Japan's 24 Seasons: An Introduction?

The twenty-four seasons is a well-known cultural concept in China, and in Japan, people also divide the year into twenty-four seasons, and use twenty-four representative scenery as a representative, which shows the Japanese people's pursuit of the aesthetic of integration with nature. Today, let's introduce Japan's twenty-four festive seasons one by one.

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Tachibana Flower CeremonyThe traditional Japanese flower ceremony is inherited from the master who teaches his disciples, and there is the idea that "those who are not suitable should not be taught, for fear of wasting the path", so the master is usually quite strict with his disciples, not only in the skills of flower arranging, but also in the charisma, the state of mind, and the way of thinking, all of which are tested. The master is usually very strict with his disciples, not only in flower arranging skills, but also in personality, charisma, lifestyle, and way of thinking, which is closely related to many traditional arts such as the tea ceremony. The current school of flower arranging, centered on Ikebana in Iemoto, has produced more than 2,000 to 3,000 flower arrangements, and is an art of beauty that comes from life and expresses the heart.

Amazake-nitori Nitori is an artificial crystal, which was called glaze in ancient times, and is called nitori in Japan, and is the modern art of glass. Initially, potassium carbonate extracted from plant ash and silica in sand and gravel were melted to form nitrate. As the oldest synthetic material, its history can be traced back to 4,000 years before the Era, and the encounter between nitron and Japan was after the Yayoi Era. Ancient tombs found in the "hook jade", "pipe jade", there is no shortage of large and small pieces of nitrate was unearthed, which also came from China, was used as a decoration of the Buddha's statue of the Buddha Hall of the glazed jade, must be accompanied by Buddhism came to Japan.

Hikikomori Yuzen Yuzen is a traditional technique of dyeing fabrics, which was originally a colorful dyeing technique using a dye preventive agent made of starch or rice, and then hand-drawn and shaped into a colorful dye, and nowadays, similar techniques using type-dyeing or digital printing styles are also collectively called Yuzen, which is one of the most representative dyeing techniques in Japan. Drawing and dyeing on white silk cloth is often used to express the colorful patterns of traditional kimono. They are especially good at representing plants, animals, and landscapes with simple lines. Since the introduction of bright and colorful chemical dyes from abroad, the colors have become richer and richer.

Spring Equinox Wind Lushiki Wind Lushiki is what we often refer to as "wrapping rolls", "wrapping skin", since there is a cloth naturally born of the history of the parcel, simply a piece of cloth, front and back only two sides, but opened an unusual period of a thousand years! Light time. At the time of the spring equinox, when the willow color is half in the spring light, the sun goes out all night and the day and night are equally divided, and the cold and heat are equal, so it is the right time to walk in the spring and look for the warm sunshine, so let's go on the road wrapped in the colors of spring. The baths are called "Yuya" in the Edo region, but in the Kansai region, they are more commonly called "Kazehaya". Kazehaya is actually a steam sauna, where the clothes you take off are wrapped in a cloth on the floor of the bathroom, and then gradually wrapped in a steam bath called "Kazehashi". The name "Karashiki" was then gradually spread among the people.

The materials used in the production of Kagemushiki are mostly natural materials, such as silk, silk, silk, yarn, cotton and other fabrics, and chemical synthetic fibers have also appeared in recent years. Silk and other traditional fabrics due to expensive raw materials, has a special luster, smooth feel, often used as a high-level wind Lushiki use, the price is naturally not low, and Friends of the Zen kimono and use, can be said to complement each other; shrinkage of the Maine easy to wash the shrinkage, and cotton absorbency is better, no harm to the human skin, easy to general cleaning, so it is relatively commonly used as a common wind Lushiki use.

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