Traditional Culture Encyclopedia - Traditional festivals - < ambush in all directions > pipa fragments and the title of each fragment
< ambush in all directions > pipa fragments and the title of each fragment
The House of Flying Daggers adopts the traditional large-scale divertimento structure of China. The whole song * * * has thirteen short paragraphs, and each short paragraph has a very general title, namely: 1. Fierce shadow; Second, blow; Third, key meetings; Fourth, formation; Fifth, go to the team; 6. ambush; Seven, Jiming Mountain outpost; Eight, Jiulishan War; 9. Wang Xiang was defeated; X. Wujiang committed suicide; Eleven, the military played Qi; Twelve, the generals will strive for merit; Thirteen, win back to camp.
"Yingzhou Ancient Carving" is called "House of Flying Daggers", with ten paragraphs.
Ambush on all sides
Pipa music is also called Huaiyin Pingchu. It has been circulating for about 400 years. The music describes the last battle of the Chu-Han War in Gaixia in 202 BC. The whole song is divided into 13 segments: 1. Fierce camp (camp separation, drumming, clapping, horseshoe sound); 2. Blow; 3. Point; 4. queue up and leave the team; 5. ambush; 6. minor conflicts; 7. Shouting; 8. Great War; 9. Defeat (Chu army was surrounded by heavy troops and Xiang Yu was defeated); 10. Wujiang committed suicide; 1 1. 12. Triumph; 13. Return to the camp. Various music scores will be different in title and paragraph division, but the whole music itself is similar. The last three paragraphs are often deleted.
The 13 section of the whole song can also be divided into three parts:
The first part, the first five paragraphs, describes the preparations of the Han army before the war, highlighting the magnificent lineup of the Han army.
The second part, the middle three paragraphs, namely 6, 7 and 8, is the core part of this song, which vividly depicts the battle scene of the decisive battle between the Chu and Han armies.
In the third part, the first two paragraphs in the last five paragraphs are solemn and stirring, and the music atmosphere is extremely low, which shapes the artistic image of Xiang Yu's generosity and indignation. The last three paragraphs describe various scenes in which the Han army emerged as a winner.
House of flying daggers is one of the outstanding representative works in pipa music. Wen Qu in traditional pipa music mostly has beautiful melody and gentle and stable rhythm, while this piece is magnificent and complex and changeable. This song is magnificent, passionate and vivid.
The whole song can be divided into three parts. The first part (including the first five paragraphs) describes the preparations of the Han army before the war, focusing on the magnificent lineup of the Han army. The sonorous rhythm is like an inspiring drum, and the passionate and high-pitched voice is like a bugle that shakes the valley, vividly depicting the unique drum on the battlefield. The second part (including six, seven and eight short paragraphs) is the central part of the whole song, which vividly depicts the fierce scene of the decisive battle between the Chu and Han armies. In the third part (including the last five short paragraphs), Xiang Yu committed suicide in Wujiang River after his failure in the first two paragraphs, and the low musical atmosphere was in sharp contrast with the previous climax. Among them, the melody of "Wujiang commit suicide" is tragic and tragic, which shapes the artistic image of Xiang Yu's generous elegy. The last three paragraphs describe the victorious posture of the Han army. In music, pipa uses the unique skills of flipping fingers and "stopping strings" to express scenes. Especially in the climax of the "Jiulishan War", a variety of pipa techniques were used to show the cries of thousands of troops and the earth-shattering decisive battle. Pipa is very good at simulating noisy sounds and is very infectious.
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