What is the name of the most famous shop that knocks on the back?

Books come to treasure-telling stories with the accompaniment of clappers

"Counting money" was originally a means for beggars living in the folk to beg for money. They used two cows' hipbones (experts called them "He Fan"), with thirteen small bells tied to them (commonly known as Thirteen Pacific Insurance) and two red tassels on their heads, banging, reading their own words and asking businessmen for money. There are rules about them standing at the door, which are divided into "Suo" door and "Li" door, and there is another one called "Suo Li Bu". They won't leave until they get what they want. If the firm has a bad attitude or speaks ill words, they will make up words to scold the street and insist on paying money before leaving. This is a rogue way of asking for money. But they are all smart and make up whatever words they see. Although businessmen hate them, they are appreciated by most participants. Businessmen don't have to pick up money by hand, but pick it up with the hip bones of cattle. There is also a "knot board" (that is, seven bamboo boards), and the method of asking for money and lyrics is the same. Dai Shaofu's performance was accompanied by the "Jiezi" board. Dai Shaofu absorbed this folk "art" and adapted it into a form suitable for cross talk, which enriched the content, added a lot of "burdens" and eliminated many vulgar and unhealthy words, thus giving new artistic life and making it count and cherish. In the performance, Yu Junbo and his deputy first dressed up as a man and a woman, then dressed up as beggars, and Yu Junbo dressed up as the shopkeeper of the firm, reaching an artistic climax in the conflict and development of contradictions. They began with the words:

Man: Come with me, old woman. Don't embarrass me.

Woman: Don't worry, old man, I'm not like that.

Man: Don't brag, old woman. Just follow others.

Woman: (white) 30 cents? You treat me so cheap, you want three dollars and five dollars.

This is a "ladle handle", and the following is the text. "A" stands for beggar and "B" stands for shopkeeper. Here are some words for reference. Their words are as follows:

A: (Count) Come to the street. One street and two lanes are easy to do business. There are also purchases and sales, and Lili Lala hangs signs. Gold signs, silver signs, big manned made a fortune. You make a fortune, I get honor, you eat cake, I drink soup. (After flattery) One worships the monarch, one worships the minister, and the other worships a large number of shopkeepers. There are a lot of people, big and wide, and Liu Bei sits surprisingly much. Surprisingly, Liu Bei of the Han Dynasty was saved by three thousand years old. The man was tall and big, with a black beard and a broken bridge. Xiahou Jie, when he fell from his horse, Cao Cao was scared when he saw it.

B: (White) You don't want my business.

A: (Number) I'm not a fool and I'm not ashamed. I want any business. As long as you have a font size of three, I will get that fool.

(White) I run a coffin shop here.

A: (a few) Step on the bamboo board and come to the coffin shop. Your coffin is really nice. Buy one and get one free.

B: (White) There is no such delivery.

A: (continued) Your coffin is really nice. One is big and the other is small. I can't run away from the dead, and I can't stand living.

B: (White) I'm in the kerosene factory. -

A: (a few) playing bamboo board jingle, I came to kerosene village. There is so much kerosene in the shopkeeper that I don't care if I drink it. The fool was a little unconvinced and took a sip, which was not the taste. Big boss, believe it or not, there must be a funeral after drinking kerosene.

B: I'm not a kerosene shop, but a barber shop.

A: (a few) hit the bamboo board and rushed forward. Now we are at the barber shop. I will worship Luo Zu first, and then you. You are a good apprentice of Luo Zu. Men shave left, women shave right, and monks and Taoists shave back and forth. Shave first and then sweep your eyebrows. After shaving, I hit a five-flower hammer. You hit your shoulder, then your back. This is called hypnosis.

I am in the noodle restaurant.

A: (a few) took the bamboo board and came to the noodle restaurant. Playing with a broadsword on the cutting surface is needed for the birthday full moon. If you want to say noodles, another egg comes out, roll a large piece, cut a line, cook it in a pot and put it in a bowl with lotus petals. One person eats half a catty, three people eat half a catty, and the big shopkeeper does the math, but he's really an asshole.

B: This is the bathhouse.

A: (a few) playing bamboo board jingle, I came to the bathhouse. Your bathhouse is really sanitary. It's really boiled water and sugar frozen into ice.

B: What?

A: (White) Wrong! Crosstalk!

B: And a bathhouse.

A: (Counting) Your bathhouse is really sanitary, and the pool is deep and clean. Take a shower first, then rub your back. There is a towel quilt after washing. The towel quilt is really strong and can't be wrapped around your head.

B: I sell popsicles this time.

A: (Counting) Playing bamboo boards is really interesting. The shopkeeper sells popsicles. Your popsicle is really sanitary. It's really ice frozen with boiling water and sugar. Make tea after eating popsicles, and you will definitely have diarrhea after drinking it!

B: How many treasures did you count?

A: (Counting) I wanted to say "Bao Jing" but I lost "Bao Zi". I wonder if I can find it well. Qin Da, Deng Zhou for three times, Gao Junbao for Nantang ... Guan Dongcheng Sanbao, Ginseng Mink Wucao; Baoding government's three treasures, iron ball noodle sauce is not old; There are three treasures of Tianjinwei, Bell and Drum Tower Castle Bell ... There are three treasures for fools, and there are many lice.

B: You've been asking for it for a long time. I'm not the owner.

A: Push in and push out. You are the boss. If I had known it was so difficult to ask for money, I might as well go home and farm. If I had known it was so difficult to ask for money, I might as well go home and pick up shit. Picking up shit tastes bad, so I learned to count treasures.

B: If you don't leave, I'll break in!

A: (Counting) Hey, it's blooming. The big shopkeeper plugged in the door. Plug in the door at night to prevent thieves. What do you do during the day? The shopkeeper plugged in the door, and someone died in your house!

These are some of the words in Dai Shaofu's "Count to Treasure", but there are still many that I thought of only by personal memory because I didn't record them. Here are some manned words, beggars are hooligans and even want to fight, such as:

Your mouth is crooked, like a prostitute on August 15th.

"If you want to fight the Eastern Front, you can't be careless; If you want to play due north, give one away for nothing ... "and so on.

Due to the social environment at that time and his own worldview, there were many unhealthy and even vulgar dross in his words, which was determined by the social limitations at that time, but these could not deny his artistic achievements. He was struggling to explore the palace of art and disappeared in a blink of an eye. Bad habits, serious life, and peer struggle are the reasons for his death. But most importantly, the old social system was a den of evil. This can make people think deeply. Young Quyi actors should further understand the old and new social systems, arouse their enthusiasm for loving the Party, socialism and their jobs, make up their minds, make great efforts to study and explore the essence of Quyi, create better achievements, and make greater contributions to enriching people's cultural life and the four modernizations.

Digital treasures, also known as jingles, slips of the tongue and mouth practice, are popular all over China. At first, it was used by artists to walk the streets and sing in front of shops to make money. Because the artists praised the goods in the store richly and beautifully, they were as "counted" as "coming" (adding) and "treasure", hence the name. It is said that there was a mentoring relationship as early as the early Ming Dynasty. Portal 13: There are three companies in Beijing: Suo, Li and Zhu. There are five families in Jiangbei: Ding, Guo, Fan, Gao and Qi. There are five kinds in Jiangnan: peach, plum, apricot, flower and spring. Du Laibao began to sing in a small theater from the late Qing Dynasty to the early Ming Dynasty. Famous artists at that time were Cao Dekui, Liu Mazi and Huo Mazi.

Characteristics of digital treasures

Liu's artists improvise with their extensive knowledge of life, and some of them can also talk about Jin Yan, quote classics and describe discussions, and accumulate some fixed formulas. Later, it absorbed the expression of cross talk, formed a number of treasures, further improved the artistic expression, and appeared some new aria that criticized the shortcomings of the times. Humor is one of the artistic features of Numerabo. The basic sentence pattern of the number-to-treasure is six and seven, the six words in the previous sentence are three or three, and the seven words in the next sentence are four, three, two, five and two, two and three. The last word of the upper and lower sentences should rhyme and have the same tone. Two sentences in a group can be the same group, or several sentences in a line can be the same. Some monologues can also be inserted into singing sentences, such as over-speaking, over-clamping and so on.

In the process of its evolution, Liu used a variety of percussion instruments, such as sorghum poles, money boards, salad machines, beef hip bones, three boards, three bowls, hoes (also known as flat boards) and so on. At present, there are seven boards in common use, two of which are big bamboo boards and five are small bamboo boards. There are many ways to play the big bamboo baner, including the opening baner before singing and the short crossing during singing. You can also play with all kinds of flowers to create anger, and sometimes imitate some sounds, which is helpful for the expression of lyrics.

Bibliography of digital treasures

Liu's traditional bibliographies include Hengpo and Yang Zhi Selling Knives. In addition, there have been books condemning the warlord's scuffle, such as Zhi and Da Nan Kou. During War of Resistance against Japanese Aggression and the War of Liberation, works such as The Blade and Accounting created by treasure artist Luan Shaoshan were circulated in Shandong Anti-Japanese Base Area and Jiaodong Liberated Area. After the founding of the People's Republic of China, silhouette became popular in the literary activities of the army, and there were soldiers' homes, joining the army, learning from Lei Feng, encountering eight companies, top gun and hard-headed six-company red flags.

Historical development of silhouette

It is understood that Liu had a mentoring relationship in the early Ming Dynasty, when there were three families in Beijing: Suo, Li and Zhu. At first, artists walked the streets and asked merchants for money by singing. In its long historical development, it has experienced the process of "street singing" and "ground singing". Famous artists in the late Qing Dynasty and the early Republic of China include Haifeng, Cao Dekui, Pockmarked Liu and Pockmarked Huo. After 1930s, Gao Fengshan and Wang Fengshan appeared.

The performance of Duibao is a rhyming Duibao. Most traditional lyrics are improvised. According to a program, relying on the rich life experience and improvisation ability of the actors themselves, we can talk about the past and the present, and compare genres and narratives. The sentence pattern of the lyrics is the upper and lower sentence pattern of six words and seven sentences, and the six words in the upper sentence can be three sentences or three sentences; The next seven words are two, two and three sentence patterns. The rhyme method of "big flower" is adopted, and the ending words of the upper and lower sentences are required to be rhymed (homophony), and short words can be interspersed in the number singing.

After several evolutions, Liu's accompaniment instruments have used Qian, Salar Machine, Niu, Third Class and so on. Later, seven boards were widely used, namely, two big bamboo boards (called big scoops) and five small bamboo boards (called knots), which were used for clapping and singing, making vents, connecting lyrics and setting off the atmosphere during performances. You can also knock out complex rhythms and changeable voices before singing to make a purely technical performance.

Liu's traditional plays include: Hangye, Tong Ren Tang, Coffin Shop, Cross Slope, Yang Zhi selling knives, Zhuge Liang gambling, Dongjia Temple and so on. , as well as the story-telling current news arias that reflect the warlords' melee, such as Zhifeng Exhibition and Da Nan Kou.

After the founding of People's Republic of China (PRC), Dulaibao took to the stage with a brand-new look. At that time, Gao Fengshan and Wang Xueyi of Beijing Quyi Troupe excavated, sorted out and staged a number of excellent traditional tracks, and created modern tracks reflecting the new socialist life, such as Black Girl and Comprehensive Utilization of Red Flowers, which were welcomed by the audience.

During this period, Du Laibao also made great progress in the Quyi teams of various arms and services in Beijing. Liu Xuezhi, Liu Hongbin and other Quyi actors are determined to innovate and have the courage to practice. They actively reflect the fiery real life of the people's army and local areas by using multi-channel and jumping creative techniques, and compiled and performed many excellent works such as A Soldier's Home, A Record of Joining the Army, Good Qinghai and Evergreen People's Capital.