function has evolved into a "symbol" with religious power and aesthetic significance.

Stone axes unearthed from the four-story culture of Qianshanyang in Xing Wu in Neolithic Age are black on both sides.

Decorative and painting patterns, such as palindrome, Mohr and polyline, reveal clear religious motives, which seems to be

Passing the message of "being hacked", inviting far away. Shi Xia culture, Yuze culture and Xuejiagang culture are well developed.

Existing painted stone axe. Although the black decorative pattern contains elements of aesthetic reverie, it is more

As the color language symbol of the primitive religious media, so as to realize its cultural turn.

And functional transcendence. If the prehistoric concept of "still black" germinates, it is possible to use this black symbol.

1 stimulus is an opportunity to take pictures, so at least most of it belongs to the complex psychological knot of primitive religion.

The connotation of construction promotes action.

The stone axe painted black should be a ritual or scepter of primitive tribal religious activities.

The painted pottery jar "crane fish stone axe" unearthed from Yangshao cultural site in Linru, Henan Province has a strong black color.

The stone axe painted with the word "Ya" is a ceremony or staff symbolizing lofty significance.

The standard may become the blueprint of the black axe meal ceremony advocated by the Xia Dynasty.

The art of the Neolithic age has basically possessed the aesthetic concept of self-discipline, but it has not.

Then there is the utilitarian motivation control in a strict sense, and it feels that black vision is practical.

The pursuit of "black" has become an abstract black aesthetic feeling, and more black ornaments have appeared.

Products. For example, there are small ornaments with holes made of black graphite at Zhiyu Site in Shuoxian County, Shanxi Province.

Both the Donghu Forest Site in Mentougou, Beijing and Xinle, Shenyang have ornaments made of black coal and fine stones.

There are black round bubble ornaments, earplugs, beads and other ornaments made of coal in the site.

There are a large number of pottery, stone and jade ornaments painted in black and red in the site of Wang Gang, which are unique.

Meaning. Attending, in addition, the Blackstone products of northern China microlithic culture have reached a high level.

The degree of craftsmanship contains mysterious color visual feelings, including the aesthetic feeling of "still black"

The origin of.

From color strangeness to indifference-color cognition to attention-color emotion model

The gradual prominence of color advocating order constitutes the primitive man of color cognition, occurrence and evolution.

System structure diagram, the prehistoric concept of "still black" is precisely the transformation of this original structure diagram.

The rain is quietly gestating and sprouting. From the production of prehistoric tools, decorations and pottery, we can still vaguely see the concept of "still black"

The trajectory of education and germination can be bounded by the cultural stage of Zhixia in the late Neolithic period.

It is designated as "still black", and this concept is booming.

Can the typical "black-loving" wind in Longshan black pottery be regarded as the concept of "black-loving" in Xia Dynasty?

The source of Xia culture is still uncertain. However, judging from the context of cultural inheritance, Xia culture is indeed

Inheriting Longshan culture.

Excavate the traces of "Shang Hei" in the sites of Xia culture, including Wang Chenggang, Wang Wan, Taosi and Erli.

Head culture is undoubtedly an important research object.

The first phase of Wang Chenggang culture, Wang Chenggang in Dengfeng and Wadian in Yuxian, are all grey sand and black pottery.

The second mud black pottery culture began to appear finely polished black pottery. The late Wang Chenggang and Xia Wen.

The culture is very close, and advocating clay and black pottery is the main symbol of its culture. Erlitou one, two

During the cultural period, black pottery with sand and argillaceous pottery prevailed, including tripod, quiver, tripod, bean,

The types of vessels, such as flat-bottomed Jue, jar and cylindrical pulp, have been determined as the lower limit of Xia culture by archaeological circles. Shanxi Xiang

There are a lot of woodwork in Fentao Temple site. "The blending glue used to smear the appearance of utensils is the same as the blending glue used to smear.

Lacquer is close to lacquer. Well, as Han Feizi said, "jade is a ritual vessel, and it is dyed with ink, Zhu."

The features painted inside are extremely consistent. Painted pottery unearthed in the same period was covered with black pottery clothes.

Such as argillaceous brown pottery pots, bottles, pots, plates, etc. , polished and coated with black pottery clothes, and then coated separately.

Red and white color paintings are similar to animal patterns, broken stripes, geometric patterns and dragon patterns.

The description of Shun-made woodwork is "going up and writing down" and "still life painting ink".

For another example, the Xia culture pottery unearthed at Zhangsidun site in Anqing advocates black pottery, and its shape is black pottery.

Ding, bean, dish, usurper, cup, jar, pulp, pot, basin and so on are extremely rich. Among them, the early summer culture

Black pottery slurry evolved from Darukou black pottery cup in Huajiasi, Huaibei, and gradually became thinner.

The paste with high waist and high neck trumpet mouth is the originator of copper paste in Shang Dynasty, from which it is not difficult to see that it was written by the tomb mouth.

The origin and development of the trend of "blackening" pottery from Longshan culture to Xia culture.

It is worth noting that from the excavation of many prehistoric cultural relics, it is mud black.

Tao was very popular in Xia Dynasty, and gradually decreased until it disappeared in Shang Dynasty. In fact, this is from one aspect.

It reflects the evolution track of the wind of "loving black" from the prosperity of Xia Dynasty to the weakness of Shang Dynasty.

In the archaeological excavations in the Xia Dynasty, the physical objects we can see are only some non-perishable things.

Undoubtedly, we can only glimpse the concept of "being hacked". However, see

The historical materials of Shang Hei recorded in ancient books are very rich.

"Historical Records Xia Benji" "Emperor Xi Yu Xuangui made contributions to the world." Xuangui is black.

Colored jade laurel Shun Di awarded Yu and his assistant a black medal in recognition of their great achievements in water and soil control.

The colorful jade laurel and the black flag ribbon link the specific meaning of black with the new dark black system of water.

Together. From this, it is inferred that the "five elements" in the north are matched with black and its black monarch, forehead and water official.

Minister Xuanming is by no means an empty valley.

In fact, long before Yu, the clue of "still black" has been highlighted. "Set Solution" draws inspiration.

"The Yellow Emperor was ordered to Yun Rui, so the chronicle of the cloud also. The winter official is a dark cloud. " And "five"

Line "is consistent with Nidhogg in the north. The yellow emperor, emperor Yao and other clothes are still black. Shun Shi, black

More and more silks are stipulated as gifts for Gao Xin's descendants. It was Xia Hou who used black to heighten sheen.

The ancestor of the family, so his descendants still follow and advocate black. The author thinks that Xia Houshi is still "black"

That's why the wind is here.

During the reign of Xia Houshi, the wind of "being hacked" was very popular and penetrated into many aspects of people's behavior.

Clothing, rides, sacrifices, ceremonies, rooms, etc. They are all influenced by the aesthetic trend of "respecting black"

There are many records about this in the Book of Rites. such as

"Xia Houshi is still dark, and the big things are faint. The military affairs are taken by the scorpion and the sacrifices are mysterious." The Book of Rites Tan Gong

Shang "

The Xia Dynasty not only made strict regulations on vehicles, sacrificial animals, utensils and costumes,

Black is also the main color of "five-color Gong Wei soil", which is the evidence of Tian Zi's building an altar to worship the country and vassal fiefs, embroidery composition and clear clothing grades. At the same time, the Xia dynasty's "still black" wind

It directly affects people's aesthetic evaluation of beauty and ugliness. "There used to be girls and girls, very rebellious.

Beauty, light can be used as a mirror, called the mysterious wife. A dark skin can shine on people and still feel beautiful.

Over the years, it can be seen that black people are extremely respected. Although black became the mainstream of advocating color in the Xia Dynasty.

Supreme beauty, but in a local sense, also includes the aesthetic evaluation of ugliness, saying that "one hates oneself"

Stealing beauty and stunning, greed defeats officials, killing people is not a thief. Attending "ink" is one of the "five punishments for liquid food"

First, the dark side, "carve its face first, and then dull it with ink." Carve your face into black and consider it as one.

A symbol of evil and ugliness.

The wind of "respecting black" in the Xia Dynasty was still followed in the Qin Dynasty, just like the color of "respecting white" in the Yin people.

Shang mode dominated the aesthetic fashion in this period. Although, since the summer of "business"

The trend of "black" is gradually fading, which is the most solid shadow of aesthetic fashion in an era.

Image projection is always difficult to erase its remains, which is caused by the fluidity of the concept of "static black"

What determines it is also the cultural form and examination caused by the relative immigration of cultural performances.

The continuous inheritance of beauty and fashion.

The track of China's prehistoric concept of "respecting the black" is not clear.

However, we can still get a glimpse of the "Shang Black" traces left by many prehistoric cultural relics.

The process of advocating the color of separation and combination of an ancient oriental nation.

Although the Yin people advocate white, they still regard the mysterious bird as their tribal totem. Xuanniao, Swallow, Because

The swallow's feathers are black, so it is called a blackbird. "The Book of Songs, Shang Song, Xuanniao" "Mysterious fate

Birds are born with business. "Bao pregnant with black totem color. Although Zhou is still red, Zhou is already winter.

In the season, you have to "live in Xuantang", "take Xuan Lu Road, catch the iron, carry Xu Anqi, wear black clothes and take Yuxuan", and take part in it.

Instead, it has built a living space with a black atmosphere. Qin and Han dynasties

During the period, "Qin De Shui De and Shang Hei" Zou Yan dialect black was applied to utensils, clothing and so on. , with the early Han dynasty.

In the Qin dynasty, the wind of "still black" was still prevalent, and it was stipulated to wear color at five o'clock, "to the DPRK."

Wearing soap clothes has become an established dress ceremony for court officials.

The influence of black on the coronation system began in Shang Dynasty. "Book of Sakura" is embroidered with five colors, spread on five colors, and serves you well. "One of them becomes an axe, and the blade is white and black, which is determined by choice.

Zong Yi is pure black. Thus, black became the main color of Chapter 12. this

Outside, the wind of "metaphysics" prevailed for three generations, and "Li" was the "master of metaphysics". year

The embossed humanoid jade ornaments in the Shang tombs in the northwest of Yin Ruins, ⑩ wearing a high crown on the head, the crown is hollow, and around.

Researchers believe that this is the prototype of "Xuanguan", with a leaf edge and decorations attached to it. Yin Shang cultural heritage

The traces of black worship left in the sediments are enough to reflect the influence of the wind of "respecting black" in Xia Dynasty on Yin Shang culture.

Far-reaching influence. Such as Taixi and Liu Jiahe ruins in Pinggu.

There are black and red clothes. The fabrics unearthed from the Shang Dynasty Tomb in Zhang Qian County are all black.

Red and white three-color painting case: the animal face patterns on the fabrics unearthed from the noble tombs in Yin Ruins are painted yellow.

Black, or painted with black lines, the fabric unearthed from the tombs of the last nobles or upper-class civilians has a red background.

The black line is decorated with cicada patterns, and the black linen fabric is the most common in the middle and lower civilian tombs.

In Shang and Zhou Dynasties, black was still a common color for coffin support and car decoration.

The official towel car "takes five rides on the lonely chivalrous biography, Qing rides on the chivalrous man, the doctor takes the ink car, and the scholar takes the stack."

Car, Shu Ren service car. "Guo Guzhuang unearthed a bus in Yin Ruins, on the railing of the box,

The wooden boards are painted with black and red decorative patterns. Northern Yellow Tide Broke the Tomb of Shang Dynasty in Panlongcheng

The carved surface of the unearthed coffin was painted black. Participate in the coffin of the Western Shang Tomb in Mochengtai, Hebei Province.

It's also red and dark. ⑩

The crowns of Qin and Han dynasties were all made of deep clothes. Qin Shang soap clothes black Eastern Han Dynasty by the "four seasons welcome" fairy.

Under the influence of thought, it is stipulated that the four seasons should be dressed in color, "a year begins in winter and October, and the color is black outside and red inside, and the morality is harmonious."

Yes "Black is listed as the color of winter clothes. From beginning of spring to the solstice of winter, the emperor led the officials to change into black.

"Jifu" went to the eastern suburbs, western suburbs, southern suburbs and northern suburbs for sacrificial activities, with a dark crown and a lower crown.

For the continuation of color, it is still black. When Emperor Xiaowen was filial, he initially inherited the wind of "respecting the black" in the Qin Dynasty, and then followed the five elements.

Birthday theory should be that soil is easy to suit color, and color is still yellow.

In terms of burial customs, from the Warring States to the Qin and Han Dynasties, with the prevalence of thick burial at that time, it led to

Painted pottery, as a funerary object, rises. Painted pottery has no practical function, but it has been used since it was fired.

Black pottery clothes are luxuriously decorated, beautifully drawn, with gorgeous and smooth patterns and full of romanticism.

Color, vaguely retains the brand of "still black" thought.

Black has been highly respected since the Xia Dynasty, and has revealed a strong legacy of "black worship" since the Shang and Zhou Dynasties and even the Qin and Han Dynasties. Even the aesthetic spirit since the Sui and Tang Dynasties has been pregnant with "Shang"

The cultural accumulation of "black" wind projects the unique character of Chinese aesthetic fashion.

Liu Bang was officially called Chi Di, Red or Red by the Han Dynasty.