What are the modern products with traditional Chinese symbols?

China has five thousand years of splendid cultural heritage, and traditional arts and crafts are a unique oriental civilization. Chinese traditional arts and crafts are used by the Chinese people to meet their material and spiritual needs. With its long history, unique style, superb skills and rich and diverse forms, Chinese arts and crafts have written a chapter full of wisdom and spiritual light for the entire cultural history of mankind. Although industrial design is gradually moving from Made in China to Created in China, traditional arts and crafts must be skillfully applied to modern industrial design. As China’s national power and world influence increase, China’s modern industrial design will not lose itself. Only then can we go to the world more clearly.

Keywords: Chinese traditional arts and crafts, modern industrial design integration potential, important components and necessity

Text What kind of responsibilities should we take, and what responsibilities have been entrusted to us by the times, we What should be done to fulfill the mission? How to integrate traditional Chinese arts and crafts into modern product design is a question that all future industrial designers should think about. Facing the booming design industry in our country, while learning from world design, we should open up a field of industrial product design with Chinese characteristics and integrate our Chinese culture into the design of modern industrial products.

Chinese traditional arts and crafts contain modern industrial design concepts. Thesis website www.lwkoo.cn Graduation thesis

Chinese traditional arts and crafts have gone through the vicissitudes of the times. With the efforts of countless ancestors, after thousands of After years of practice, the traditional Chinese arts and crafts that today involve all aspects of our lives, including politics, economy, culture and other fields, have emerged. Since ancient times, Chinese traditional arts and crafts have achieved a harmonious and unified style through respect, recognition and tolerance of all natural things, and through communication and coordination. Until today, with the advancement of science and technology and the development of productivity, the balance of nature has been broken. At this time, people have realized the importance of harmonious coexistence between man and nature, and advocated environmental protection, green design, humanized design, etc.

This profound heritage of traditional Chinese arts and crafts profoundly reveals the relationship between man and nature and the development direction of modern industrial design. How to apply the laws and results of traditional Chinese arts and crafts summarized by our ancestors over thousands of years. Today's modern product design will be a topic worthy of our study and reflection.

Chinese traditional arts and crafts are an important part of the world's arts and crafts.

China has a huge population and Chinese culture has already spread to all parts of the world, with a profound and widespread influence. Its market potential is immeasurable. The great influence of Chinese culture on the world and its largest proportion in world culture determine that the value prospects and potential of integrating Chinese culture into modern product design are unlimited.

For example, "The Banquet of the Gods" was painted by Giovanni Bellini (1430-1516), one of the most outstanding painters of the Venetian School in Italy during the early Renaissance. A portrayal of the ideal world that people longed for during this period. It is worth mentioning in the painting that the vessels used by the gods are all blue and white porcelain fired in the Song Dynasty of China. This shows that the reputation of traditional Chinese arts and crafts at that time was far-reaching and that Westerners of that era worshiped and admired Chinese civilization.

The design elements in traditional Chinese arts and crafts are full of vitality and beauty. The animal patterns in the decorations mainly inherit and develop the original totems. For example, the Kui dragon pattern, Kui phoenix pattern, etc. are all evolved from the dragon, phoenix, etc., the auspicious and sacred objects worshiped by the Chinese nation. The style is weird and has obvious signs of totem worship in primitive society.

The dragon pattern is the most auspicious and sacred decoration of the Chinese nation. Its image does not only appear on bronzes. The dragon has sprouted as far back as the Neolithic Age. During the Bronze Age, the true form of the dragon appeared. It is a synthesis of various animal images, a weird and mysterious animal image produced by the creative imagination of ancient people. Its original prototype was mainly snakes, because in ancient China there was a saying that dragons and snakes transformed into each other: "A dragon sometimes looks like a snake, and a snake sometimes looks like a dragon." The image of the dragon is not uncommon in Shang and Zhou bronzes. It abstracts every part of the representation and selectively strengthens it.

The original image of the phoenix is ??the black bird (the black bird is the totem of the Dongyi people in ancient China). Like the dragon, it is also an animal imagined by the ancient people, and it is also a combination of multiple animals. A divine bird created from the image of a bird. Its feathers are inspired by the image of a peacock, and its sharp claws are taken from the more ferocious eagle. There is a description of the phoenix in "Han Shi Wai Zhuan", "The image of a phoenix is ??like a tiger with scales in front, a snake with a fish tail, a dragon with a turtle body, a swallow with a chin like a chicken pecking." It is also absorbed and integrated. The culture of other clans. However, the phoenix pattern here has many changes, which is comparable to the Kui dragon pattern, and also gives people a sense of mystery. The development of China's five thousand years of civilization, whether it is court art or folk art, whether it is literati painting or religious painting, has passed through the ages. The creative practice of painters, artists, and craftsmen has accumulated a large number of rich and diverse artistic expression techniques and forms.

From the painted pottery of the Neolithic Age to the bronzes of the Yin and Shang Dynasties, from the utensils and silk paintings of the Warring States Period to the sculptures and portrait stones of the Han Dynasty, from the paintings of the Tang and Song Dynasties to the porcelain of the Ming and Qing Dynasties, as well as the widely circulated paper-cuts, woodblock New Year paintings, architecture, Decoration, costumes, masks, etc., fully embody various techniques such as grand and clever, simple or exquisite, neat or extensive, warm or graceful, simple or luxurious. Whether it is the hasty brushstrokes of Chinese painting or the rounded decorative patterns of engravings; whether it is the exaggerated folk paper-cuts or the strong-colored woodblock New Year pictures, all of these provide rich forms of expression and graphic decorative language for current industrial design. In the history of our country, agricultural society has left behind rich historical heritage. Many of the historical relics we visit and protect today were indispensable tools or buildings for social production back then. To find a path of "national personality", we must be rooted in the soil of national culture, learn from traditional arts and crafts, and carry out creative transformation, so that traditional Chinese design elements can be used in contemporary industrial design to have both "national personality" and It is "contemporary", in this way, our industrial design can truly become "international". Thesis website www.lwkoo.cn Graduation thesis

After a long history of condensation, Chinese traditional art has gradually formed graphics and patterns with typical cultural connotations. They include images in the form of characters, plants, animals, totems, geometric symbols, etc., as well as some widely circulated allusions, idioms, legendary characters, scenery, and some conventional things and combinations. These graphic elements with strong local flavor are an important part of national arts and crafts. If these elements with rich national form characteristics are organically combined into modern industrial design, it will undoubtedly bring a refreshing breath to the monotonous and boring modern industrial design style. Air.