What are the characteristics of pen and ink used in Chinese painting?

There are differences in the selection of pen materials in China, some are weak and some are strong; The methods of writing are different in length and thickness, so they have their own characteristics when painting and calligraphy. Wool is round, fine and supple, with strong water content and slow pen tip. Using dry ink and wet ink has its own advantages. When painting, using ink and color is complicated, which is beyond his power. Purple, deer and badger are strong, but the water content is slightly poor. The pen tip is fast and ink-colored, which is relatively simple and easy to flatten.

Scholars can choose the right one to use according to different habits and paintings. When writing, you should put your fingers on your fingertips, so that the pen tip can be up, down, left and right, and flexible. And you have to hang your elbow to get the pen, which will make you angry all over. You can reach from your shoulders to your arms, from your arms to your wrists, from your wrists to your fingers, and from your fingers to your pen tip, then the whole body's strength can reach from the pen tip to the paper surface and from the paper surface to the back of the paper.

The focus of writing is connected with points, and painting is connected with painting. The connection between points is closer, that is, the principle that points form a line and points form a surface. Point sparse connection, distance correspondence, density concern, oblique and colorful. Lines are more closely connected, that is, dense lines composed of lines and long lines connected by lines. The lines are loosely connected, such as veterans coming out, connecting the preceding with the following, dispersing the west, irrelevant and related, criss-crossing and becoming a whole. Draw points and lines on the screen in one breath.

Ink is not pure ink color. It has extremely rich ink color changes and expressive force. China ancient paintings, multicolor; But the main color is painter, so it is called painter. After the Tang and Song Dynasties, it gradually developed into ink painting, and ink painting is the main color of painting. For example, the smoke quality of ink is not excellent and the workmanship is not pure. Although there are good pens and paper, it is difficult to produce a good product under the application of experts.

There are two points to pay attention to when using ink: First, "research ink should be strong". The second is "clean pens and water". Wipe the pen with clean water, dip it in thick ink and make a phone call, so there will be no problem of blackening and colorless. It is difficult for a painter to use ink with a pen. In China, from the Wei and Jin Dynasties to the Sui and Tang Dynasties, it was dominated by thick and colorful lines, and so was the landscape of Wu Daozi. From Wang Mokai, he began to use shades, and Wang Qia began to use splash ink. However, a pen is a painted bone, ink is a painted meat, and a pen without ink is wrong. It is neither ink nor pen. Painters use strokes for inspiration, ink for rhyme, and concentration, accumulation and breakthrough for painting massiness. Breaking ink must seek sobriety in obscurity, obscurity in sobriety, clarity in clutter, and clutter in clarity. Splash ink to seek injustice in the flat, and seek great harmony in the injustice. However, we must pay attention to the joint use of splashing ink, breaking ink and accumulating ink in order to understand and change it.