Traditional Culture Encyclopedia - Traditional festivals - Violin playing skills

Violin playing skills

1, the method of holding the violin:Holding the violin is a part of violin playing. The correct posture is to put the violin on the clavicle, with the left lower jaw to clamp it, the tailboard against the middle of the throat, the body of the violin and the human shoulder constitute a 45-degree angle, but in the performance, some people do not pay too much attention to the holding of the violin, the head of the violin is too low, the head of the violin is too low will be to the left hand to increase the weight of the bow is also easy to slide to the fingerboard. Regarding the height of the headstock when playing, a higher headstock is better than a lower one. A taller headstock pushes the weight of the violin back towards the neck and neck bladder, and makes it easier to play in higher positions. As far as holding the instrument is concerned, it is important not to use brute force or any coercive force to disrupt the natural environment, the continuum of equilibrium and the equilibrium system. For some people with long necks, the use of shoulder pads is a solution to the problem, but be sure to pay attention to the shape of the shoulder pads, the shape should be correct, not all people in the performance of the shoulder pads, for those who have short necks do not use the shoulder pads are more effective.

2, the bow skills: a piece of music whether to play a beautiful and beautiful and can properly express the content of the music, and the bow is inseparable from the good and bad. The bow in the violin performance plays a key role, so we should pay special attention to the bow practice and master some related skills. When playing the bow, the whole upper limb is in motion, the main link is the extension and flexion of the lower arm, and at the same time, the upper arm, wrist and fingers should be coordinated and cooperated. Some beginners in the bow, especially in the lower half of the bow, the big arm clamped, this is a fault, pull the G string, the big arm should be lifted to the shoulder at the same height, because the right arm with the playing of the strings of the angle of activity is different, pull D, A, E string can be slightly lower in the order of the string, but the elbow can not be lifted higher than the wrist.

3, pronunciation exercises: sound can be divided into music and noise. Musical sound produced by the cycle of regular vibration, it has three prominent features: intensity, pitch, sound quality. The timbre of a musical instrument is determined by the overtones it includes and their relative strengths and weaknesses. Tone is the tone of the tone, it is not just a *** sound good pronunciation, but also includes the tone of the light and dark, light and dark, floating and stagnant and soft, etc., and it changes according to the style of different works and songs happy and players personal feelings and changes.

4, the violin is an instrument closest to the human voice, good pronunciation of the basic characteristics of the tone is mellow, rich **** sound, pure, even. Playing to be infectious and artistic emotion, must master the sound strength change - that is, the music strength change. Musical intensity of change is a wide range of acoustic strength and weakness, different tension, the sound of the tip of the soft and so on. What kind of effect with what kind of bow section, where the point of contact are all about. Generally, you should first practice the bowing techniques of strong, weak, gradually strong, gradually weak, staccato and continuous. When playing strong notes, the bow contact point should be near the piano horse, the bow speed is faster, the right hand should add a little external force as needed, the natural weight should be used, to remove the mandatory artificial pressure on the fingers, when playing weak notes, the bow contact point should be near the fingerboard, the bow speed is slower. The finger tips of the left hand are the weakest part of our body, and only the root joints are used to accomplish the task of lifting the finger tips, and the contact between the finger tips and the strings is generated by the action of the finger joints. Lift your fingers and root joints as high as possible when playing, so that the contact between the fingertips and the strings is determined by the weight of the knuckles, and it is easier to find the tone needed in the music.